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Stained Glass of the Saint Luke the Evangelist

Stained Glass of the Saint Luke the Evangelist

Stained Glass - St Mark the Evangelist

Stained Glass - St Mark the Evangelist

Church of St. John the Evangelist in Zakopane

Church of St. John the Evangelist in Zakopane

TURIN, ITALY - MARCH 13, 2017: The fresco of St. John the Evangelist in cupola of Church Chiesa di Santo Tommaso by C. Secchi

TURIN, ITALY - MARCH 13, 2017: The fresco of St. John the Evangelist in cupola of Church Chiesa di Santo Tommaso by C. Secchi

ROME, ITALY: Holy Spirit and Four Evangelist fresco in cupola in cappella Feoli chapel in Basilica di Santa Maria del Popolo

ROME, ITALY: Holy Spirit and Four Evangelist fresco in cupola in cappella Feoli chapel in Basilica di Santa Maria del Popolo

ROME, ITALY: Fresco of St. John the Evangelist in church Chiesa di Santa Maria in Aquiro by Cesare Mariani in neo-mannerist style.

ROME, ITALY: Fresco of St. John the Evangelist in church Chiesa di Santa Maria in Aquiro by Cesare Mariani in neo-mannerist style.

ROME, ITALY: Fresco of St. Mark the Evangelist in church Chiesa di Santa Maria in Aquiro by Cesare Mariani in neo-mannerist style.

ROME, ITALY: Fresco of St. Mark the Evangelist in church Chiesa di Santa Maria in Aquiro by Cesare Mariani in neo-mannerist style.

From the book Bunyan`s Pilgrim`s Progress

From the book Bunyan`s Pilgrim`s Progress

Stained Glass depicting the Four Evangelists

Stained Glass depicting the Four Evangelists

Winged Lion of Saint Mark on Piazza dei Signori, Padua

Winged Lion of Saint Mark on Piazza dei Signori, Padua

Male Evangelist Baptism

Male Evangelist Baptism

Female Evangelist Baptism

Female Evangelist Baptism

Male Evangelist Baptism

Male Evangelist Baptism

St Luke the Evangelist

St Luke the Evangelist

Rome - st. John the Evangelist

Rome - st. John the Evangelist

Church of St. John the Evangelist

Church of St. John the Evangelist in Ravenna

Church of St. John the Evangelist

Church of St. John the Evangelist in Ravenna

Church of St. John the Evangelist

Church of St. John the Evangelist in Ravenna

Matthew the Evangelist

A bas-relief. A Raifsky Bogoroditsky man's monastery. A bas-relief. A Raifsky Bogoroditsky man's monastery

San Giovanni Evangelista, Ravenna, Italy

The interior of the Church of Saint John The Evangelist, Ravenna, Italy. The interior of the Church of Saint John The Evangelist, Ravenna, Italy

Frescos in Lublin's cathedral, Lublin, Poland

Frescos painted by Jan Meier on the ceiling of the Cathedral of St. John The Baptist and of John The Evangelist, Lublin, Poland. Frescos painted by Jan Meier on the ceiling of the Cathedral of St. John The Baptist and of John The Evangelist, Lublin, Poland

Illuminated Manuscript, Gospels of Freising, Evangelist Portrait of Mark, Walters Art Museum Ms. W.4, fol. 90v

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. The illumination is at the beginning of Mark's Gospel. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. The illumination is at the beginning of Mark's Gospel. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

Illuminated Manuscript, Gospels of Freising, Evangelist Portrait of John, Walters Art Museum Ms. W.4, fol. 178v

This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. The illumination is at the beginning of John's Gospel. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/. This Gospel Book was written in Carolingian minuscule in the diocese of Freising, Germany ca. 875. Surprisingly small for an Gospel Book, it is nonetheless richly illuminated and offers an excellent example of Carolingian art. The expressive and emotive quality of the Evangelists, characterized by quick, sketchy brushwork, recalls the style developed by the Carolingian school of Reims in Northern France. This similarity may be attributed to a connection with Ebbo, the former Archbishop of Reims, since he fled to Freising at this time after a quarrel with Charles the Bald. The canon tables, however, derive from a different tradition, and recall Franco-Saxon imagery in its use of interlace within the columns, and of acanthus springing from the top corners. Due to these factors, the manuscript had once been attribution to Northern France, but it is now understood to be one of a group of related manuscripts from Freising during Ebbo's tenure. The manuscript is complete, consisting of 215 folios, and includes readings for the liturgical year, Jerome's Plures Fuisse and Novum Opus letters, decorated canon tables, and Evangelist portraits. The illumination is at the beginning of John's Gospel. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W4/ For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19057/freising-gospels/

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