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Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 32a

This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The page represents two goats in combat (facing off). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The page represents two goats in combat (facing off). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

The Complex of Hue Monuments in Vietnam

The Complex of Hue Monuments in Vietnam

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Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 8b

This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio represents a seated man. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio represents a seated man. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 74a

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Saʿdī in Kāshghar meets a youth who takes Arabic lessons from the teacher. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Saʿdī in Kāshghar meets a youth who takes Arabic lessons from the teacher. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

2017-08-28-Mount Robson-11

Le mont Robson (ou pic Robson) est le point culminant des Rocheuses canadiennes. Il est entièrement situé à l'intérieur du parc provincial du Mont Robson, en Colombie-Britannique. Le mont Robson est souvent assimilé au point culminant de la Colombie-Britannique, mais ce titre revient au mont Fairweather. Le mont Robson a été baptisé en 1915 par Colin Robertson, un employé de la compagnie de la Baie d'Hudson. Le mont Robson (ou pic Robson) est le point culminant des Rocheuses canadiennes. Il est entièrement situé à l'intérieur du parc provincial du Mont Robson, en Colombie-Britannique. Le mont Robson est souvent assimilé au point culminant de la Colombie-Britannique, mais ce titre revient au mont Fairweather. Le mont Robson a été baptisé en 1915 par Colin Robertson, un employé de la compagnie de la Baie d'Hudson.

Illuminated Manuscript Koran, Illuminated page with the verses from the end of chapter 17 ( Sūrat Banī Isrāʾīl), Wa

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Beautifully illuminated page with verses from the end of chapter 17 ( Sūrat Banī Isrāʾīl) inscribed in the centerpiece in white muḥaqqaq script. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Beautifully illuminated page with verses from the end of chapter 17 ( Sūrat Banī Isrāʾīl) inscribed in the centerpiece in white muḥaqqaq script.

2017-08-28-Mount Robson-15

Le mont Robson (ou pic Robson) est le point culminant des Rocheuses canadiennes. Il est entièrement situé à l'intérieur du parc provincial du Mont Robson, en Colombie-Britannique. Le mont Robson est souvent assimilé au point culminant de la Colombie-Britannique, mais ce titre revient au mont Fairweather. Le mont Robson a été baptisé en 1915 par Colin Robertson, un employé de la compagnie de la Baie d'Hudson. Le mont Robson (ou pic Robson) est le point culminant des Rocheuses canadiennes. Il est entièrement situé à l'intérieur du parc provincial du Mont Robson, en Colombie-Britannique. Le mont Robson est souvent assimilé au point culminant de la Colombie-Britannique, mais ce titre revient au mont Fairweather. Le mont Robson a été baptisé en 1915 par Colin Robertson, un employé de la compagnie de la Baie d'Hudson.

Loving couple sitting at the kitchen have a breakfast using mobile phones

Loving couple sitting at the kitchen have a breakfast using mobile phones

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 16b

This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The illumination depicts a woman holding a vase of flowers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The illumination depicts a woman holding a vase of flowers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Making hart with fingers. Focus on hands. Happy young couple. Ce

Making hart with fingers. Focus on hands. Happy young couple. Ce

Illuminated Manuscript Koran, The right side of a double-page opening inscribed with verses of the first chapter (Sūrat al-

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The right side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The right side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background.

Illuminated Manuscript Koran, The left side of a double page of a table of divination (bibliomancy or tafa'ul), Wa

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a table of divination (bibliomancy or tafa'ul) in Arabic executed in tawqīʿ and Persian in nastaʿlīq scripts. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a table of divination (bibliomancy or tafa'ul) in Arabic executed in tawqīʿ and Persian in nastaʿlīq scripts.

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 2b

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. A couple is entertained by a dancer and musicians. The page serves as the right side of a double-page illustrated frontispiece. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. A couple is entertained by a dancer and musicians. The page serves as the right side of a double-page illustrated frontispiece. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 270a

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Majlis with music and wine. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Majlis with music and wine. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

Illuminated Manuscript Koran, Left side of a double-page opening with verses of the first chapter (Sūrat al-fātiḥah&#x29

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background.

