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Diwan-i-Khas at Fatehpur Sikri

The Hall of Private Audience (Diwan-i-Khas) at Fetehpur Sikri, Uttar Pradesh, India. The Hall of Private Audience (Diwan-i-Khas) at Fetehpur Sikri, Uttar Pradesh, India.

The Tomb of Akbar the Great, Agra

The Tomb of Akbar the Great, Agra

Ancient Moghul Coinage

Old Indian moghul era Akbar copper coin. Old Indian moghul era Akbar copper coin

Jodha Bai Palace

The Jodh Bai palace at Fatehpur Sikri, India. The Jodh Bai palace at Fatehpur Sikri, India.

Badshahi Gate at Fatehpur Sikri

The Badshahi Gate was built during the reign of Mughal emperor Akbar. The Badshahi Gate was built during the reign of Mughal emperor Akbar.

Historical monument Akbar`s Tomb in Sikandra Agra, Uttar Pradesh, India

Historical monument Akbar`s Tomb in Sikandra Agra, Uttar Pradesh, India

Sikandra, Tomb of Akbar (the great Mughal emperor)

Sikandra, Tomb of Akbar (the great Mughal emperor)

Tomb of Akbar the Great

Tomb of Akbar the Great

Ancient Moghul Coinage

Old Indian moghul era Akbar copper coin. Old Indian moghul era Akbar copper coin

Entrance to Sikandra, Tomb of Akbar

Entrance to Sikandra, Tomb of Akbar

Indian Palace in Fatehpur Sikri

Raja Birbal's House, the house of Akbar's favourite minister in Fatehpur Sikri, Agra, India. Raja Birbal's House, the house of Akbar's favourite minister in Fatehpur Sikri, Agra, India.

Archs at Sikandra

Archs at Sikandra, Tomb of Akbar

Taj Mahal Agra, India

Taj Mahal in Agra, Uttar Pradesh India. Ornaments in Indian architecture found in ancient buildings. Mogul architecture style. Taj Mahal in Agra, Uttar Pradesh India. Ornaments in Indian architecture found in ancient buildings. Mogul architecture style.

Agra Red Fort India

One of the pillars of the red fort at Agra, India made by Akbar, the Great. . One of the pillars of the red fort at Agra, India made by Akbar, the Great.

Itimad Daulah, Agra, India

Known also as the Baby Taj, the tomb of Itimad Daulah is known as the inspiration for the great Taj Mahal. Known also as the Baby Taj, the tomb of Itimad Daulah is known as the inspiration for the great Taj Mahal

Tomb of Akbar the Great

Panoramic view of Akbar the Great's tomb at the Sikandra in Agra, india. Panoramic view of Akbar the Great's tomb at the Sikandra in Agra, india.

Funny parrot on a brick wall

Funny parrot parakeet on a brick wall. Funny parrot parakeet on a brick wall

Entrance to Sikandra, Tomb of Akbar

Entrance to Sikandra, Tomb of Akbar

Fort wall at Fatehpur Sikri

The boundary wall at Mosque complex at Fatehpur Sikri, built during the reign of Mughal emperor Akbar. The boundary wall at Mosque complex at Fatehpur Sikri, built during the reign of Mughal emperor Akbar.

Fatehpur Sikri, India

Build by the Emperor Akbar to bring all the world religions together. Fatehpur Sikri was supposed to be the center for a new world religion of tolerance and understanding towards all faith. Build by the Emperor Akbar to bring all the world religions together. Fatehpur Sikri was supposed to be the center for a new world religion of tolerance and understanding towards all faith

The Tomb of Akbar

The Tomb of Akbar

Hall of Private Audience

Diwan-i-Khas, or Hall of Private Audience, at Fatehpur Sikri, India.

Sikandra, Tomb of Akbar

Sikandra, Tomb of Akbar

The door of Akbar's tomb

Photography angle of the entrance to the tomb. Photography angle of the entrance to the tomb

Tomb of Akbar - Sikandra - Agra - India

Tomb of Akbar - Sikandra - Agra - India

Five poems (quintet), Illuminated frontispiece with shamsah, Walters Manuscript W.624, fol. 1a

