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Decorative elements on the roof of the building

High-tech building of the Russian Academy of Sciences in Moscow. High-tech building of the Russian Academy of Sciences in Moscow

Ten Shilling British History

The five last versions of the British ten shilling note. The five last versions of the British ten shilling note

Stork collecting wood

This is a stork collecting some wood. It was taken in an animal park with a Nikon D90. I like this picture because of the situation - itÂ´s not often you can see a stork carrying wood and looking so proud. This is a stork collecting some wood. It was taken in an animal park with a Nikon D90. I like this picture because of the situation - itÂ´s not often you can see a stork carrying wood and looking so proud.

Decorative elements on the roof of the building

Metallic decorative functional design of high-tech building in Moscow. Metallic decorative functional design of high-tech building in Moscow

The driver is swinging the current collector thingy around so that he can change direction. The driver is swinging the current collector thingy around so that he can change direction.

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Sunflowers â€“ solar panels, eco energy concept

Sunflowers made of solar panels and alive sunflowers. Sunflowers made of solar panels and alive sunflowers

Closeup Shot of Solor Panel

Closeup Shot of Solor Panel

Postage stamp under magnifier with tweezers

Postage stamp under magnifiying glass with tweezers. Postage stamp under magnifiying glass with tweezers

Solar panels in the Mojave Desert.

View of solar panels in the Mojave Desert.

Solar Power Station in the Nature

Solar Power Station in the green Nature. Solar Power Station in the green Nature

Beautiful antique car brass lamp

Details of a beautiful red antique car brass lamp. Details of a beautiful red antique car brass lamp

Solar Power Station in the autumn Nat

Solar Power Station in the dramatically autumn Nature. Solar Power Station in the dramatically autumn Nature

Partial view of a white ancient dashboard

Old style steering wheel and white dashboard. It can also be seen the gear lever on th esteering column, the old stereo and the speaker. Old style steering wheel and white dashboard. It can also be seen the gear lever on th esteering column, the old stereo and the speaker.

Pylon in detail - danger - high voltage

Energy supply in germany. Energy supply in germany

Solar Panels against blue sky

A group of solar panels against blue sky

Abstract beautiful red butterfly with a flower pat

Abstract beautiful red butterfly with a flower pattern

Solar panel renewable energy field

Solar panel renewable eco energy field

Druze of crystals calcyte, quartz, epidote

Druze of crystals calcyte, quartz, epidote from Arnenia

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This page is attributed to Åžeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the â€œSix Pens,â€ which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This page is attributed to Åžeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the â€œSix Pens,â€ which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

Antique hand-mill for a grinding of spices

Wooden hand-mill for a grinding of spices isolated on white background. Wooden hand-mill for a grinding of spices isolated on white background

Vintage Russian gramophone

Old antique Vintage Russian Soviet Red army gramophone of times of the second world war isolated on a white background with cliping path. Old antique Vintage Russian Soviet Red army gramophone of times of the second world war isolated on a white background with cliping path.

Green technology, solar panels.

Green technology, solar panels for electricity production. Green technology, solar panels for electricity production.

Thai style elephant cloth doll

Thai style elephant cloth doll isolated on white background

Decorative elements on the roof of the building

High-tech building of the Russian Academy of Sciences in Moscow. High-tech building of the Russian Academy of Sciences in Moscow

Photovoltaic solar panels arrangement

Closeup of Solar Panels - useful for alternative energy sources. Closeup of Solar Panels - useful for alternative energy sources

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE).

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Clase view of an ancient dashboard

Old style steering wheel and dashboard. It can also be seen the gear lever on th esteering column, the old stereo, speaker and clock. Old style steering wheel and dashboard. It can also be seen the gear lever on th esteering column, the old stereo, speaker and clock.

Sugar basin of my grandmother

This a sugar basin in earthenware and handpainted. This a sugar basin in earthenware and handpainted.

Postage stamp under magnifier with tweezers

Postage stamp under magnifiying glass with tweezers. Postage stamp under magnifiying glass with tweezers

Wooden bowls for sale at the local flea market

Wooden bowls for sale at the local flea market

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