Illuminated Manuscript, Map of eastern coast of Calabria around Rossano from Book on Navigation, Walters Art Museum Ms. W.658, fol

Ursprünglich verfasst in CER 932 AH/1525 und Sultan SÃ ¼ leyman I &#x28 eingeweiht; " Das Magnificent" ) , diese große Arbeit durch Piri Reis ( d 962 AH/1555 CE) auf Navigation wurde später verbessert und erweitert Das anwesende Manuskript, gemacht größtenteils Ende 11. AH/17. CER-Jahrhundert, basiert auf der neueren erweiterten Version mit ca. 240 vorzüglich durchgeführten Karten und portolan Diagrammen Sie schließen eine Weltkarte &#x28 mit ein; fol 41a) mit dem Entwurf des Amerikas sowie den Küstenlinien ( Buchten, Kape, peninsulas) , Inseln, Berge und Städte des Mittelmeerraums und des Schwarzen Meers Die Arbeit beginnt mit der Beschreibung der Küstenlinie von Anatolien und von Inseln des Ägäischen Meers, der Peloponnes-Halbinsel und der Ost- und Westküsten des adriatischen Meeres Es fährt dann fort, die West- Ufer von Italien, Süd- Frankreich, Spanien, Nord- Afrika, Palästina, Israel, der Libanon, Syrien, West-Anatolien, verschiedene Inseln zu beschreiben nördlich Kretas, Marmarameer, Bosporus und des Schwarzen Meers Es beendet mit einer Karte der Ufer des Kaspischen Meers ( fol 374a) Sehen Sie dieses Manuskript Seite für Seite an der Walters Art Museum-Website: Kunst thewalters org/viewwoa aspx? id=19195. Ursprünglich verfasst in CER 932 AH/1525 und Sultan SÃ ¼ leyman I &#x28 eingeweiht; " Das Magnificent" ) , diese große Arbeit durch Piri Reis ( d 962 AH/1555 CE) auf Navigation wurde später verbessert und erweitert Das anwesende Manuskript, gemacht größtenteils Ende 11. AH/17. CER-Jahrhundert, basiert auf der neueren erweiterten Version mit ca. 240 vorzüglich durchgeführten Karten und portolan Diagrammen Sie schließen eine Weltkarte &#x28 mit ein; fol 41a) mit dem Entwurf des Amerikas sowie den Küstenlinien ( Buchten, Kape, peninsulas) , Inseln, Berge und Städte des Mittelmeerraums und des Schwarzen Meers Die Arbeit beginnt mit der Beschreibung der Küstenlinie von Anatolien und von Inseln des Ägäischen Meers, der Peloponnes-Halbinsel und der Ost- und Westküsten des adriatischen Meeres Es fährt dann fort, die West- Ufer von Italien, Süd- Frankreich, Spanien, Nord- Afrika, Palästina, Israel, der Libanon, Syrien, West-Anatolien, verschiedene Inseln zu beschreiben nördlich Kretas, Marmarameer, Bosporus und des Schwarzen Meers Es beendet mit einer Karte der Ufer des Kaspischen Meers ( fol 374a) Sehen Sie dieses Manuskript Seite für Seite an der Walters Art Museum-Website: Kunst thewalters org/viewwoa aspx? id=19195

