Dervish Free Stock Images

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Turkish dervish dancer

Turkish dervish dancer

Whirling Dervish

Whirling Dervish

Sufi whirling dervish

Sufi whirling dervish

The Turkish whirling dancers or Sufi whirling dancers at Spirito Del Pianeta

The Turkish whirling dancers or Sufi whirling dancers at Spirito Del Pianeta

ISTANBUL, TURKEY - August 31, 2014: Mevlevi Whirling Dervishes

ISTANBUL, TURKEY - August 31, 2014: Mevlevi Whirling Dervishes

Whirling dervish

Whirling dervish

Whirling Dervish

Whirling Dervish

Whirling Dervish

Whirling Dervish

Whirling dervish in religious dancing

Whirling dervish in religious dancing

Whirligig dervish in religious dancing

Whirligig dervish in religious dancing

Whirling Dervish

Whirling Dervish

Mevlana museum and dervish

Mevlana museum and dervish

Dancing dervish

Dancing dervish

Whirling Dervish Concept, Middle East Sufi Culture

Whirling Dervish Concept, Middle East Sufi Culture

Dervish dancer old background

Dervish dancer old background

Typographic dervish

Whirling dervish was created with typographic design. Whirling dervish was created with typographic design

Dance with colors

Soufi dance by a dervish in Cairo. Soufi dance by a dervish in Cairo

Dancing with colors

A dancing dervish in Cairo. A dancing dervish in Cairo

Whirling dervish was created with typographic design. Whirling dervish was created with typographic design

Whirling dervish was created with typographic design. Whirling dervish was created with typographic design

Old mosque in Balchic Bulgaria

Mevlana museum, konya

Mevlana museum mosque in Konya, Turkey. Mevlana museum mosque in Konya, Turkey

Mevlana museum, konya

Mevlana museum mosque in Konya, Turkey. Mevlana museum mosque in Konya, Turkey

Mevlana museum, konya

Mevlana museum mosque in Konya, Turkey. Mevlana museum mosque in Konya, Turkey

Holy Sepulchre of Akyazala Baba

The bi-ritual prayer house of the Muslim saint Akyazala Baba and of his Christian counterpart St. Athanasius. The bi-ritual prayer house of the Muslim saint Akyazala Baba and of his Christian counterpart St. Athanasius

Mevlana museum, konya

Mevlana museum mosque in Konya, Turkey. Mevlana museum mosque in Konya, Turkey

Mevlana museum, konya

Mevlana museum mosque in Konya, Turkey. Mevlana museum mosque in Konya, Turkey

Mevlana museum mosque in Konya, Turkey

Mevlana museum mosque in Konya background, Turkey. Mevlana museum mosque in Konya background, Turkey

Five poems (quintet), Şeyh Baba and his men, Walters Manuscript W.666, fol. 42b

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This illustration depicts Şeyh Baba and his men capturing a group of brigands who robbed their tekke (dervish lodge). This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This illustration depicts Şeyh Baba and his men capturing a group of brigands who robbed their tekke (dervish lodge).

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