Board Chains Free Stock Images

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Blue and red swings hanging in the park

Blue and red swings hanging in the green park

Wooden board hangs from chains. Empty wooden signboard on chains. Hand drawn

Wooden board hangs from chains. Empty wooden signboard on chains. Hand drawn

Bouys on a ship.

Large heavy duty buoys. (industrial maritime objects). Large heavy duty buoys. (industrial maritime objects).

Board on chains

Scarred old board hanging on the iron chains. Scarred old board hanging on the iron chains

Announcement board, hangs on chains

Announcement board, hangs on chains

Signs of wood, decorated with chains and forging. Signs of wood, decorated with chains and forging

Medieval wooden sign board hanging on chains isolated

Medieval wooden sign board hanging on chains isolated

Board in a metal frame hanging on chains. Silver signboard. Isolated vector illustration

Board in a metal frame hanging on chains. Silver signboard. Isolated vector illustration

Wood signboard hanging on chrome chains

Stone signboard

Stone signboard hanging on chrome chains

Jigsaw board sign on the chains.

Jigsaw board sign on the chains. This is a 3d render illustration

Wood sign board with chains

Wood sign board with chains

Antique equipment and tire with sign for business

Tire sign on old antique hand truck advertising business. Tire sign on old antique hand truck advertising business

Big swing in the playground

Big swings in the playground for kids. Big swings in the playground for kids

Vintage wood sign board with chains

Vintage wood sign board with chains

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Wood sign board with chains

Wood sign board with chains

Signs of wood, decorated with chains and forging. Signs of wood, decorated with chains and forging

Rusty metal chains with the door.

Old color wooden board with rusty chain side the door. Old color wooden board with rusty chain side the door.

Wooden sign board hanging on a chains isolated on white background 3d rendering

Wooden sign board hanging on a chains isolated on white background 3d rendering

Board in a metal frame hanging on chains. Silver signboard. Isolated vector illustration.

Board in a metal frame hanging on chains. Silver signboard. Isolated vector illustration.

Old wooden board hanging on chains

Old wooden board hanging on chains

Announcement board, hangs on chains

Announcement board, hangs on chains

Artistic illustration of a wooden heart in chain.

Blank white sign with ornaments №1

Blank white sign with ornaments and chains on a white background №1. Blank white sign with ornaments and chains on a white background №1

Blank wooden board hanging on chains isolated on white

Blank wooden board hanging on chains isolated on white

Signs of wood, decorated with chains and forging. Signs of wood, decorated with chains and forging

Wooden sign board with chains

Wooden sign board with chains

Board in a metal frame hanging on chains. Silver billboard. Isolated vector illustration

Board in a metal frame hanging on chains. Silver billboard. Isolated vector illustration

Ships and reflection in the sea

Lighthouse and boats in harbor Krilo Jesenice. Lighthouse and boats in harbor Krilo Jesenice

Blue and red swings hanging in the park

Blue and red swings hanging in the park for kids

Blank white sign with ornaments №2

Blank white sign with ornaments and chains on a white background №2. Blank white sign with ornaments and chains on a white background №2

Signs of wood, decorated with chains and forging. Signs of wood, decorated with chains and forging

Board on the chains

Board on the chains with the word risk

Wood Sign Board hanging on the chains.

Wood Sign Board hanging on the chains.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

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