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 2a

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Illuminated medallion with table of contents. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Illuminated medallion with table of contents. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

paysages éventuels (x8&#x29

Assemblage de 8 captures d'écran d'une vidéo filmant des reflets sur une rivière du haut Var (département français). Les plans séquences (plans fixes) sont superposés sur la table de montage (Adobe Premiere Elements 10), et pour chacun d'eux, une ou plusieurs couleurs sont enlevées, laissant voir des parties des séquences disposées dessous. Les captures d'écran (1920 x 1080) sont assemblées dans Gimp et Les contrastes locaux affinés avec les points de contrôle de Capture NX2. Le traitement se termine par du grain ajouté avec DXO Optics Pro 8 de manière à adoucir le rendu au format original. Ces captures d'écran sont prélevées d'un tirage plus contrasté de "Possibilités de paysages, 1er jet", qui lui est visible surYouTube : youtu.be/jQLmuqqxG4A Et ce travail avec les captures d"écran m'a amené à construire un 2ème film à partir du 1er en l'assemblant 4 fois avec le principe du miroir, mais en faisant démarrer chacun des 4 films avec 20 images de décalage sur le précédent : youtu.be/ZyxsyOu7OUQ. Assemblage de 8 captures d'écran d'une vidéo filmant des reflets sur une rivière du haut Var (département français). Les plans séquences (plans fixes) sont superposés sur la table de montage (Adobe Premiere Elements 10), et pour chacun d'eux, une ou plusieurs couleurs sont enlevées, laissant voir des parties des séquences disposées dessous. Les captures d'écran (1920 x 1080) sont assemblées dans Gimp et Les contrastes locaux affinés avec les points de contrôle de Capture NX2. Le traitement se termine par du grain ajouté avec DXO Optics Pro 8 de manière à adoucir le rendu au format original. Ces captures d'écran sont prélevées d'un tirage plus contrasté de "Possibilités de paysages, 1er jet", qui lui est visible surYouTube : youtu.be/jQLmuqqxG4A Et ce travail avec les captures d"écran m'a amené à construire un 2ème film à partir du 1er en l'assemblant 4 fois avec le principe du miroir, mais en faisant démarrer chacun des 4 films avec 20 images de décalage sur le précédent : youtu.be/ZyxsyOu7OUQ

Ancienne Strassburger Bank

De style néo-baroque et aux proportions monumentales, ce batiment est depuis laison quelque peu à l'abandon, en témoigne les fenêtres cassées et les accès bloqués. De style néo-baroque et aux proportions monumentales, ce batiment est depuis laison quelque peu à l'abandon, en témoigne les fenêtres cassées et les accès bloqués.

Illuminated Manuscript Koran, The left side of a double-page illuminated frontispiece, Walters Art Museum Ms. W.569, fol. 2a

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqīʿ. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqīʿ

Porte de l'Ancienne Strassburger Bank

De style néo-baroque et aux proportions monumentales, ce batiment est depuis laison quelque peu à l'abandon, en témoigne les fenêtres cassées et les accès bloqués. De style néo-baroque et aux proportions monumentales, ce batiment est depuis laison quelque peu à l'abandon, en témoigne les fenêtres cassées et les accès bloqués.

Pink rose petals isolated on white background

Pink rose petals isolated on white background

Young scientist in uniform wearing a mask preparing powder on ce

Young scientist in uniform wearing a mask preparing powder on ce

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 381a

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Saʿdī in landscape being served a watermelon. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Saʿdī in landscape being served a watermelon. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

Joyful senior couple sitting on grass and enjoying romantic date, picnic in park

Joyful senior couple sitting on grass and enjoying romantic date, picnic in park

Illuminated Manuscript Koran, Decorated incipit page with a headpiece introducing chapter 18, Sūrat al-kahf, Walters Art Museum

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. This is a decorated incipit page with illuminated headpiece introducing chapter 18, Sūrat al-kahf. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. This is a decorated incipit page with illuminated headpiece introducing chapter 18, Sūrat al-kahf.

