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Group at King's Cave, Linden

Group portrait of members of Royal Australian Historical Society sitting on rock ledge, taken during excursion to King's Cave, Linden. Frank Walker on left, holding teacup.

This image is part of a collection entitled ‘Blue Mountains Excursions', which is available to view on the Royal Australian Historical Society's Historypin Channel. Access the collection at the following link:

http://www.historypin.com/channels/view/id/48441/#|collections/view/id/3230/title/Blue Mountains Excursions

Please feel free to comment on this or any of the other images in the collection. If you have more accurate information regarding the location and/or date of the image, we would love to hear from you!. Group portrait of members of Royal Australian Historical Society sitting on rock ledge, taken during excursion to King's Cave, Linden. Frank Walker on left, holding teacup.

This image is part of a collection entitled ‘Blue Mountains Excursions', which is available to view on the Royal Australian Historical Society's Historypin Channel. Access the collection at the following link:

http://www.historypin.com/channels/view/id/48441/#|collections/view/id/3230/title/Blue Mountains Excursions

Please feel free to comment on this or any of the other images in the collection. If you have more accurate information regarding the location and/or date of the image, we would love to hear from you!

nor would pharaoh have hardened his heart

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: Some street musicians make their appeal by the sweetness of the strains they produce: some, one would think, by blackmail. Nor would Pharaoh have hardened his heart against an ill-played concertina.

the strains of the itinerant harpist come through the din of traffic

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: Accompanied by a violin, he is the most melodious of all the street musicians - the strains of the itinerant harpist come through the din of traffic like distant echoes of Tara or Carleon.

Illuminated Manuscript of a Gloss on a Commentary on the Koran, Illuminated opening page with a rectangular headpiece, Walters Ar

A gloss (ḥāshiyah) by Kemalpaşazade (d. 940 AH / 1533 CE) on the commentary on the Koran (Qur’an) composed by ʿAbd Allāh al-Bayḍawī (d. ca. 685 AH / 1286 CE) and entitled Anwār al-tanzīl. Transcribed in 966 AH / 1558 CE, this elegant copy was made from the author's holograph by ʿUthmān ibn Manṣūr. This is the decorated incipit page with a rectangular headpiece carrying the doxological formula (basmalah) written in white tawqīʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=2150. A gloss (ḥāshiyah) by Kemalpaşazade (d. 940 AH / 1533 CE) on the commentary on the Koran (Qur’an) composed by ʿAbd Allāh al-Bayḍawī (d. ca. 685 AH / 1286 CE) and entitled Anwār al-tanzīl. Transcribed in 966 AH / 1558 CE, this elegant copy was made from the author's holograph by ʿUthmān ibn Manṣūr. This is the decorated incipit page with a rectangular headpiece carrying the doxological formula (basmalah) written in white tawqīʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=2150

London's safest milk

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: A north London milkman. The three-wheeled trolley of the milkman in a fairly small way is disappearing in favour of the motor van and the big combine. London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: A north London milkman. The three-wheeled trolley of the milkman in a fairly small way is disappearing in favour of the motor van and the big combine

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Public servants of the London streets: The road-sweeper, fully fledged, with a push-cart bearing the cognizance of an ancient and once royal city. It is to be wondered how much the decline of the horse traffic has affected the demand for both the road-sweeper and the scavenger boy. London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Public servants of the London streets: The road-sweeper, fully fledged, with a push-cart bearing the cognizance of an ancient and once royal city. It is to be wondered how much the decline of the horse traffic has affected the demand for both the road-sweeper and the scavenger boy.

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 52b

The prince hunting. Leaf from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. The prince hunting. Leaf from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

a greater joy to children than all the expensively garnished shop-windows

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: Curb-side hawkers are to be found wherever shoppers congregate, but Holborn at Christmas is a favourite pitch of theirs. With their nodding-dolls and acrobatic toys - mechanisms that never appear to function so deftly after purchase - they are often a greater joy to children than all the expensively garnished shop-windows on the other side of the pavement.

a greengrocer in the Commercial Road

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: A greengrocer in the Commercial Road. In the East End and all over the poorer parts of London a strange kind of establishment, half shop and half booth, is common.

