Appear Free Stock Images

Related searches:

Include:

Conceptual photo about BAIL BONDS with written phrase. Conceptual photo showing an agreement by a criminal defendant to appear for

Conceptual photo about BAIL BONDS with written phrase. Conceptual photo showing an agreement by a criminal defendant to appear for

Forest pine forest blooms with new colors, it comes to life and shines from the inside

Forest pine forest blooms with new colors, it comes to life and shines from the inside

The first spring shoots

The first spring shoots

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 197b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Iskandar’s victory over the Zanghis. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Iskandar’s victory over the Zanghis. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 180b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Incipit page with an illuminated headpiece introducing Sharafnāmah (the first part of Iskandarnāmah). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Incipit page with an illuminated headpiece introducing Sharafnāmah (the first part of Iskandarnāmah). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

a greater joy to children than all the expensively garnished shop-windows

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: Curb-side hawkers are to be found wherever shoppers congregate, but Holborn at Christmas is a favourite pitch of theirs. With their nodding-dolls and acrobatic toys - mechanisms that never appear to function so deftly after purchase - they are often a greater joy to children than all the expensively garnished shop-windows on the other side of the pavement.

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 17a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. An old woman approaches the throne of Sultan Sanjar to tell of her oppression. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. An old woman approaches the throne of Sultan Sanjar to tell of her oppression. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 119b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This illuminated incipit page with headpiece begins the Haft paykar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This illuminated incipit page with headpiece begins the Haft paykar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Butterbur flower - Petasites hybridus

Butterbur flower - Petasites hybridus

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 78b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Farhād carves a picture of his beloved Shīrīn in the rock. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Farhād carves a picture of his beloved Shīrīn in the rock. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Warehouse Building Construction (AC604-A09-003&#x29

Photograph of a warehouse and office building during construction. The building was constructed by Alco Products, Inc. out of Beaumont using materials provided by John Dollinger Jr., Inc. The steel framing has been completed and workers appear to be sweeping the area, which is a dirt floor. An additional man is walking across a beam at the top of the photograph. Houses and a large building are in the background. Photograph of a warehouse and office building during construction. The building was constructed by Alco Products, Inc. out of Beaumont using materials provided by John Dollinger Jr., Inc. The steel framing has been completed and workers appear to be sweeping the area, which is a dirt floor. An additional man is walking across a beam at the top of the photograph. Houses and a large building are in the background.

Parallel ! Impressive, straight Redwood trunks. Jedediah Smith Redwoods State Park

Parallel ! Impressive, straight Redwood trunks. Jedediah Smith Redwoods State Park

The stunning colorful cliffs of Nightcliff at the early sunset light. Darwin, NT Australia.

The stunning colorful cliffs of Nightcliff at the early sunset light. Darwin, NT Australia.

Autumn sun rays sunbeam appear trought the beautiful tree branches and leaves in a city park with a pond in the front of

Autumn sun rays sunbeam appear trought the beautiful tree branches and leaves in a city park with a pond in the front of

Sunset approaches the Superstition Mountains

Sunset approaches the Superstition Mountains

Memorial to Workers Unions Killed in 1919 Clashes

Memorial to Workers Unions Killed in 1919 Clashes

Stars appear and shadows are falling

theartonlinegallery.com/artist/john-lowerson/ www.photo4me.com/JohnLowersonart www.artpistol.co.uk/art-gallery/artist/586. theartonlinegallery.com/artist/john-lowerson/ www.photo4me.com/JohnLowersonart www.artpistol.co.uk/art-gallery/artist/586

Warehouse Building Construction (AC604-A09-002&#x29

Photograph of a warehouse and office building during construction. The building was constructed by Alco Products, Inc. out of Beaumont using materials provided by John Dollinger Jr., Inc. The steel framing has been completed and workers appear to be sweeping the area, which appears to be covered with dirt. Houses and a large building are in the background. Photograph of a warehouse and office building during construction. The building was constructed by Alco Products, Inc. out of Beaumont using materials provided by John Dollinger Jr., Inc. The steel framing has been completed and workers appear to be sweeping the area, which appears to be covered with dirt. Houses and a large building are in the background.

