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Woman athlete pointing out something

Woman athlete pointing out something to her team mate as they stand together chatting and drinking a refreshing bottle of water

Two young children digging in the snow

Two young children wrapped up warmly against the winter chill digging in the snow together at the foot of a small tree. Two young children wrapped up warmly against the winter chill digging in the snow together at the foot of a small tree

Woman athlete pointing her hand

Woman athlete pointing her hand and showing something to her teammate as they stop during training for a drink of water

Happy saint valentine's day on a stone heart

Closeup shot over a stone heart for the day of Saint Valentine, annual commemoration held on February 14 celebrating love and affection between intimate companions. Closeup shot over a stone heart for the day of Saint Valentine, annual commemoration held on February 14 celebrating love and affection between intimate companions

Two onions, black background

Two hairy onions in front of black background. Two hairy onions in front of black background

Companions gym holding something

Companions gym holding something

A woman riding bike and a man riding one wheel hoverboard on the road

A woman riding bike and a man riding one wheel hoverboard on the road

JAVAKENSIS ( the man from java &#x29

clown (PUNAKAWAN ) characters created by artists of Java in the past. on progress Java community strongly believe - that the clown had lived in his time. punakawan ordinary shown on Wayang kulit, or shadow puppets,. I tried to portray the clown character in human form. because the Javanese people believe. that he had lived in the past although it was just a fictitious. ............................................................................................. In Javanese wayang (shadow puppets), the panakawan or panakavan (phanakavhan) are the clown servants of the hero. There are four of them – Semar (also known as Ki Lurah Semar), Petruk, Gareng and Bagong. Semar is the personification of a deity, sometimes said to be the dhanyang or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so Semar is always portrayed as short and fat with a pug nose and a dangling hernia. His three companions are his adopted sons, given to Semar as votaries by their parents. Petruk is portrayed as tall and gangling with a long nose, Gareng as short with a club foot and Bagong as obese. The panakawan always appear in the second act of a wayang performance – pathet sanga – as servants to the hero of the story regardless of who that hero is. Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation. WikipediA. clown (PUNAKAWAN ) characters created by artists of Java in the past. on progress Java community strongly believe - that the clown had lived in his time. punakawan ordinary shown on Wayang kulit, or shadow puppets,. I tried to portray the clown character in human form. because the Javanese people believe. that he had lived in the past although it was just a fictitious. ............................................................................................. In Javanese wayang (shadow puppets), the panakawan or panakavan (phanakavhan) are the clown servants of the hero. There are four of them – Semar (also known as Ki Lurah Semar), Petruk, Gareng and Bagong. Semar is the personification of a deity, sometimes said to be the dhanyang or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so Semar is always portrayed as short and fat with a pug nose and a dangling hernia. His three companions are his adopted sons, given to Semar as votaries by their parents. Petruk is portrayed as tall and gangling with a long nose, Gareng as short with a club foot and Bagong as obese. The panakawan always appear in the second act of a wayang performance – pathet sanga – as servants to the hero of the story regardless of who that hero is. Similar characters appear in other Indonesian wayang and theatrical traditions, including those of Bali and Sunda, under different names. The panakawan characters are generally much-loved by audiences who attend wayang plays in Indonesia and their appearance in the plays is usually greeted with laughter and anticipation. WikipediA

Dogs in the yard

Dogs in the yard

Two onions, black background

Two hairy onions in front of black background. Two hairy onions in front of black background

Vizsla dog

Carpool service vector illustration. Car sharing. Fellow traveler. Companions

Carpool service vector illustration. Car sharing. Fellow traveler. Companions

Burning and melting, Bridegroom is buried under a collapsed building, Walters Manuscript W.649, fol. 13a

On the morning the young man and woman were to be wed, the bridegroom travels to the home of his beloved. On his way, he stops to rest in a mud building. As a result of heavy rains, the structure falls and buries the bridegroom and his companions alive. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. On the morning the young man and woman were to be wed, the bridegroom travels to the home of his beloved. On his way, he stops to rest in a mud building. As a result of heavy rains, the structure falls and buries the bridegroom and his companions alive. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Little kitten photo

Little kitten looks directly in the camera. Little kitten looks directly in the camera

Young friends relaxing on a bench

Two young female friends relaxing on a bench, one reading a book with the other stares thoughtfully into the sky while holding a tablet in her hands. Two young female friends relaxing on a bench, one reading a book with the other stares thoughtfully into the sky while holding a tablet in her hands

Beautiful sunset view of the Pyramid of Menkaure with companions and the Pyramid of Chephren, Egypt

Beautiful sunset view of the Pyramid of Menkaure with companions and the Pyramid of Chephren, Egypt

Two onions, black background

Two hairy onions in front of black background. Two hairy onions in front of black background

Cute Tabby Cat Sitting Beside a Bowl of Cat Food

Cute Tabby Cat Sitting Beside a Bowl of Cat Food

Illuminated Manuscript of Yusuf and Zulayka, Walters Art Museum Ms. W.644, fol. 150b

A leaf from an anonymous copy of the famous story of Joseph and the Potypha's wife (Yūsuf va Zulaykhā) by Nūr al-Dīn Jāmī (d.898 AH / 1492 CE) executed in the 10th AH / 16th CE century and containing three illustrations. Here Yusuf is surrounded by his companions. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30608. A leaf from an anonymous copy of the famous story of Joseph and the Potypha's wife (Yūsuf va Zulaykhā) by Nūr al-Dīn Jāmī (d.898 AH / 1492 CE) executed in the 10th AH / 16th CE century and containing three illustrations. Here Yusuf is surrounded by his companions. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30608

Christmas Cartoon character companions with big blank signboard, white copy space. Wide empty space for design. Santa

Christmas Cartoon character companions with big blank signboard, white copy space. Wide empty space for design. Santa

Frame Vector Christmas Party design template. Vector illustration

Frame Vector Christmas Party design template. Vector illustration

Older woman companions chat on a bench in a Paris park

Older woman companions chat on a bench in a Paris park

Yorkshire Terrier, Teacup, Fun Loving Dog

Yorkshire Terrier, Teacup, Fun Loving Dog

Felix the cat on a white background.

Felix the cat on a white background.

Happy Christmas companions. Vector cartoon character of Santa Claus, funny snowman and his wife isolated. Christmas

Happy Christmas companions. Vector cartoon character of Santa Claus, funny snowman and his wife isolated. Christmas

Women relaxing on a garden bench

Two young women relaxing together on a garden bench, one with a tablet and one with a book. Two young women relaxing together on a garden bench, one with a tablet and one with a book

Migrating Companions II

Migrating Companions II

Women diners in Breakfast in America diner in Paris, France

Women diners in Breakfast in America diner in Paris, France

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