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Afternoon Drive (6&#x29

PA Route 144, Centre County, within Sproul State Forest. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. PA Route 144, Centre County, within Sproul State Forest. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Wilson NFL Football

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Algerine Swamp Natural Area (Revisited) (1&#x29

Hemlockâ€“black spruce forest, Lycoming Countyâ€“Tioga County line, within the Algerine Swamp Natural Area of Tiadaghton State Forest. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. Hemlockâ€“black spruce forest, Lycoming Countyâ€“Tioga County line, within the Algerine Swamp Natural Area of Tiadaghton State Forest. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Military vehicles

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Illuminated Manuscript, Gospels of Freising, Canon tables, Walters Art Museum Ms. W.4, fol. 32v

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon X. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon X. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Town Hall Tower and Sukiennice, Krakow, Poland

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Train graveyards, Krakow, Poland

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Town Hall Tower, Krakow, Poland

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The obelisk of Queen Hatshepsut, Temple of Karnak, Egypt

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Autumn arrives and Halloween beckons. Pasadena, California Day 265 of my 366 Project. Autumn arrives and Halloween beckons. Pasadena, California Day 265 of my 366 Project

Egyptian hieroglyphs

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Stand of mixed-age hemlocks near Nescopeck Creek, Luzerne County, within Nescopeck State Park. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. Stand of mixed-age hemlocks near Nescopeck Creek, Luzerne County, within Nescopeck State Park. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Scrabble - happy

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Lehigh Gap Nature Center (Revisited) (9&#x29

Mixed hardwood forest at peak autumn color, Carbon County, along the 3 Ponds Trail at the Lehigh Gap Nature Center. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. Mixed hardwood forest at peak autumn color, Carbon County, along the 3 Ponds Trail at the Lehigh Gap Nature Center. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Sukiennice, Krakow, Poland

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KrakÃ³w vintage blue tram, Poland

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Swit Krzeszowice Stadium, Poland

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Tannery Road (2&#x29

Pinchot State Forest, Lackawanna County. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. Pinchot State Forest, Lackawanna County. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Train graveyards, Krakow, Poland

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Swit Krzeszowice Stadium, Poland

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Illuminated Manuscript, Gospels of Freising, Canon tables, Walters Art Museum Ms. W.4, fol. 29v

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon V. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon V. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

Military car roope

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Illuminated Manuscript, Gospels of Freising, Canon tables, Walters Art Museum Ms. W.4, fol. 24v

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon I. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon I. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

Greenwich Township, Berks County. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. Greenwich Township, Berks County. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Great Hypostyle Hall, Karnak, Luxor, Egypt

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Train graveyards, Krakow, Poland

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Old train depot, Krakow, Poland

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Train graveyards, Krakow, Poland

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Illuminated Manuscript, Gospels of Freising, Canon tables, Walters Art Museum Ms. W.4, fol. 28r

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon II. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon II. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

Swit Krzeszowice Stadium, Poland

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Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Great Hypostyle Hall, Karnak, Luxor, Egypt

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Krakow streets by night, Poland

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Waterfall long exposure photo, Krzeszowice, Poland

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Military vehicle steering wheel

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Egyptian hieroglyphs

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Great Hypostyle Hall, Karnak, Luxor, Egypt

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Illuminated Manuscript, Gospels of Freising, Canon tables, Walters Art Museum Ms. W.4, fol. 31v

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon X. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. Canon X. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital â€œturning the pagesâ€ presentation of this manuscript and downloadable PDFs, visit the Walters Art Museumâ€™s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

Walnut in nutcracker

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Hypsy Creek (7&#x29

Dense forest of hemlocks, rhododendron, and yellow birches along Hypsy Creek, Monroe County, within State Game Land 38. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. Dense forest of hemlocks, rhododendron, and yellow birches along Hypsy Creek, Monroe County, within State Game Land 38. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Eros Bendato Head sculpture on Market Square, Krakow, Poland

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Lancasters Rotting - Tom Skarbek-Wazynski - 0002

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Afternoon Drive (7&#x29

PA Route 144, Centre County, within Sproul State Forest. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution. PA Route 144, Centre County, within Sproul State Forest. I've licensed this photo as CC0 for release into the public domain. You're welcome to download the photo and use it without attribution.

Old stadium scoreboard

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Black sunglasses

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Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

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