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Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Şevki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more “national.” Balmumcu was not consulted about the building’s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, Cüneyt Gencer and Muhsin Ertuğrul.

SALT Research, Harika-Kemali Söylemezoğlu Archive

Günümüzde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliği yapan hem de Büyük Tiyatro adıyla Ankara Devlet Tiyatrosu için bir sahne olarak hizmet veren Ankara Opera Binası, ilk olarak bir sergi sarayı olarak inşa edildi, daha sonra opera binasına dönüştürüldü. Binanın tasarımına, Milli İktisat ve Tasarruf Cemiyeti’nin 1933’te açtığı uluslararası bir yarışma sonunda karar verildi. Yarışmanın duyurusunda, tasarımın modernist üslupta olması gerektiği özellikle belirtildi. Birinci seçilerek mimarı Şevki Balmumcu’ya büyük bir prestij kazandıran proje 1933-1934 yıllarında uygulandı. Paul Bonatz, 1948’te binayı işlevinden çok farklı olarak bir opera binasına çevirdi; Geleneksel Türk Mimarlığı’ndan detaylar ekleyerek binayı “millîleştirdi”. Tasarladığı binanın kendisine hiç danışılmadan, dönemin eğilimi olan İkinci Ulusal Mimarlık’a uygun hâle getirilmesi, Balmumcu’yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluşan binanın bahçesinde Leyla Gencer, Cüneyt Gencer ve Muhsin Ertuğrul’un heykelleri bulunmaktadır.

SALT Araştırma, Harika-Kemali Söylemezoğlu Arşivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

MM48A-1406 POSTA TOG ANM DOG S10 OP

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Singapore Macritchie stair

Scene taken at Singapore Macritchie during one of the Brisk Walking activities organised by the Sembawang CC. Scene taken at Singapore Macritchie during one of the Brisk Walking activities organised by the Sembawang CC

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Şevki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more “national.” Balmumcu was not consulted about the building’s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, Cüneyt Gencer and Muhsin Ertuğrul.

SALT Research, Harika-Kemali Söylemezoğlu Archive

Günümüzde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliği yapan hem de Büyük Tiyatro adıyla Ankara Devlet Tiyatrosu için bir sahne olarak hizmet veren Ankara Opera Binası, ilk olarak bir sergi sarayı olarak inşa edildi, daha sonra opera binasına dönüştürüldü. Binanın tasarımına, Milli İktisat ve Tasarruf Cemiyeti’nin 1933’te açtığı uluslararası bir yarışma sonunda karar verildi. Yarışmanın duyurusunda, tasarımın modernist üslupta olması gerektiği özellikle belirtildi. Birinci seçilerek mimarı Şevki Balmumcu’ya büyük bir prestij kazandıran proje 1933-1934 yıllarında uygulandı. Paul Bonatz, 1948’te binayı işlevinden çok farklı olarak bir opera binasına çevirdi; Geleneksel Türk Mimarlığı’ndan detaylar ekleyerek binayı “millîleştirdi”. Tasarladığı binanın kendisine hiç danışılmadan, dönemin eğilimi olan İkinci Ulusal Mimarlık’a uygun hâle getirilmesi, Balmumcu’yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluşan binanın bahçesinde Leyla Gencer, Cüneyt Gencer ve Muhsin Ertuğrul’un heykelleri bulunmaktadır.

SALT Araştırma, Harika-Kemali Söylemezoğlu Arşivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

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Professional and creative digital marketing coporate business flyer template

Professional and creative digital marketing coporate business flyer template

Syringe with Chemical

12 ml/cc syringe with chemical on a blue background

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Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Şevki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more “national.” Balmumcu was not consulted about the building’s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, Cüneyt Gencer and Muhsin Ertuğrul.