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 32b

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Illuminated incipit page of Kitāb-i Gulistān in white ink. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Illuminated incipit page of Kitāb-i Gulistān in white ink. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 328a

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. A couple in the garden being served wine. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. A couple in the garden being served wine. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 4a

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Left side of an illuminated double-page with verses in honor of Saʿdī. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. Left side of an illuminated double-page with verses in honor of Saʿdī. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

The Complex of Hue Monuments in Vietnam

The Complex of Hue Monuments in Vietnam

Illuminated Manuscript Koran, Walters Art Museum ms. W.567, fol.1b

A small size illuminated copy of the Koran (Qurʾan), complete in one volume. It was executed in Iran by an anonymous scribe probably in 1230 AH / 1814-5 CE and is enclosed in lacquer covers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30819. A small size illuminated copy of the Koran (Qurʾan), complete in one volume. It was executed in Iran by an anonymous scribe probably in 1230 AH / 1814-5 CE and is enclosed in lacquer covers. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30819

Girl holding her hands a box of chocolates

Girl holding her hands a box of chocolates

Illuminated Manuscript Koran, Walters Art Museum Ms. W.569, fol. 331b

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muḥaqqaq script. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muḥaqqaq script.

panorama cityscape modern high-rise buildings panorama of the ce

panorama cityscape modern high-rise buildings panorama of the ce

Wadi El-Natron, Egypt: The monastery of Deir Anba Bishoy

Wadi El-Natron, Egypt: The monastery of Deir Anba Bishoy

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 17a

This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The page represents a seated young man reading from a book of Persian poetry. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as JÄmÄ«, AzÄrÄ«, FayzÌ¤Ä«, NavÄÊ¾Ä«, and SaÊ¿dÄ« was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The page represents a seated young man reading from a book of Persian poetry. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

Illuminated Manuscript Koran, The right side of an illuminated double-page frontispiece, Walters Art Museum Ms. W.569, fol. 1b

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The right side of a decorated double-page frontispiece with inscriptions in gold tawqīʿ script. The upper and lower panels contain verses 77-78 from chapter 56, while the center piece is inscribed with verse 88 of chapter 17. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The right side of a decorated double-page frontispiece with inscriptions in gold tawqīʿ script. The upper and lower panels contain verses 77-78 from chapter 56, while the center piece is inscribed with verse 88 of chapter 17

Chef ready to slice honey glazed roasted ham pork for guests on holidays, celebration event. Gala Dinner, Buffet, Feast, Party, Ce

Chef ready to slice honey glazed roasted ham pork for guests on holidays, celebration event. Gala Dinner, Buffet, Feast, Party, Ce

Illuminated Manuscript Anthology of Persian poetry, Walters Art Museum Ms. W.653, fol. 19b

This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio illustrates a young man standing with a pomegranate in his right hand. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402. This small anthology of Persian poetry consisting of poems by such authors as Jāmī, Azārī, Fayz̤ī, Navāʾī, and Saʿdī was put together by an anonymous scribe in 1105 AH / 1693 CE. Illustrated with six miniatures, the margins of this manuscript are embellished with stenciled designs of angels, men and animals. The folio illustrates a young man standing with a pomegranate in his right hand. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19402

2017-08-28-Mount Robson-02

Le mont Robson (ou pic Robson) est le point culminant des Rocheuses canadiennes. Il est entièrement situé à l'intérieur du parc provincial du Mont Robson, en Colombie-Britannique. Le mont Robson est souvent assimilé au point culminant de la Colombie-Britannique, mais ce titre revient au mont Fairweather. Le mont Robson a été baptisé en 1915 par Colin Robertson, un employé de la compagnie de la Baie d'Hudson. Le mont Robson (ou pic Robson) est le point culminant des Rocheuses canadiennes. Il est entièrement situé à l'intérieur du parc provincial du Mont Robson, en Colombie-Britannique. Le mont Robson est souvent assimilé au point culminant de la Colombie-Britannique, mais ce titre revient au mont Fairweather. Le mont Robson a été baptisé en 1915 par Colin Robertson, un employé de la compagnie de la Baie d'Hudson.

Love and desire. Lesbian couple in love. Lesbian women with sensual look. Loving couple of lesbian lovers kissing.

Love and desire. Lesbian couple in love. Lesbian women with sensual look. Loving couple of lesbian lovers kissing.