Chinese New Year orange offering red envelope and chinese tea pot, Translation of text appear in image: Prosperity, rich and

Chinese New Year orange offering red envelope and chinese tea pot, Translation of text appear in image: Prosperity, rich and

Springtime at Schultz Tank

Following a winter of heavy snows, Schultz Tank was full to the point of overflowing in the spring of 2017. This is the view of the smaller, upper tank. Schultz Tank is a man-made pond nestled between the San Francisco Peaks and Dry Lake Hills at Schultz Pass. Two earthen dams create a pair of reservoirs along the drainage, creating a small upper tank and larger lower tank. The tank is a haven for wildlife. A few ducks will live on the pond through the summer months. Small birds can usually be seen cavorting over the pond chasing flying insects. On quiet days, elk and deer may appear in the twilight hours. To ensure wildlife have access to water, state law prohibits camping within a quarter mile of a wildlife tank. Photo by Deborah Lee Soltesz, April 2017. Credit: Coconino National Forest, U.S. Forest Service. Learn more about Schultz Tank on the Coconino National Forest. Following a winter of heavy snows, Schultz Tank was full to the point of overflowing in the spring of 2017. This is the view of the smaller, upper tank. Schultz Tank is a man-made pond nestled between the San Francisco Peaks and Dry Lake Hills at Schultz Pass. Two earthen dams create a pair of reservoirs along the drainage, creating a small upper tank and larger lower tank. The tank is a haven for wildlife. A few ducks will live on the pond through the summer months. Small birds can usually be seen cavorting over the pond chasing flying insects. On quiet days, elk and deer may appear in the twilight hours. To ensure wildlife have access to water, state law prohibits camping within a quarter mile of a wildlife tank. Photo by Deborah Lee Soltesz, April 2017. Credit: Coconino National Forest, U.S. Forest Service. Learn more about Schultz Tank on the Coconino National Forest.

Memorial to Workers Unions Killed in 1919 Clashes

Memorial to Workers Unions Killed in 1919 Clashes

Memorial to Workers Unions Killed in 1919 Clashes

Memorial to Workers Unions Killed in 1919 Clashes

Springtime at Schultz Tank

Following a winter of heavy snows, Schultz Tank was full to the point of overflowing in the spring of 2017. This is a view of the larger, lower tank. Schultz Tank is a man-made pond nestled between the San Francisco Peaks and Dry Lake Hills at Schultz Pass. Two earthen dams create a pair of reservoirs along the drainage, creating a small upper tank and larger lower tank. The tank is a haven for wildlife. A few ducks will live on the pond through the summer months. Small birds can usually be seen cavorting over the pond chasing flying insects. On quiet days, elk and deer may appear in the twilight hours. To ensure wildlife have access to water, state law prohibits camping within a quarter mile of a wildlife tank. Photo by Deborah Lee Soltesz, April 2017. Credit: Coconino National Forest, U.S. Forest Service. Learn more about Schultz Tank on the Coconino National Forest. Following a winter of heavy snows, Schultz Tank was full to the point of overflowing in the spring of 2017. This is a view of the larger, lower tank. Schultz Tank is a man-made pond nestled between the San Francisco Peaks and Dry Lake Hills at Schultz Pass. Two earthen dams create a pair of reservoirs along the drainage, creating a small upper tank and larger lower tank. The tank is a haven for wildlife. A few ducks will live on the pond through the summer months. Small birds can usually be seen cavorting over the pond chasing flying insects. On quiet days, elk and deer may appear in the twilight hours. To ensure wildlife have access to water, state law prohibits camping within a quarter mile of a wildlife tank. Photo by Deborah Lee Soltesz, April 2017. Credit: Coconino National Forest, U.S. Forest Service. Learn more about Schultz Tank on the Coconino National Forest.

Terminalia arjunaPlant tree

Terminalia arjunaPlant tree

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 268b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Aristotle (Arisṭū) teaching his students. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Aristotle (Arisṭū) teaching his students. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

The Four Evangelists and Two Apostles, The four evangelists and the two chief apostles, Walters Manuscript W.530.C, fol. 211r

This image originally faced the beginning of the Acts of the Apostles in a late eleventh-century Psalter and New Testament in Mount Athos, Vatopedi Monastery, MS 762. It seems likely that in this manuscript's scribe and illuminator were the same person. The Evangelists and Apostles appear in the following order: Paul, Peter, John (above), Luke, Matthew, Mark (below). This image originally faced the beginning of the Acts of the Apostles in a late eleventh-century Psalter and New Testament in Mount Athos, Vatopedi Monastery, MS 762. It seems likely that in this manuscript's scribe and illuminator were the same person. The Evangelists and Apostles appear in the following order: Paul, Peter, John (above), Luke, Matthew, Mark (below).

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 165a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Bahrām Gūr in the sandal-wood pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Bahrām Gūr in the sandal-wood pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Four images generated icons appear on virtual screen with create prompt bar.

Four images generated icons appear on virtual screen with create prompt bar.

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 86a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Khusraw announcing his marriage to Shakar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Khusraw announcing his marriage to Shakar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 1b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the right side of a double-page illuminated opening for the first poem Kitāb-i Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the right side of a double-page illuminated opening for the first poem Kitāb-i Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Memorial to Workers Unions Killed in 1919 Clashes

Memorial to Workers Unions Killed in 1919 Clashes

- Home
- Search for Appear free images