Five Point Free Stock Images

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Pile of pencils

Pile of wooden pencils over a light red background. Pile of wooden pencils over a light red background

Five dice on black background

A hand with gun ready to fire at an alarm clock. A hand with gun ready to fire at an alarm clock

5 stars gold rating. Feedback, reviews, notifications, voting for collecting statistics.

5 stars gold rating. Feedback, reviews, notifications, voting for collecting statistics.

Create hand is star shape in mean that teamwork to success isolated on white background

Create hand is star shape in mean that teamwork to success isolated on white background.

Pile of pencils

Pile of wooden pencils over a light red background. Pile of wooden pencils over a light red background

Red starfish posing on wet stone (returned into the sea immediately after shot)

Blue numbers keyboard. business conceptual illustration. Background

Four red shotgun shells and one blue isolated on white

Luxury gold badges quality labels premium set of 5 stars rating

Luxury gold badges quality labels premium set of 5 stars rating

Five peculiar darts containing humour. Five peculiar darts containing humour

Black remote control television, white background. Black remote control television, white background

First Ferry XinGuang.

New World First Ferry Services Limited (“First Ferry”) operates five main inner harbour and outlying island ferry routes in Hong Kong, including North Point-Hung Hom and North Point- Kowloon City, as well as Central-Cheung Chau, Central-Mui Wo and Inter Islands (between Peng Chau, Mui Wo, Chi Ma Wan and Cheung Chau), together with one special ferry route (plying between North Point and Joss House Bay, Sai Kung during Tin Hau Festival only). First Ferry’s five main routes record a daily traffic footfall up to 38,000 passengers (as of 30 June, 2013). New World First Ferry Services Limited (“First Ferry”) operates five main inner harbour and outlying island ferry routes in Hong Kong, including North Point-Hung Hom and North Point- Kowloon City, as well as Central-Cheung Chau, Central-Mui Wo and Inter Islands (between Peng Chau, Mui Wo, Chi Ma Wan and Cheung Chau), together with one special ferry route (plying between North Point and Joss House Bay, Sai Kung during Tin Hau Festival only). First Ferry’s five main routes record a daily traffic footfall up to 38,000 passengers (as of 30 June, 2013).

Small panel of the MP3 modulator, white background. Small panel of the MP3 modulator, white background

Red starfish mirror

Red starfish mirror

Human hand pressing virtual button

Human hand pressing or pointing, isolated on white background. Human hand pressing or pointing, isolated on white background

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 197b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Iskandar’s victory over the Zanghis. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Iskandar’s victory over the Zanghis. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Hands for your design. Silhouettes

Number 55 on a wall

Number 55 on a blue wall. Number 55 on a blue wall

Approve is what people want.

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 180b

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Incipit page with an illuminated headpiece introducing Sharafnāmah (the first part of Iskandarnāmah). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Incipit page with an illuminated headpiece introducing Sharafnāmah (the first part of Iskandarnāmah). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Businessman with a plan.

Businessman with a plan.

Orange numbers keyboard business conceptual. Background

Pink frying pan with a nonstick coating

Pink frying pan with a nonstick coating

Hands with a computer mouse

Man's and woman's hands using a computer mouse. Man's and woman's hands using a computer mouse

Businesswoman with a plan.

Businesswoman with a plan.

Different types of 5 stars rating. Concept of feedback, reviews, notifications.

Different types of 5 stars rating. Concept of feedback, reviews, notifications.

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 165a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Bahrām Gūr in the sandal-wood pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Bahrām Gūr in the sandal-wood pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Five dice on black background

Five dice on black background

Dice on a white background

Number Openwork font

Number of Alphabet Openwork font. Number of Alphabet Openwork font

Vector Bisection of the interval

Drawing task to bisection of the interval with an estimate of five on a piece of paper in the cage. Drawing task to bisection of the interval with an estimate of five on a piece of paper in the cage

Dice on a white background

Cookware, nonstick pan

Cookware, nonstick pan

Baby's little hand holding parent's index finger. Baby's little hand holding parent's index finger

Macro shot of the face of a old classic clock. Macro shot of the face of a old classic clock

Hands in number 1 to 5

Dice on a white background

Hands for your design. Silhouettes

The rhinoceros is a large, primitive looking mammal that in fact dates from the Miocene era millions of years ago. In recent decades rhinos have been relentlessly hunted to the point of near extinction. Since 1970 the world rhino population has declined by 90 percent, with five species remaining in the world today, all of which are endangered.

Black star silhouettes

Black star silhouettes

Award Gold Star

Award Gold Star

Soviet star rust badge

Soviet star rust badge

Hands for your design. Silhouettes

Blue fjords Arctic Circle Iceland

Arnarfjörður is a large fjord in the Westfjords region of Iceland. It is thirty kilometres long and five to ten kilometres wide. Arnarfjörður is a large fjord in the Westfjords region of Iceland. It is thirty kilometres long and five to ten kilometres wide.

Hands for your design. Silhouettes

Five mortar shells isolated on white

Dice (clipping path)

Five dice on a white background (clipping path). Five dice on a white background (clipping path)

Five-point storm

Five-point storm

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 86a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Khusraw announcing his marriage to Shakar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. Khusraw announcing his marriage to Shakar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Pile of pencils

Pile of wooden pencils over a light red background. Pile of wooden pencils over a light red background

Five poems (quintet), Walters Art Museum Ms. W.607, fol. 17a

This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. An old woman approaches the throne of Sultan Sanjar to tell of her oppression. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718. This is an illustrated copy of four of the five poems that comprise the Khamsah of Niẓāmī Ganjavī (d.605 AH / 1209 CE). It does not include Laylá va Majnūn. The text was copied by a certain Yādkār the Calligrapher (al-Kātib) in 935 AH / 1529 CE, most probably in Safavid Iran. An illuminated double-page composition opens the manuscript and each poem is initiated with a decorative headpiece. The miniatures appear to have been repainted at some point in the manuscript’s history. Their date and provenance are open to question. The textblock is bound in late Zand lacquer covers with scenes depicting Bahrām Gūr hunting and Khusraw watching Shīrīn bathing. An old woman approaches the throne of Sultan Sanjar to tell of her oppression. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=17718

Stars Vector Flat Icons 2 Tone Colorful 20 Elements Set

Stars Vector Flat Icons 2 Tone Colorful 20 Elements Set

Abstact star logo.

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