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Santa Francesca in Roma (Rome)

Santa Francesca Romana, previously known as Santa Maria Nova, is a church in Rome, situated next to the Roman Forum.
The church was built in the second half of the 10th century, dedicated to Santa Maria Nova.
In the 16th century the church was rededicated to Frances of Rome (canonized in 1608), whose relics are in the crypt. Santa Francesca Romana, previously known as Santa Maria Nova, is a church in Rome, situated next to the Roman Forum.
The church was built in the second half of the 10th century, dedicated to Santa Maria Nova.
In the 16th century the church was rededicated to Frances of Rome (canonized in 1608), whose relics are in the crypt.

Giralda (bell tower) and cathedral, Sevilla

Giralda bell tower and cathedral in Sevilla 2011. Giralda bell tower and cathedral in Sevilla 2011

Fontana di Trevi Rome Italy Roma - Creative Commons by gnuckx

The Trevi Fountain The Trevi Fountain (Italian: Fontana di Trevi) is a fountain in the Trevi rione in Rome, Italy. Standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide, it is the largest Baroque fountain in the city. The present fountain. Commission, construction and design In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Gian Lorenzo Bernini to sketch possible renovations, but when the Pope died, the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona, preserved in the Albertina, Vienna, also exists, as do various early 18th century sketches, most unsigned, as well as a project attributed to Nicola Michetti one attributed to Ferdinando Fuga and a French design by Edme Bouchardon. Competitions had become the rage during the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but due to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway.[8] Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's Oceanus (god of all water) was set in the central niche. The asso di coppe Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase, called by Romans the asso di coppe, "the "Ace of Cups". The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin. Coin throwing A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different individuals, a reported current interpretation is that two coins will lead to a new romance and three will ensure either a marriage or divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain. Approximately 3,000 euros are thrown into the fountain each day. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain. La Fontana di Trevi La Fontana di Trevi è la più grande ed una fra le più note Fontane di Roma; è considerata all'unanimità una delle più celebri fontane del mondo. La settecentesca fontana, progettata da Nicolò Salvi, è un connubio di classicismo e barocco adagiato su un lato di Palazzo Poli. Tema e scenografia Il tema della scultura è il mare. La scenografia è dominata da un cocchio, a forma di conchiglia sul quale è adagiata la grande statua di Oceano di Pietro Bracci, affiancata nelle nicchie laterali dalle statue della Salubrità e dell'Abbondanza, opera di Filippo della Valle; il cocchio è trainato da cavallucci marini, a loro volta preceduti da tritoni. Nella fontana, scultura e architettura barocca si compenetrano e si fondono perfettamente, in un suggestivo spettacolo acquatico. Una celebre tradizione vuole che porti fortuna lanciare una moneta nella fontana volgendole le spalle, perché in questo modo si tornerà sicuramente nella città. Le monete, raccolte quotidianamente, vengono destinate dal comune di Roma ad opere caritatevoli. È stata profondamente restaurata nel 1998, quando è stata ripulita ed è stato ammodernato e sistemato anche l'impianto idraulico. roma rome rom lazio latium roman romano italy italia vatican vaticano church chiesa iglesia nature street light landscape achitecture arquitectura building monument history free europe europa eu wallpaper gnuckx design disegno arte art resolution fuente fontana trevi fountain fuente. The Trevi Fountain The Trevi Fountain (Italian: Fontana di Trevi) is a fountain in the Trevi rione in Rome, Italy. Standing 25.9 meters (85 feet) high and 19.8 meters (65 feet) wide, it is the largest Baroque fountain in the city. The present fountain. Commission, construction and design In 1629 Pope Urban VIII, finding the earlier fountain insufficiently dramatic, asked Gian Lorenzo Bernini to sketch possible renovations, but when the Pope died, the project was abandoned. Bernini's lasting contribution was to resite the fountain from the other side of the square to face the Quirinal Palace (so the Pope could look down and enjoy it). Though Bernini's project was torn down for Salvi's fountain, there are many Bernini touches in the fountain as it was built. An early, striking and influential model by Pietro da Cortona, preserved in the Albertina, Vienna, also exists, as do various early 18th century sketches, most unsigned, as well as a project attributed to Nicola Michetti one attributed to Ferdinando Fuga and a French design by Edme Bouchardon. Competitions had become the rage during the Baroque era to design buildings, fountains, and even the Spanish Steps. In 1730 Pope Clement XII organized a contest in which Nicola Salvi initially lost to Alessandro Galilei — but due to the outcry in Rome over the fact that a Florentine won, Salvi was awarded the commission anyway.[8] Work began in 1732, and the fountain was completed in 1762, long after Clement's death, when Pietro Bracci's Oceanus (god of all water) was set in the central niche. The asso di coppe Salvi died in 1751, with his work half-finished, but before he went he made sure a stubborn barber's unsightly sign would not spoil the ensemble, hiding it behind a sculpted vase, called by Romans the asso di coppe, "the "Ace of Cups". The Trevi Fountain was finished in 1762 by Giuseppe Pannini, who substituted the present allegories for planned sculptures of Agrippa and "Trivia", the Roman virgin. Coin throwing A traditional legend holds that if visitors throw a coin into the fountain, they are ensured a return to Rome. Among those who are unaware that the "three coins" of Three Coins in the Fountain were thrown by three different individuals, a reported current interpretation is that two coins will lead to a new romance and three will ensure either a marriage or divorce. A reported current version of this legend is that it is lucky to throw three coins with one's right hand over one's left shoulder into the Trevi Fountain. Approximately 3,000 euros are thrown into the fountain each day. The money has been used to subsidize a supermarket for Rome's needy. However, there are regular attempts to steal coins from the fountain. La Fontana di Trevi La Fontana di Trevi è la più grande ed una fra le più note Fontane di Roma; è considerata all'unanimità una delle più celebri fontane del mondo. La settecentesca fontana, progettata da Nicolò Salvi, è un connubio di classicismo e barocco adagiato su un lato di Palazzo Poli. Tema e scenografia Il tema della scultura è il mare. La scenografia è dominata da un cocchio, a forma di conchiglia sul quale è adagiata la grande statua di Oceano di Pietro Bracci, affiancata nelle nicchie laterali dalle statue della Salubrità e dell'Abbondanza, opera di Filippo della Valle; il cocchio è trainato da cavallucci marini, a loro volta preceduti da tritoni. Nella fontana, scultura e architettura barocca si compenetrano e si fondono perfettamente, in un suggestivo spettacolo acquatico. Una celebre tradizione vuole che porti fortuna lanciare una moneta nella fontana volgendole le spalle, perché in questo modo si tornerà sicuramente nella città. Le monete, raccolte quotidianamente, vengono destinate dal comune di Roma ad opere caritatevoli. È stata profondamente restaurata nel 1998, quando è stata ripulita ed è stato ammodernato e sistemato anche l'impianto idraulico. roma rome rom lazio latium roman romano italy italia vatican vaticano church chiesa iglesia nature street light landscape achitecture arquitectura building monument history free europe europa eu wallpaper gnuckx design disegno arte art resolution fuente fontana trevi fountain fuente

