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Sunflowers – solar panels, eco energy concept

Sunflowers made of solar panels and alive sunflowers. Sunflowers made of solar panels and alive sunflowers

Sugar basin of my grandmother

This a sugar basin in earthenware and handpainted. This a sugar basin in earthenware and handpainted.

Stork collecting wood

This is a stork collecting some wood. It was taken in an animal park with a Nikon D90. I like this picture because of the situation - it´s not often you can see a stork carrying wood and looking so proud. This is a stork collecting some wood. It was taken in an animal park with a Nikon D90. I like this picture because of the situation - it´s not often you can see a stork carrying wood and looking so proud.

Businessman running scare being chased by a big hand

Businessman running scare being chased by a big hand

8mm camera

Postage stamp under magnifier with tweezers

Postage stamp under magnifiying glass with tweezers. Postage stamp under magnifiying glass with tweezers

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE).

Solar Power Station in the autumn Nat

Solar Power Station in the dramatically autumn Nature. Solar Power Station in the dramatically autumn Nature

Night view of powder pink sofa with orange pillow and blanket in the middle of art collector`s apartment full of metal shelves

Night view of powder pink sofa with orange pillow and blanket in the middle of art collector`s apartment full of metal shelves

Municipal rubbish

Municipal rubbish

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

Druze of crystals calcyte, quartz, epidote

Druze of crystals calcyte, quartz, epidote from Arnenia

The driver is swinging the current collector thingy around so that he can change direction. The driver is swinging the current collector thingy around so that he can change direction.

Waste collection 2

Waste collection 2

Halloween Jack o Lantern candy pail over white

Halloween Jack o Lantern candy pail over white

Solar Power Station in the Nature

Solar Power Station in the green Nature. Solar Power Station in the green Nature

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Closeup Shot of Solor Panel

Closeup Shot of Solor Panel

Decorative elements on the roof of the building

High-tech building of the Russian Academy of Sciences in Moscow. High-tech building of the Russian Academy of Sciences in Moscow

Terrifying businessman covering his face chased by a debt collector

Terrifying businessman covering his face chased by a debt collector

Collector cards

Collector cards

Vintage Russian gramophone

Old antique Vintage Russian Soviet Red army gramophone of times of the second world war isolated on a white background with cliping path. Old antique Vintage Russian Soviet Red army gramophone of times of the second world war isolated on a white background with cliping path.

Solar Panels against blue sky

A group of solar panels against blue sky

Garbage Removal Isometric Poster

Garbage Removal Isometric Poster

Abstract beautiful red butterfly with a flower pat

Abstract beautiful red butterfly with a flower pattern

Old summer doll on a small deckchair at street fair

Old summer doll on a small deckchair at street fair

Freshly found smoky quartz

Freshly found smoky quartz

Thai style elephant cloth doll

Thai style elephant cloth doll isolated on white background

Ten Shilling British History

The five last versions of the British ten shilling note. The five last versions of the British ten shilling note

Blaise Pascal line art portrait, vector

Blaise Pascal line art portrait, vector

Partial view of a white ancient dashboard

Old style steering wheel and white dashboard. It can also be seen the gear lever on th esteering column, the old stereo and the speaker. Old style steering wheel and white dashboard. It can also be seen the gear lever on th esteering column, the old stereo and the speaker.

Solar panel renewable energy field

Solar panel renewable eco energy field

Clase view of an ancient dashboard

Old style steering wheel and dashboard. It can also be seen the gear lever on th esteering column, the old stereo, speaker and clock. Old style steering wheel and dashboard. It can also be seen the gear lever on th esteering column, the old stereo, speaker and clock.

Decorative elements on the roof of the building

Metallic decorative functional design of high-tech building in Moscow. Metallic decorative functional design of high-tech building in Moscow

Beautiful antique car brass lamp

Details of a beautiful red antique car brass lamp. Details of a beautiful red antique car brass lamp

Solar panels in the Mojave Desert.

View of solar panels in the Mojave Desert.

Pylon in detail - danger - high voltage

Energy supply in germany. Energy supply in germany

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Solar panels as a symbol of renewable energy

Solar panels as a symbol of renewable energy

Antique hand-mill for a grinding of spices

Wooden hand-mill for a grinding of spices isolated on white background. Wooden hand-mill for a grinding of spices isolated on white background

Postage stamp under magnifier with tweezers

Postage stamp under magnifiying glass with tweezers. Postage stamp under magnifiying glass with tweezers

Green technology, solar panels.

Green technology, solar panels for electricity production. Green technology, solar panels for electricity production.

Solar energy renewable energy concept

Solar energy renewable energy concept

Decorative elements on the roof of the building

High-tech building of the Russian Academy of Sciences in Moscow. High-tech building of the Russian Academy of Sciences in Moscow

Closeup of test tubes on a rack with position numbers

Closeup of test tubes on a rack with position numbers

Wooden bowls for sale at the local flea market

Wooden bowls for sale at the local flea market

Photovoltaic solar panels arrangement

Closeup of Solar Panels - useful for alternative energy sources. Closeup of Solar Panels - useful for alternative energy sources

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