Enameled Background Free Stock Images

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Pendant and earrings of painted and enameled porcelain on the black background. Pendant and earrings of painted and enameled porcelain on the black background

This chinaware is very attractive, it is a bottle.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Traditional Serbian Crumpled Cheese Pie Gibanica In Heavy Duty Enameled Baking Pan Isolated On White Background

Traditional Serbian Crumpled Cheese Pie Gibanica In Heavy Duty Enameled Baking Pan Isolated On White Background

Flowers asters in a white enameled pitcher and vintage crockery - ceramic bowl and enameled jar, on a blue wooden background.

Flowers asters in a white enameled pitcher and vintage crockery - ceramic bowl and enameled jar, on a blue wooden background.

Flowers asters in a white enameled pitcher and vintage crockery - ceramic bowl and enameled jar, on a blue wooden background.

Flowers asters in a white enameled pitcher and vintage crockery - ceramic bowl and enameled jar, on a blue wooden background.

Empty red enameled pot locked from top on white background. Empty red enameled pot locked from top on white background

Old large enameled blue pot with cover isolated on white background

Old large enameled blue pot with cover isolated on white background

Fresh blueberries in enameled cup, rustic background, selective focus

Fresh blueberries in enameled cup, rustic background, selective focus

Pattern offiower surface tiles.

Colorful floor tile in difference shape and design with in wall building. Colorful floor tile in difference shape and design with in wall building.

Chinese handmade teapot isolated on white background.

White Enameled Stock Pot With Heath Resistant Glass Lid Isolated On Black Background

White Enameled Stock Pot With Heath Resistant Glass Lid Isolated On Black Background

Enameled blue cast iron on a white background

Enameled blue cast iron on a white background

Green enameled tea-pot with a whistle over white background

Flowers asters in a white enameled pitcher and vintage crockery - ceramic bowl and enameled jar, on a blue wooden background.

Flowers asters in a white enameled pitcher and vintage crockery - ceramic bowl and enameled jar, on a blue wooden background.

Soak whites clothes in the enameled bowl on white background

Soak whites clothes in the enameled bowl on white background

Chinese Poems on teapot isolated on white background.

Teapot on white

Clay teapot,also called zisha teapot in China,also it is a artwork. isolated on white background. Clay teapot,also called zisha teapot in China,also it is a artwork. isolated on white background.

Pink roses in a white enameled pitcher and ceramic white bowls on blue wooden rustic background. Kitchen still life

Pink roses in a white enameled pitcher and ceramic white bowls on blue wooden rustic background. Kitchen still life

The enameled plate

The yellow enameled plate is isolated on a white background. The yellow enameled plate is isolated on a white background

Enameled pot with lid, open and closed, black and white contour vector illustration on white background

Enameled pot with lid, open and closed, black and white contour vector illustration on white background

This chinaware is very attractive, it is a bottle.

Traditional Serbian Crumpled Cheese Pie Gibanica In Heavy Duty Enameled Baking Pan Isolated On White Background

Traditional Serbian Crumpled Cheese Pie Gibanica In Heavy Duty Enameled Baking Pan Isolated On White Background

The enameled plate

The yellow enameled plate is isolated on a white background. The yellow enameled plate is isolated on a white background

This chinaware is very attractive, it is a bottle.

Chinese handmade teapot isolated on white background.

White metal mug

White metal mug separately on a white background

Fruit tea and Christmas cookies in a ceramic bowl on a Christmas background

Fruit tea and Christmas cookies in a brown ceramic bowl on a Christmas background

Bouquet of lilac in an old enameled teapot on vintage suitcase on blue background. Retro style still life.

Bouquet of lilac in an old enameled teapot on vintage suitcase on blue background. Retro style still life.

White enameled pan

White enameled pan isolated on the white

Aluminum enameled mug of a traveler with hot tea on a moss-covered mountain on a picturesque background of Lake Baikal.

Aluminum enameled mug of a traveler with hot tea on a moss-covered mountain on a picturesque background of Lake Baikal.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Bouquet of lilac in an old enameled teapot on vintage suitcase on yellow background. Retro style still life.

Bouquet of lilac in an old enameled teapot on vintage suitcase on yellow background. Retro style still life.

Clay teapot,also called zisha teapot in China,also it is a artwork. isolated on white background.

Three stars on a white background. Three stars on a white background

Two enameled kettle

Two enameled kettle, brown and blue, isolated on white

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