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Beautiful View of Jame Asr Hassanil Bolkiah Mosque and blue sky.

Beautiful View of Jame Asr Hassanil Bolkiah Mosque and blue sky.

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah mosque Brunei vector flat attraction

Jame Asr Hassanil Bolkiah mosque Brunei vector flat attraction

Jame Asr Hassanil Bolkiah Mosque in brunei

Jame Asr Hassanil Bolkiah Mosque in brunei

Manuscript Book on Logic, Walters Art Museum Ms. W.591, fol. 78a

The present work is a supergloss on the gloss (ḥāshiyah) by al-Sayyid al-Sharīf al-Jurjānī (d.816 AH / 1413 CE) on the Lawāmiʿ al-asrār by Qutb al-Dīn al-Taḥtānī al-Rāzī (d.766 AH / 1364 CE), being in turn a commentary on a book of logic entitled Maṭāliʿ al-anwār by Sirāj al-Dīn Maḥmūd al-Urmawī (d.682 AH / 1283 CE). Written for the library of the Ottoman Sultan Selim I, it was executed in Bursa in 918 AH / 1512 CE, the year of his accession to the throne. It is very likely that the scribe is also the author of this work. This folio contains the end of the text and the colophon. Virtually turn the pages of this manuscript on Walters Ex Libris: manuscripts.thewalters.org/viewer.php?id=W.591#page/176/m. The present work is a supergloss on the gloss (ḥāshiyah) by al-Sayyid al-Sharīf al-Jurjānī (d.816 AH / 1413 CE) on the Lawāmiʿ al-asrār by Qutb al-Dīn al-Taḥtānī al-Rāzī (d.766 AH / 1364 CE), being in turn a commentary on a book of logic entitled Maṭāliʿ al-anwār by Sirāj al-Dīn Maḥmūd al-Urmawī (d.682 AH / 1283 CE). Written for the library of the Ottoman Sultan Selim I, it was executed in Bursa in 918 AH / 1512 CE, the year of his accession to the throne. It is very likely that the scribe is also the author of this work. This folio contains the end of the text and the colophon. Virtually turn the pages of this manuscript on Walters Ex Libris: manuscripts.thewalters.org/viewer.php?id=W.591#page/176/m...

Jame asr Hassanil Bolkiah Mosque in Brunei

Jame asr Hassanil Bolkiah Mosque in Brunei

Jame Asr Hassanil Bolkiah Mosque Bandar Seri Begawan

Jame Asr Hassanil Bolkiah Mosque Bandar Seri Begawan

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Fire protection sign vector collection DIN 7010 and ASR 1.3 isolated on white background

Fire protection sign vector collection DIN 7010 and ASR 1.3 isolated on white background

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Rohingya refugees praying after Asr prayers.

Rohingya refugees praying after Asr prayers.

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 2a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the left side of an illuminated double-page opening initiating the poem Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the left side of an illuminated double-page opening initiating the poem Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 1b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the right side of a double-page illuminated opening for the first poem Kitāb-i Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the right side of a double-page illuminated opening for the first poem Kitāb-i Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Jame Asr Hassanil Bolkiah Mosque Entrance-Brunei

Jame Asr Hassanil Bolkiah Mosque Entrance-Brunei

Prayer timetable

Clock showing the correct time for of namaz. Clock showing the correct time for of namaz

Jame Asr Hassanil Bolkiah Mosque Park-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque Park-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

Jame Asr Hassanil Bolkiah Mosque-Brunei,Asia

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