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 33a

Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

The Blue Tree, Paris

The Blue Tree, Paris

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 24b

Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 1b

Tuḥfet ül-aḫyār. Page from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. Tuḥfet ül-aḫyār. Page from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

The Cathedral of Pisa

The Cathedral of Pisa

Piazza Chiesa San Giusseppe-Taormina-Sicilia-Italy - Creative Commons by gnuckx

www.meimanrensheng.com/ www.livingalifeincolour.com/ www.travelagenda.nl/ www.travelagenda.nl/nieuws/koffietijdkiekjes/koffietijd-k... To see more ... www.flickr.com/photos/gnuckx Taormina Taormina (Sicilian: Taurmina, Greek: Ταυρομένιον - Tauromenion, Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina and Catania. Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and has a high salt content. Taormina can be reached via highways (autostrade) from Messina from the north and Catania from the south. Contemporary age In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled "Journey to Italy," but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an ‘unbridled imagination’. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth. During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír. By this time Taormina had become "a polite synonym for Sodom" as Harold Acton described it. Later, however, after the Second World War Acton was visiting Taormina with Evelyn Waugh and, coming upon a board advertising “Ye Olde English Teas” he sighed and commented that Taormina 'was now quite as boring as Bournemouth'. Archaeology The present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine. The Teatro Greco ("Greek theatre"). But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, or "Greek theatre"), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period. With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size. taormina rainbow messina bougainvillea basil basilico hotel san domenico giardini naxos etna volcano vulcano island isola sicilia sicily italia italy sea sun landscape free europe wallpaper michael micky castielli resolution vacation holiday travel flight creativecommons creative commons zero CC0 cc0 CC cc panoramio flickr googleearth maps geotagged gnu gimp wikimedia. www.meimanrensheng.com/ www.livingalifeincolour.com/ www.travelagenda.nl/ www.travelagenda.nl/nieuws/koffietijdkiekjes/koffietijd-k... To see more ... www.flickr.com/photos/gnuckx Taormina Taormina (Sicilian: Taurmina, Greek: Ταυρομένιον - Tauromenion, Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina and Catania. Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and has a high salt content. Taormina can be reached via highways (autostrade) from Messina from the north and Catania from the south. Contemporary age In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled "Journey to Italy," but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an ‘unbridled imagination’. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth. During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír. By this time Taormina had become "a polite synonym for Sodom" as Harold Acton described it. Later, however, after the Second World War Acton was visiting Taormina with Evelyn Waugh and, coming upon a board advertising “Ye Olde English Teas” he sighed and commented that Taormina 'was now quite as boring as Bournemouth'. Archaeology The present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine. The Teatro Greco ("Greek theatre"). But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, or "Greek theatre"), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period. With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size. taormina rainbow messina bougainvillea basil basilico hotel san domenico giardini naxos etna volcano vulcano island isola sicilia sicily italia italy sea sun landscape free europe wallpaper michael micky castielli resolution vacation holiday travel flight creativecommons creative commons zero CC0 cc0 CC cc panoramio flickr googleearth maps geotagged gnu gimp wikimedia

Pula- port

St Edmundsbury Cathedral from the Abbey Gardens

St Edmundsbury Cathedral from the Abbey Gardens

Sea Shells and Book

Book entitled The Sea surrounded by a variety of seashells. Book entitled The Sea surrounded by a variety of seashells.

Turin Cathedral

Cathedral entitled to St. John the Baptist in Turin, Italy. This is where the Holy Shroud of Turin is kept. Cathedral entitled to St. John the Baptist in Turin, Italy. This is where the Holy Shroud of Turin is kept.

Heavenly Trio 1978 Christmas Plate

Heavenly Trio 1978 Christmas Plate

Manuscript Book on Logic, Walters Art Museum Ms. W.591, fol. 78a

The present work is a supergloss on the gloss (ḥāshiyah) by al-Sayyid al-Sharīf al-Jurjānī (d.816 AH / 1413 CE) on the Lawāmiʿ al-asrār by Qutb al-Dīn al-Taḥtānī al-Rāzī (d.766 AH / 1364 CE), being in turn a commentary on a book of logic entitled Maṭāliʿ al-anwār by Sirāj al-Dīn Maḥmūd al-Urmawī (d.682 AH / 1283 CE). Written for the library of the Ottoman Sultan Selim I, it was executed in Bursa in 918 AH / 1512 CE, the year of his accession to the throne. It is very likely that the scribe is also the author of this work. This folio contains the end of the text and the colophon. Virtually turn the pages of this manuscript on Walters Ex Libris: manuscripts.thewalters.org/viewer.php?id=W.591#page/176/m. The present work is a supergloss on the gloss (ḥāshiyah) by al-Sayyid al-Sharīf al-Jurjānī (d.816 AH / 1413 CE) on the Lawāmiʿ al-asrār by Qutb al-Dīn al-Taḥtānī al-Rāzī (d.766 AH / 1364 CE), being in turn a commentary on a book of logic entitled Maṭāliʿ al-anwār by Sirāj al-Dīn Maḥmūd al-Urmawī (d.682 AH / 1283 CE). Written for the library of the Ottoman Sultan Selim I, it was executed in Bursa in 918 AH / 1512 CE, the year of his accession to the throne. It is very likely that the scribe is also the author of this work. This folio contains the end of the text and the colophon. Virtually turn the pages of this manuscript on Walters Ex Libris: manuscripts.thewalters.org/viewer.php?id=W.591#page/176/m...