SALT Research, Harika-Kemali Söylemezoğlu Archive

Günümüzde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliği yapan hem de Büyük Tiyatro adıyla Ankara Devlet Tiyatrosu için bir sahne olarak hizmet veren Ankara Opera Binası, ilk olarak bir sergi sarayı olarak inşa edildi, daha sonra opera binasına dönüştürüldü. Binanın tasarımına, Milli İktisat ve Tasarruf Cemiyeti’nin 1933’te açtığı uluslararası bir yarışma sonunda karar verildi. Yarışmanın duyurusunda, tasarımın modernist üslupta olması gerektiği özellikle belirtildi. Birinci seçilerek mimarı Şevki Balmumcu’ya büyük bir prestij kazandıran proje 1933-1934 yıllarında uygulandı. Paul Bonatz, 1948’te binayı işlevinden çok farklı olarak bir opera binasına çevirdi; Geleneksel Türk Mimarlığı’ndan detaylar ekleyerek binayı “millîleştirdi”. Tasarladığı binanın kendisine hiç danışılmadan, dönemin eğilimi olan İkinci Ulusal Mimarlık’a uygun hâle getirilmesi, Balmumcu’yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluşan binanın bahçesinde Leyla Gencer, Cüneyt Gencer ve Muhsin Ertuğrul’un heykelleri bulunmaktadır.

SALT Araştırma, Harika-Kemali Söylemezoğlu Arşivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

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Liquid foundation smudge isolated

Illustration of a girl with an AI brain in her hands.

Illustration of a girl with an AI brain in her hands.

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Scooter Yamaha Nmax 155 cc

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AI Algorithm Identifies Potential Biomarkers for Fba Cc Faeabe

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Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Şevki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more “national.” Balmumcu was not consulted about the building’s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, Cüneyt Gencer and Muhsin Ertuğrul.

SALT Research, Harika-Kemali Söylemezoğlu Archive

Günümüzde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliği yapan hem de Büyük Tiyatro adıyla Ankara Devlet Tiyatrosu için bir sahne olarak hizmet veren Ankara Opera Binası, ilk olarak bir sergi sarayı olarak inşa edildi, daha sonra opera binasına dönüştürüldü. Binanın tasarımına, Milli İktisat ve Tasarruf Cemiyeti’nin 1933’te açtığı uluslararası bir yarışma sonunda karar verildi. Yarışmanın duyurusunda, tasarımın modernist üslupta olması gerektiği özellikle belirtildi. Birinci seçilerek mimarı Şevki Balmumcu’ya büyük bir prestij kazandıran proje 1933-1934 yıllarında uygulandı. Paul Bonatz, 1948’te binayı işlevinden çok farklı olarak bir opera binasına çevirdi; Geleneksel Türk Mimarlığı’ndan detaylar ekleyerek binayı “millîleştirdi”. Tasarladığı binanın kendisine hiç danışılmadan, dönemin eğilimi olan İkinci Ulusal Mimarlık’a uygun hâle getirilmesi, Balmumcu’yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluşan binanın bahçesinde Leyla Gencer, Cüneyt Gencer ve Muhsin Ertuğrul’un heykelleri bulunmaktadır.

SALT Araştırma, Harika-Kemali Söylemezoğlu Arşivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Şevki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more “national.” Balmumcu was not consulted about the building’s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, Cüneyt Gencer and Muhsin Ertuğrul.

SALT Research, Harika-Kemali Söylemezoğlu Archive

Günümüzde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliği yapan hem de Büyük Tiyatro adıyla Ankara Devlet Tiyatrosu için bir sahne olarak hizmet veren Ankara Opera Binası, ilk olarak bir sergi sarayı olarak inşa edildi, daha sonra opera binasına dönüştürüldü. Binanın tasarımına, Milli İktisat ve Tasarruf Cemiyeti’nin 1933’te açtığı uluslararası bir yarışma sonunda karar verildi. Yarışmanın duyurusunda, tasarımın modernist üslupta olması gerektiği özellikle belirtildi. Birinci seçilerek mimarı Şevki Balmumcu’ya büyük bir prestij kazandıran proje 1933-1934 yıllarında uygulandı. Paul Bonatz, 1948’te binayı işlevinden çok farklı olarak bir opera binasına çevirdi; Geleneksel Türk Mimarlığı’ndan detaylar ekleyerek binayı “millîleştirdi”. Tasarladığı binanın kendisine hiç danışılmadan, dönemin eğilimi olan İkinci Ulusal Mimarlık’a uygun hâle getirilmesi, Balmumcu’yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluşan binanın bahçesinde Leyla Gencer, Cüneyt Gencer ve Muhsin Ertuğrul’un heykelleri bulunmaktadır.