Rome - The fresco of Visitation of God by Abraham in apse of side chapel of St. John in church Chiesa di Santo Spirito in Sassia

Rome - The fresco of Visitation of God by Abraham in apse of side chapel of St. John in church Chiesa di Santo Spirito in Sassia

Rome - The ceiling fresco by G. B. Ricci from 16. cent. in church Chiesa di Santa Maria in Transpontina and chapel of st. Peter an

Rome - The ceiling fresco by G. B. Ricci from 16. cent. in church Chiesa di Santa Maria in Transpontina and chapel of st. Peter an

San Ginesio. Region Marche, Italy

Vista delle CHIESA COLLEGIATA DELLA SS. ANNUNZIATA a San Ginesio. Scene of the medieval town of San Ginesio. Vista delle CHIESA COLLEGIATA DELLA SS. ANNUNZIATA a San Ginesio. Scene of the medieval town of San Ginesio.

Rome - The Coronation of Virgin Mary paint from side chapel in church Chiesa di Santo Spirito in Sassia

Rome - The Coronation of Virgin Mary paint from side chapel in church Chiesa di Santo Spirito in Sassia

Piazza Chiesa San Giusseppe-Taormina-Sicilia-Italy - Creative Commons by gnuckx

www.meimanrensheng.com/ www.livingalifeincolour.com/ www.travelagenda.nl/ www.travelagenda.nl/nieuws/koffietijdkiekjes/koffietijd-k... To see more ... www.flickr.com/photos/gnuckx Taormina Taormina (Sicilian: Taurmina, Greek: Ταυρομένιον - Tauromenion, Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina and Catania. Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and has a high salt content. Taormina can be reached via highways (autostrade) from Messina from the north and Catania from the south. Contemporary age In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled "Journey to Italy," but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an ‘unbridled imagination’. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth. During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír. By this time Taormina had become "a polite synonym for Sodom" as Harold Acton described it. Later, however, after the Second World War Acton was visiting Taormina with Evelyn Waugh and, coming upon a board advertising “Ye Olde English Teas” he sighed and commented that Taormina 'was now quite as boring as Bournemouth'. Archaeology The present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine. The Teatro Greco ("Greek theatre"). But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, or "Greek theatre"), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period. With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size. taormina rainbow messina bougainvillea basil basilico hotel san domenico giardini naxos etna volcano vulcano island isola sicilia sicily italia italy sea sun landscape free europe wallpaper michael micky castielli resolution vacation holiday travel flight creativecommons creative commons zero CC0 cc0 CC cc panoramio flickr googleearth maps geotagged gnu gimp wikimedia. www.meimanrensheng.com/ www.livingalifeincolour.com/ www.travelagenda.nl/ www.travelagenda.nl/nieuws/koffietijdkiekjes/koffietijd-k... To see more ... www.flickr.com/photos/gnuckx Taormina Taormina (Sicilian: Taurmina, Greek: Ταυρομένιον - Tauromenion, Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina and Catania. Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and has a high salt content. Taormina can be reached via highways (autostrade) from Messina from the north and Catania from the south. Contemporary age In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled "Journey to Italy," but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an ‘unbridled imagination’. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth. During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír. By this time Taormina had become "a polite synonym for Sodom" as Harold Acton described it. Later, however, after the Second World War Acton was visiting Taormina with Evelyn Waugh and, coming upon a board advertising “Ye Olde English Teas” he sighed and commented that Taormina 'was now quite as boring as Bournemouth'. Archaeology The present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine. The Teatro Greco ("Greek theatre"). But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, or "Greek theatre"), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period. With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size. taormina rainbow messina bougainvillea basil basilico hotel san domenico giardini naxos etna volcano vulcano island isola sicilia sicily italia italy sea sun landscape free europe wallpaper michael micky castielli resolution vacation holiday travel flight creativecommons creative commons zero CC0 cc0 CC cc panoramio flickr googleearth maps geotagged gnu gimp wikimedia