INDONESIA CREATIVE JOBS

INDONESIA CREATIVE JOBS

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Public servants of the London streets: It would be interesting to know how many hundred miles a year the average London postman walks.

9/11 Memorial in Liberty State Park, Jersey City, New Jersey

9/11 Memorial in Liberty State Park, Jersey City, New Jersey

The Last Chapter of the Book of Ecclesiastes found at Gilgal Sculpture Garden

The Last Chapter of the Book of Ecclesiastes found at Gilgal Sculpture Garden

the last and most sordid victory of the age of science

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: The gramophone charioted in a perambulator seems the last and most sordid victory of the Age of Science. Even a barrel-organ, they say, needs some skill in the grinding. More at www.wonderfullondon.tumblr.com/

Illuminated Manuscript of Collection of prayers for the Prophet Muhammad, The right side of a double page composition featuring t

This is a leaf from anelegantly penned and illuminated copy of the well-known collection of prayers for the prophet Muhammad entitled Dalāʾil al-khayrāt and composed by Muḥammad al-Jazūlī (d.877 AH / 1472 CE). Written on paper in Turkish naskh script, this prayer book was probably made in the 11th AH / 17th CE century. It contains an illustration featuring the mosque compound in Medina with the tombs of Muhammad, Abū Bakr and ʿUma See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30971. This is a leaf from anelegantly penned and illuminated copy of the well-known collection of prayers for the prophet Muhammad entitled Dalāʾil al-khayrāt and composed by Muḥammad al-Jazūlī (d.877 AH / 1472 CE). Written on paper in Turkish naskh script, this prayer book was probably made in the 11th AH / 17th CE century. It contains an illustration featuring the mosque compound in Medina with the tombs of Muhammad, Abū Bakr and ʿUma See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30971

Safdarjung Tomb, New Delhi, India

Safdarjung Tomb, New Delhi, India

Take A Stroll Through Nashville History

Take A Stroll Through Nashville History

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 28b

Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

St Edmundsbury Cathedral from the Abbey Gardens

St Edmundsbury Cathedral from the Abbey Gardens

district messenger

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Public servants of the London streets: It is the boast of the District Messengers that they will go anywhere, to do anything. A telephone message will bring one to exercise a pekinese dog, to fetch a suit-case from Exeter, or deliver a presentation to a Prime Minister. It is recorded of one that he was sent for and told to deliver a letter. When he looked at the address he found it was in New York. But the letter - a propsal of marriage, so they say - was delivered.

Natalia Makarova in Chicago in 1980

Natalia Makarova in Chicago in 1980

Book entitled "Success and Change" by Mateusz Grzesiak surrounded on three sides by different foods isolated on a white background. Book entitled "Success and Change" by Mateusz Grzesiak surrounded on three sides by different foods isolated on a white background.

the weirdly-garbed Houdini of the pit queue

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: The weirdly-garbed Houdini of the pit queue. This fellow offers to free himself if sufficient inducement is forthcoming. One wonders what will happen if it is not.

Entitled Toddler Girl Having a Tantrum Vector Cartoon

Entitled Toddler Girl Having a Tantrum Vector Cartoon

Natalia Makarova in Chicago in 1980

Natalia Makarova in Chicago in 1980

this patriarch carries on the tradition without simian aid

London, 1920s Photogravure by Donald Macleish from Wonderful London by St John Adcock, 1927. From the section entitled Some of the sights and sounds that liven London streets: At one time the Italian organ-grinder with his monkey in fez and jacket was a familiar sight; he is gone today, but this patriarch carries on the tradition without simian aid.

Eligibility, Motivational Inspirational Business Quotes

Eligibility, Motivational Inspirational Business Quotes

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