Illuminated Manuscript Collected works (Kulliyat), Walters Art Museum Ms. 617, fol. 3b

An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. This is the first of two richly decorated pages with verses in honor of Saʿdī inscribed in the upper and lower panels. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469. An illuminated and illustrated copy of the collected works of Sa`di (d.691/1292) (Kullīyāt-i Saʿdī) containing, among others, his Gulistān and Bustān. The present manuscript was penned by an anonymous calligrapher in Shiraz (Iran) in 934 AH / 1527 CE. This is the first of two richly decorated pages with verses in honor of Saʿdī inscribed in the upper and lower panels. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=22469

Ancient chariot Wheel, Konark Sun Temple, Orissa.

Ancient chariot Wheel, Konark Sun Temple, Orissa.

Teotihuacan, the Pyramid of the sun

Teotihuacan, the Pyramid of the sun

Five poems (quintet), King Solomon and two demons, Walters Manuscript W.624, fol. 94b detail

This is a deluxe copy of the Quintet (Khamsah) of Amīr Khusraw Dihlavī (d.725 AH /1325 CE). Although now incomplete, this manuscript was penned in nastaʿlīq script by the famous late 16th century Mughal calligrapher Muḥammad Ḥusayn Zarrīn Qalam al-Kashmīrī and decorated by a number of illuminators and painters. Its illustrations are signed by eleven painters: Laʿl (Lāl), Manūhar, Sānwalah, Farrukh, Alīqulī, Dharamdās, Narsing, Jagannāth, Miskīnā, Mukund, and Sūrdās Gujarātī. On the other hand, its headpieces and a medallion are inscribed with the names of Ḥusayn Naqqāsh, Manṣūr Naqqāsh, Khvājah Jān Shīrāzī, and Luṭf Allāh Muẕahhib. The codex has beautifully decorated borders with vegetal, bird, animal motifs and human figures. The figures are portrayed in various traditional activities such as praying, reading and hunting. This illustration depicts the story of two divs (demons) who, out of boredom, wreak havoc on the world. Recognizing the dangers of idleness, the wise King Solomon consigns them to a life of futile activity: filling the sea with sand and the desert with water. The inscription naming the artist ‘Ali Quli is composed in red ink at the bottom of the page. This is a deluxe copy of the Quintet (Khamsah) of Amīr Khusraw Dihlavī (d.725 AH /1325 CE). Although now incomplete, this manuscript was penned in nastaʿlīq script by the famous late 16th century Mughal calligrapher Muḥammad Ḥusayn Zarrīn Qalam al-Kashmīrī and decorated by a number of illuminators and painters. Its illustrations are signed by eleven painters: Laʿl (Lāl), Manūhar, Sānwalah, Farrukh, Alīqulī, Dharamdās, Narsing, Jagannāth, Miskīnā, Mukund, and Sūrdās Gujarātī. On the other hand, its headpieces and a medallion are inscribed with the names of Ḥusayn Naqqāsh, Manṣūr Naqqāsh, Khvājah Jān Shīrāzī, and Luṭf Allāh Muẕahhib. The codex has beautifully decorated borders with vegetal, bird, animal motifs and human figures. The figures are portrayed in various traditional activities such as praying, reading and hunting. This illustration depicts the story of two divs (demons) who, out of boredom, wreak havoc on the world. Recognizing the dangers of idleness, the wise King Solomon consigns them to a life of futile activity: filling the sea with sand and the desert with water. The inscription naming the artist ‘Ali Quli is composed in red ink at the bottom of the page.

Etalage de fruits et légumes

Situé à l'entrée de la vieille ville, juste avant d'emprunter le pont sur le Vidourle, retrouve ce magasin de fruits et légumes. Les arrivages se font en permanence, les prix sont extrêmement bas. Les piments et poivrons sont présentés en grandes quantités. Situé à l'entrée de la vieille ville, juste avant d'emprunter le pont sur le Vidourle, retrouve ce magasin de fruits et légumes. Les arrivages se font en permanence, les prix sont extrêmement bas. Les piments et poivrons sont présentés en grandes quantités.

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