SALT Araştırma, Harika-Kemali Söylemezoğlu Arşivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

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Close-up portrait of her she nice charming cute lovely attractive lovable magnificent cheerful cheery funky playful

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Abstract delicate minimalist beige background, cosmetic cream stroke.

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A man with an AIpowered brain, vector image.

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Blue theme for gradient circles pattern

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Can I use this photo? Read here for more informations. Cesa – 24 July 2009 These are photos I took in the summer of 2009 on a long trip I made from Rome to Austria. read more >>. Can I use this photo? Read here for more informations. Cesa – 24 July 2009 These are photos I took in the summer of 2009 on a long trip I made from Rome to Austria. read more >>

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Can I use this photo? Read here for more informations. Me very happy because mirror deforms my face – Geislingen – 17 July 2010 These are photos I took in the summer of 2010 on a long trip I made by car from Rome to France, Germany and Austria. read more >>. Can I use this photo? Read here for more informations. Me very happy because mirror deforms my face – Geislingen – 17 July 2010 These are photos I took in the summer of 2010 on a long trip I made by car from Rome to France, Germany and Austria. read more >>

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2025 Wall Calendar Template. Monday Monthly Calendar Design. Modern 12 Months January to December Date Layout.

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Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Şevki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more “national.” Balmumcu was not consulted about the building’s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, Cüneyt Gencer and Muhsin Ertuğrul.

SALT Research, Harika-Kemali Söylemezoğlu Archive

Günümüzde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliği yapan hem de Büyük Tiyatro adıyla Ankara Devlet Tiyatrosu için bir sahne olarak hizmet veren Ankara Opera Binası, ilk olarak bir sergi sarayı olarak inşa edildi, daha sonra opera binasına dönüştürüldü. Binanın tasarımına, Milli İktisat ve Tasarruf Cemiyeti’nin 1933’te açtığı uluslararası bir yarışma sonunda karar verildi. Yarışmanın duyurusunda, tasarımın modernist üslupta olması gerektiği özellikle belirtildi. Birinci seçilerek mimarı Şevki Balmumcu’ya büyük bir prestij kazandıran proje 1933-1934 yıllarında uygulandı. Paul Bonatz, 1948’te binayı işlevinden çok farklı olarak bir opera binasına çevirdi; Geleneksel Türk Mimarlığı’ndan detaylar ekleyerek binayı “millîleştirdi”. Tasarladığı binanın kendisine hiç danışılmadan, dönemin eğilimi olan İkinci Ulusal Mimarlık’a uygun hâle getirilmesi, Balmumcu’yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluşan binanın bahçesinde Leyla Gencer, Cüneyt Gencer ve Muhsin Ertuğrul’un heykelleri bulunmaktadır.

SALT Araştırma, Harika-Kemali Söylemezoğlu Arşivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

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Can I use this photo? Read here for more informations. Olive grove – Tuscany – 21 July 2009 These are photos I took in the summer of 2009 on a long trip I made from Rome to Austria. read more >>. Can I use this photo? Read here for more informations. Olive grove – Tuscany – 21 July 2009 These are photos I took in the summer of 2009 on a long trip I made from Rome to Austria. read more >>

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2025 Wall Calendar Template. Monday Monthly Calendar Design. Modern 12 Months January to December Date Layout.

2025 Wall Calendar Template. Monday Monthly Calendar Design. Modern 12 Months January to December Date Layout.

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Can I use this photo? Read here for more informations. Lago di Neves – Cesa – 24 July 2009 These are photos I took in the summer of 2009 on a long trip I made from Rome to Austria. read more >>. Can I use this photo? Read here for more informations. Lago di Neves – Cesa – 24 July 2009 These are photos I took in the summer of 2009 on a long trip I made from Rome to Austria. read more >>

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CC-130H Hercules fuel tank and props. CC-130H Hercules fuel tank and props

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