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Wedding invitation and save the date cards

Wedding invitation and save the date cards

Double exposure of calendar and clock , business concept

Double exposure of calendar and clock , business concept

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 1b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the right side of a double-page illuminated opening for the first poem Kitāb-i Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the right side of a double-page illuminated opening for the first poem Kitāb-i Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Tea before the wedding

Tea-drinking before the wedding (two cups and two rings). Tea-drinking before the wedding (two cups and two rings)

Illustrations with double exposure. Man makes a wedding proposal to the girl standing on one knee, they stand in the street of the

Illustrations with double exposure. Man makes a wedding proposal to the girl standing on one knee, they stand in the street of the

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Round, double-sided wedding invitation

Round, double-sided wedding invitation

Lovers Tea-drinking (two hert-shaped cups and two rings)

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 2a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the left side of an illuminated double-page opening initiating the poem Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. This is the left side of an illuminated double-page opening initiating the poem Makhzan-i asrār. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Two wedding rings on the heart-shaped plate isolated. Two wedding rings on the heart-shaped plate isolated

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Abstract lock your wallet

Double security for your wallet. Double security for your wallet

Two wedding rings on the heart-shaped plate isolated. Two wedding rings on the heart-shaped plate isolated

A single red ornamental heart representing Valentines Day.

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Gold oval frame with flowers and crown around double oval frame on black background

Gold oval frame with flowers and crown around double oval frame on black background

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Relax in maldives

Sitting in chair watching the sea. Sitting in chair watching the sea

Wedding in focus

Lovers Tea-drinking (two rings in focus ). Lovers Tea-drinking (two rings in focus )

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

Wedding invitation and save the date cards

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