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Electric coffee mill. Fragment.

Electric coffee mill in work. Close-up. Narrow depth of field. Electric coffee mill in work. Close-up. Narrow depth of field.

Flute fragment

Denim

Spring zen

Koran, Text page with marginal illumination, Walters Manuscript W.555, fol. 12b

This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860. This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860

Building geometry

Building geometry

Illuminated Manuscript, Map of a fragment of the Island of Crete from Book on Navigation, Walters Art Museum Ms. W.658, fol.351b

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Druze of crystals calcyte, quartz, epidote

Druze of crystals calcyte, quartz, epidote from Arnenia

Koran, Illuminated headpiece with arabesque design and marginal medallion at left, Walters Manuscript W.555, fol. 1a

This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860. This illuminated fragment of the Qur'an contains chapter 25 (Sūrat al-furqān), verses 21-32 and 39-78; chapter 26 (Sūrat al-shuʿarāʾ); and chapter 27 (Sūrat al-naml), up to verse 40. It probably dates to the late fifth century AH / eleventh CE or early sixth century AH / twelfth CE. The text is written in the New Abbasid (broken cursive) style in black ink and is vocalized with red dots and blue circles, the latter for sukūn. Single verses are separated by illuminated rosettes, and groups of five verses are indicated by the letter hāʾ in the form of a teardrop in the margins. Marginal medallions are also used for larger verse groups. The black leather binding is modern. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=11860

Surface of the granite. Reddish-brown shades.

Surface of the stone. Granite. Reddish-brown shades. Surface of the stone. Granite. Reddish-brown shades.

Soil cliff at Kork Suo,Nan,Thailand

Soil cliff and corrosion at Kork Suo,Nan,Thailand. Soil cliff and corrosion at Kork Suo,Nan,Thailand.

Carpent from some colour flowers

Seamless tile for a background, wallpaper, etc. . Seamless tile for a background, wallpaper, etc.

Close-up view of motorcycle rear lights

Turn yellow and red brake lights. Turn yellow and red brake lights

Abstract art background. Oil painting on canvas.

Abstract art background. Oil painting on canvas.

Village baths

Substation Transformer,fragment

Electrical substation, which supplies the energy of a small housing estate. Electrical substation, which supplies the energy of a small housing estate.

Red car bodywork

Red car bodywork

Close-up macro fragment of a palette knife painting

Close-up macro fragment of a palette knife painting

Surface of the granite. Mottled texture.

Surface of the stone. Granite. Mottled texture. Surface of the stone. Granite. Mottled texture.

Sitting range in Pula amphitheater

Fragment of sitting range in the ancient Roman amphitheater in Pula. Fragment of sitting range in the ancient Roman amphitheater in Pula

Illuminated Manuscript Koran, Illuminated incipit page with headpiece inscribed with the chapter heading for Sūrat Maryam, Walte

A fragment of the Koran (Qur'an) covering the chapters 19 (Mariam) through 23 ( al-Muʾminūn) written on Italian paper in a large Maghribi script, with vocalization in red ink, in the 12th AH / 18th CE century. Shown here is the illuminated incipit page with a headpiece carrying the chapter heading (Maryam) in a decorative New Abbasid Style ('broken cursive') in the central medallion in gold. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=38427. A fragment of the Koran (Qur'an) covering the chapters 19 (Mariam) through 23 ( al-Muʾminūn) written on Italian paper in a large Maghribi script, with vocalization in red ink, in the 12th AH / 18th CE century. Shown here is the illuminated incipit page with a headpiece carrying the chapter heading (Maryam) in a decorative New Abbasid Style ('broken cursive') in the central medallion in gold. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=38427

Fragment of an imperial palace in manor Sheremetev

Palace at the museum-estate Kuskovo, monument of the 18th century. Moscow, Russia. Palace at the museum-estate Kuskovo, monument of the 18th century. Moscow, Russia.

World famous medieval German composer Ludwig Van Beethoven isolated on white background

World famous medieval German composer Ludwig Van Beethoven isolated on white background

Fragment flute

Fragment of an imperial palace in manor Sheremetev

Palace at the museum-estate Kuskovo, monument of the 18th century. Moscow, Russia. Palace at the museum-estate Kuskovo, monument of the 18th century. Moscow, Russia.

Fragment of an imperial palace in manor Sheremetev

Palace at the museum-estate Kuskovo, monument of the 18th century. Moscow, Russia. Palace at the museum-estate Kuskovo, monument of the 18th century. Moscow, Russia.

Ancient corrosion of soil by rain and wind

Corrosion from rain and wind more than 100,000 years. Corrosion from rain and wind more than 100,000 years.

Fragment of a building facade on Nevsky Prospekt

Fragment of a building facade on Nevsky Prospekt

Surface of the granite. Mottled texture.

Surface of the stone. Granite. Mottled texture. Surface of the stone. Granite. Mottled texture.

Coloured bricks, curves and columns

Fragment of the entrance to Natural History Museum in London. Fragment of the entrance to Natural History Museum in London

Clay city at Sao Din,Na Noi,Nan,Thailand

Ancient corrosion of soil by rain and wind more than 100,000 years. Ancient corrosion of soil by rain and wind more than 100,000 years.

Cactus plant covered with many little flowers.

Cactus plant covered with many little yellow flowers. Vertical fragment. Cactus plant covered with many little yellow flowers. Vertical fragment.

Bright red textural pattern, Fragment of cataphot

Bright red textural pattern, Fragment of cataphot

Fragment of the facade of a modern building

Office building in the style of high tech on the Esenin street in Ryazan. Office building in the style of high tech on the Esenin street in Ryazan

Granite. Pale yellow and reddish-brown shades.

Surface of the stone. Granite. Pale yellow and reddish-brown shades. Mottled pattern.

Timber of Old wooden church wall

A piece of old wooden country church wall. A piece of old wooden country church wall

Fragment of violin fingerboard

Fragment of violin fingerboard

The Great Baths. Archaeological Site of Dion, Greece

The Great Baths. Archaeological Site of Dion, Greece

Surface of the travertine. Tints of brown.

Surface of the stone. Travertine. Tints of brown and grey. Striped pattern. Surface of the stone. Travertine. Tints of brown and grey. Striped pattern.

Berlin wall

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