This is a deluxe copy of the Khamsah (quintet) of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). The manuscript was written in nastaʿlīq script by one of the greatest calligraphers of the Mughal atelier, Muḥammad Ḥusayn al-Kashmīrī, honored with the epithet Zarrīn Qalam (golden pen). This copy of Dihlavī's Khamsah, likely produced in Lahore (present-day Pakistan) in the late tenth century AH / sixteenth CE, is associated with the patronage of Akbar (r. 963-1014 AH / 1556-1605 CE). The manuscript bears the names of a number of painters and illuminators. The illustrations bear ascriptions to the following artists: Laʿl (Lāl), Manūhar, Sānwalah, Farrukh, Alīqulī, Dharamdās, Narsing, Jagannāth, Miskīnā, Mukund, and Sūrdās Gujarātī. The illuminators are Ḥusayn Naqqāsh, Manṣūr Naqqāsh, Khvājah Jān Shīrāzī, and Luṭf Allāh Muẕahhib. The borders are all elaborately illuminated with animal, bird, and geometric motifs, as well as human figures engaged in such activities as hunting, praying, and reading. The lacquer binding, decorated with pictorial scenes, is contemporary with the manuscript. Eight leaves from this copy of the Khamsah of Dihlavī are housed in the Metropolitan Museum of Art (13.228.26-33). This illuminated frontispiece has a central twelve-pointed star (shamsah). The page is further decorated with floral motifs executed in gold. There are five seals. This is a deluxe copy of the Khamsah (quintet) of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). The manuscript was written in nastaʿlīq script by one of the greatest calligraphers of the Mughal atelier, Muḥammad Ḥusayn al-Kashmīrī, honored with the epithet Zarrīn Qalam (golden pen). This copy of Dihlavī's Khamsah, likely produced in Lahore (present-day Pakistan) in the late tenth century AH / sixteenth CE, is associated with the patronage of Akbar (r. 963-1014 AH / 1556-1605 CE). The manuscript bears the names of a number of painters and illuminators. The illustrations bear ascriptions to the following artists: Laʿl (Lāl), Manūhar, Sānwalah, Farrukh, Alīqulī, Dharamdās, Narsing, Jagannāth, Miskīnā, Mukund, and Sūrdās Gujarātī. The illuminators are Ḥusayn Naqqāsh, Manṣūr Naqqāsh, Khvājah Jān Shīrāzī, and Luṭf Allāh Muẕahhib. The borders are all elaborately illuminated with animal, bird, and geometric motifs, as well as human figures engaged in such activities as hunting, praying, and reading. The lacquer binding, decorated with pictorial scenes, is contemporary with the manuscript. Eight leaves from this copy of the Khamsah of Dihlavī are housed in the Metropolitan Museum of Art (13.228.26-33). This illuminated frontispiece has a central twelve-pointed star (shamsah). The page is further decorated with floral motifs executed in gold. There are five seals.

Tomb of Akbar the Great

Tomb of Akbar the Great

Pink sandstone tomb at Fathepur Sikri, India

White marble tomb at Fatherpur Sikri, The ghost city, near Agra, Uttar Pradesh, Agra. Mogul architecture. Beautiful carving on pink sandstone. Islamic architecture style at King Akbar period. White marble tomb at Fatherpur Sikri, The ghost city, near Agra, Uttar Pradesh, Agra. Mogul architecture. Beautiful carving on pink sandstone. Islamic architecture style at King Akbar period.

The entrance to the Sikandra monument in Agra, where Akbar the Great is buried. The entrance to the Sikandra monument in Agra, where Akbar the Great is buried.

Tomb of Akbar the Great in Agra, Uttar Pradesh, India

Tomb of Akbar the Great in Agra, Uttar Pradesh, India

Comic Book Sound Effects

Wham Whop Whop Uraaa! (Russian for Hurrah) Allahu Akbar (Arabic for Allah is the greatest) Boom! Ka-Pow! Davai! (Rusian for do it or onwards) Tousou (Japanese for Struggle) Papapa Bam. Wham Whop Whop Uraaa! (Russian for Hurrah) Allahu Akbar (Arabic for Allah is the greatest) Boom! Ka-Pow! Davai! (Rusian for do it or onwards) Tousou (Japanese for Struggle) Papapa Bam

South Gate of the Tomb of Akbar the Great

South Gate of the Tomb of Akbar the Great

Tomb of Akbar the Great at Sikandar Fort

Tomb of Akbar the Great at Sikandar Fort

Tomb of Akbar at Sikandra near Agra - India

Tomb of Akbar at Sikandra near Agra - India

Fort Diwan I Am

Agra Fort Diwan I Am, India

Architectural detail from Fatehpur Sikri.

Indian Palace in Agra

A view of Raja Birbal's House, the house of Akbar's favourite minister in Fatehpur Sikri, Agra, India. A view of Raja Birbal's House, the house of Akbar's favourite minister in Fatehpur Sikri, Agra, India.

Ancient Moghul Coinage

Old Indian moghul era Akbar copper coin. Old Indian moghul era Akbar copper coin

Allahu Akbar

Fragment of BARCELONA AGBAR TOWER.

The Barcelonian house Cucumber (Akbar tower). The Barcelonian house Cucumber (Akbar tower).

Burning and melting, Young Hindu girl before the Mughal Emperor Akbar, Walters Manuscript W.649, fol. 16a

The Mughal Emperor Akbar attempts to dissuade the young Hindu girl from committing sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. The Mughal Emperor Akbar attempts to dissuade the young Hindu girl from committing sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Burning and melting, Prince Dāniyāl accompanies the young Hindu girl to the funeral pyre, Walters Manuscript W.649, fol. 17b

Emperor Akbar eventually permits the young Hindu girl to practice sati (self-immolation). Akbar's son, Prince Dāniyāl, accompanies the woman to the funeral pyre. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. Emperor Akbar eventually permits the young Hindu girl to practice sati (self-immolation). Akbar's son, Prince Dāniyāl, accompanies the woman to the funeral pyre. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

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