Adoration Free Stock Images

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Old mission style church in a mexican village plaza.

Happy groom picks up his bride. Man holding his woman in his arms on the beach shore. Standing in the waves of the ocean. Couple facing the ocean. Happy groom picks up his bride. Man holding his woman in his arms on the beach shore. Standing in the waves of the ocean. Couple facing the ocean.

Adoration of Buddha

The buddha image part of wat po temple at bangkok province, metropolis of thailand. The buddha image part of wat po temple at bangkok province, metropolis of thailand

Person pattern, for ancient ancestry adoration topic.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Portrait of Mother with her daughter

Portrait of Mother with her daughter side by side looking at the camera, on Yellow Background, closeup.

Dome ceiling Painting of Eucharist Adoration of the angels

Dome ceiling Painting of Eucharist Adoration of the angels

Pink and purple cats and cloud as text frame. Pink and purple cats and cloud as text frame

An handsome Indian boy learning music with an electric piano

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Adoration of the Shepherds

Nativity Scene, Adoration of the Shepherds

An handsome Indian boy learning music with an electric piano

illustration of heart decorated by candies by hearts by lips by letters by gifts. illustration of heart decorated by candies by hearts by lips by letters by gifts

box of gold color with hearts and serpentine is decorated by a red ribbon. box of gold color with hearts and serpentine is decorated by a red ribbon

illustration of pink giftwrap with a white ribbon and bow. illustration of pink giftwrap with a white ribbon and bow

Person pattern, for ancient ancestry adoration topic.

Dog / German Shepherd 2

Germen shepherd portayed as a human. Germen shepherd portayed as a human

Nativity Scene

Woman and man in bar

Couple for the evening's meeting in a bar. Couple for the evening's meeting in a bar.

The Adoration of the Magi by Gentile da Fabriano at Uffizi Gallery

The Adoration of the Magi by Gentile da Fabriano at Uffizi Gallery

box of gold color with two hearts is decorated by a red ribbon. box of gold color with two hearts is decorated by a red ribbon

An handsome Indian boy learning music with an electric piano

The traditional of thai painting on the wall in the buddha temple

Girl weeds the cat cornish rex with cake. Girl weeds the cat cornish rex with cake

Isolated overwhite stuffed red pillow heart

Love is fine, strong and fascinating feeling. Love is fine, strong and fascinating feeling

Young woman is looking straight forward while holding her cell phone. Young woman is looking straight forward while holding her cell phone

Ostensorial adoration in the catholic church - Holy Week

Ostensorial adoration in the catholic church - Holy Week

Person pattern, for ancient ancestry adoration topic.

Cute valentine greeting card background. Cute valentine greeting card background

Isolated floating heart against sky with room for copy ,text

illustration of heart on a background with candies by hearts by lips by letters by gifts

Turin - The symbolic fresco of The adoration of holys in front of Eucharist in church Chiesa di San Dalmazzo

Turin - The symbolic fresco of The adoration of holys in front of Eucharist in church Chiesa di San Dalmazzo

illustration of three gift boxes and two lollipops on sticks. illustration of three gift boxes and two lollipops on sticks

An handsome Indian boy learning music with an electric piano

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Be My Valentine

Cute baby holding up a red heart with naughty expressions on face. Cute baby holding up a red heart with naughty expressions on face

Hand crafted three Kings bringing gifts to baby Jesus.

Valentin day illustration with lovely hearths on white background. Valentin day illustration with lovely hearths on white background

Man in love. Black ink on the white background.

Eucharistic adoration monstrance with the Blessed Sacrament

Eucharistic adoration monstrance with the Blessed Sacrament

Nativity Scene, Adoration of the Magi

Nativity Scene, Adoration of the Magi

Isolated floating heart against sky with room for copy ,text

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Set of four glossy emblems of love with hearts and arrows. Set of four glossy emblems of love with hearts and arrows

Couple portrait hugging and laughing with trees behind

Man proposing to woman box with engagement ring. Man proposing to woman box with engagement ring

Top of a mesh valentines day box fuzzy hearts red beads and red bows

PRAGUE, CZECH REPUBLIC - 2018: The fresco of Adoration of Magi the in church kostel SvatÃ©ho Cyrila Metodeje by Petr Maixner

PRAGUE, CZECH REPUBLIC - 2018: The fresco of Adoration of Magi the in church kostel SvatÃ©ho Cyrila Metodeje by Petr Maixner

Ostensorial adoration in the catholic church - Holy Week

Ostensorial adoration in the catholic church - Holy Week

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Ostensorial adoration in the catholic church

Person pattern, for ancient ancestry adoration topic.

A nativity scene, Adoration of the Magi

beautiful young woman with almond-shaped eyes. beautiful young woman with almond-shaped eyes

Happy woman on the background of the sky.

Isolated overwhite stuffed red i love you pillow heart

Ostensorial adoration in the catholic church - Corpus Christi

Ostensorial adoration in the catholic church - Corpus Christi

Andrea della Robbia — Adoration of the Magi

Adoration of the Magi by florentine sculptor Andrea della Robbia, Victoria and Albert Museum, London. Adoration of the Magi by florentine sculptor Andrea della Robbia, Victoria and Albert Museum, London

Isolated over red felt stuffed red i love you pillow heart

box of gold color with two hearts is decorated by a red ribbon. box of gold color with two hearts is decorated by a red ribbon

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