Cathedral (Giralda), Sevilla

Sala Capitular in Giralda cathedral (Sevilla 2011), La Immaculada by Murillo. Sala Capitular in Giralda cathedral (Sevilla 2011), La Immaculada by Murillo

Giralda (bell tower), Sevilla

Giralda bell tower in Sevilla 2011. Giralda bell tower in Sevilla 2011

Catania - The baroque portal of Chiesa di San Placido

Catania - The baroque portal of Chiesa di San Placido

Chiesa Greca

Chiesa di San Francesco della Scarpa, Sulmona

Chiesa di San Francesco della Scarpa, Sulmona

Padua - The stone mosaic of bouquet on the side altar of church Chiesa degli Eremitani

Padua - The stone mosaic of bouquet on the side altar of church Chiesa degli Eremitani

Chiesa di San Salvatore in Italy

Chiesa di San Salvatore in Italy

Gate of San Marco Cathedral Basilica

Gold mosaic in gate portal of San Marco Cathedral Basilica, Venice, Italy. Gold mosaic in gate portal of San Marco Cathedral Basilica, Venice, Italy

Chiesa di Collalto

Main church in Collalto di Tarcento in Friuli near Udine. Main church in Collalto di Tarcento in Friuli near Udine

Santuario della madonna del carmin

Vertical panorama of the sanctuary of madonna del carmine, piedmont, italy. Vertical panorama of the sanctuary of madonna del carmine, piedmont, italy

Rome - The fresco the God of Eternity in church Chiesa San Marcello al Corso.

Rome - The fresco the God of Eternity in church Chiesa San Marcello al Corso.

Rome - Chiesa del Gesu

Rome - Chiesa del Gesu

Painting of St. Thomas Aquinas Doctor Angelicus church Chiesa di San Rocco by unknown artist

Painting of St. Thomas Aquinas Doctor Angelicus church Chiesa di San Rocco by unknown artist

Rome - detail of paint Christ Falls Beneath the Cross in church Chiesa del Jesu by Gaspare Celio (1571 - 1640) in church Chies

Rome - detail of paint Christ Falls Beneath the Cross in church Chiesa del Jesu by Gaspare Celio (1571 - 1640) in church Chies

Campanile di paese

Un campanile di un piccolo paese di montagna. Un campanile di un piccolo paese di montagna.

Ponte Pietra and the River Adige, Italy, Europe

The oldest bridge in Verona, which connects the two banks of the river Adige. The oldest bridge in Verona, which connects the two banks of the river Adige

Leaning tower in Venice

Image of leaning tower in Venice, Italy

Chiesa San Silvestro Italy Roma - Creative Commons by gnuckx

roma rome lazio vatican vaticano musei museum italia italy nature sea beach sun summer town city light landscape free europe europa eu wallpaper michael castielli resolution vacation holiday travel flight Creative Commons CC0 CC Zero panoramio flickr google GNU. roma rome lazio vatican vaticano musei museum italia italy nature sea beach sun summer town city light landscape free europe europa eu wallpaper michael castielli resolution vacation holiday travel flight Creative Commons CC0 CC Zero panoramio flickr google GNU

San Marco Basilica in Venice, Italy

Patriarchal Cathedral Basilica of Saint Mark, Venice. Patriarchal Cathedral Basilica of Saint Mark, Venice

Cathedral, Catania

Facade of the cathedral of Catania. Facade of the cathedral of Catania

The Presbytery of the church Chiesa di San Stefano

The Presbytery of the church Chiesa di San Stefano

Catania - The baroque portal of church Chiesa di San Benedetto

Catania - The baroque portal of church Chiesa di San Benedetto

Church in birch to frame

Church in Kineshma city by winter. Church in Kineshma city by winter

Bologna - Baptism of Christ scene by Annibale Carracci (1560-1609) in Chiesa di San Gregorio e San Siro.

Bologna - Baptism of Christ scene by Annibale Carracci (1560-1609) in Chiesa di San Gregorio e San Siro.

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