Fragmentary Free Stock Images

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Vintage background with old frame and flowers

Vintage background with frame for congratulations and invitations with space for photo or text. Vintage background with frame for congratulations and invitations with space for photo or text

Sheet of parchment with a sealing wax seal

Sheet of parchment with a sealing wax seal

Vintage notebook page with frames

Victorian background with old photo-frame and autumn leaves, . family album. Victorian background with old photo-frame and autumn leaves, . family album

Sheet of the broken off old paper

Background - sheet of the broken off old paper in the form of heart

Stone Carving of Yungang Grottoes 92

Stone carving in Yungang Grottoes, Datong, Shanxi province of China.

CAVE 17(A.D.460-465)
A crossed-legged Maitreya, 15.6 metres high, is carved on the north wall, a seated buddha on the east wall, and a standing buddha on the west wall, which are generally named The Trikala Buddhas. Stone carving in Yungang Grottoes, Datong, Shanxi province of China.

CAVE 17(A.D.460-465)
A crossed-legged Maitreya, 15.6 metres high, is carved on the north wall, a seated buddha on the east wall, and a standing buddha on the west wall, which are generally named The Trikala Buddhas.

Vintage background with old cards

Vintage background with old postcard for congratulations and invitations. Vintage background with old postcard for congratulations and invitations

Birth certificate

Old birth certificate. Vintage birth certificate.

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Frame on the the vintage lace background

Vintage background with frame for congratulations and invitations with space for photo or text. Vintage background with frame for congratulations and invitations with space for photo or text

Stone Carving of Yungang Grottoes 106

Stone carving in Yungang Grottoes, Datong, Shanxi province of China. CAVE 1(A.D.470--493) Cave 1 and cave 2 from a pair of Buddhist cave temples. In the center of cave 1 is carved a square pillar in the shape of a two-storeyed pagoda. The main statue on the bank wall is maitreya. Stone carving in Yungang Grottoes, Datong, Shanxi province of China. CAVE 1(A.D.470--493) Cave 1 and cave 2 from a pair of Buddhist cave temples. In the center of cave 1 is carved a square pillar in the shape of a two-storeyed pagoda. The main statue on the bank wall is maitreya.

Background from vertical strips

Background from vertical strips with a place for your text

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE).

Old grunge background with roses

Old grunge paper background with roses and lace. Old grunge paper background with roses and lace

Crushed sheet of paper

Crushed sheet of paper a white crushed standard sheet

Vintage background with space for text or photos

Victorian background with old photo-frame and autumn leaves. family album. Victorian background with old photo-frame and autumn leaves. family album

Biscuit and cream dessert.

Soft biscuit and coffee cream dessert. Soft biscuit and coffee cream dessert.

Christmas greeting card

Holiday Cards with greetings of Christmas and New Year. Holiday Cards with greetings of Christmas and New Year

Abstract background light blue

Abstract background light blue with decorative elements and place for text

Stone Carving of Yungang Grottoes 100

Stone carving in Yungang Grottoes, Datong, Shanxi province of China. CAVE 19(A.D.460-465) The main images are the Trikala buddhas. The seated Sakyamuni in the main cave is 16.8 metres high, the 2nd largest in the Yungang caves. Wearing a well-decorated kasaya. He has a squarely-round face, broad shoulders and long earlobes down to his shoulders. Stone carving in Yungang Grottoes, Datong, Shanxi province of China. CAVE 19(A.D.460-465) The main images are the Trikala buddhas. The seated Sakyamuni in the main cave is 16.8 metres high, the 2nd largest in the Yungang caves. Wearing a well-decorated kasaya. He has a squarely-round face, broad shoulders and long earlobes down to his shoulders.

The wild West. The poster

The wild West. The poster

Birch leaves with clipping puths.

Autumn leaves of a birch on a white background. Images contain clipping puths. Autumn leaves of a birch on a white background. Images contain clipping puths.

Grunge a framework from black stains and strips

Grunge a framework from black stains and strips with a place for your text

Vintage photoframes with autumn leaves

Victorian background with old photo-frame and autumn leaves. family album. Victorian background with old photo-frame and autumn leaves. family album

Trust

The broken leaf like puzzle with white background. The broken leaf like puzzle with white background

Broken mannequin

Broken mannequin

Old grunge background with roses

Old grunge paper background with roses. Old grunge paper background with roses

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Ripped cardboard on paper texture

Ripped cardboard on paper texture. Empty background

Raft

Stone Carving of Yungang Grottoes 91

Stone carving in Yungang Grottoes, Datong, Shanxi province of China.

CAVE 17(A.D.460-465)
A crossed-legged Maitreya, 15.6 metres high, is carved on the north wall, a seated buddha on the east wall, and a standing buddha on the west wall, which are generally named The Trikala Buddhas. Stone carving in Yungang Grottoes, Datong, Shanxi province of China.

CAVE 17(A.D.460-465)
A crossed-legged Maitreya, 15.6 metres high, is carved on the north wall, a seated buddha on the east wall, and a standing buddha on the west wall, which are generally named The Trikala Buddhas.

Stone Carving of Yungang Grottoes 71

Stone carving in Yungang Grottoes, Datong, Shanxi province of China. Stone carving in Yungang Grottoes, Datong, Shanxi province of China.

Parchment

Grunge background with card from Berlin 1

Grunge background with letter of the Russian soldier from the Second World War. Grunge background with letter of the Russian soldier from the Second World War

Structure of a silvery paper

Structure of a silvery paper with scratches

Parchment

Christmas greeting card with christmas forest

Christmas greeting card with christmas forest

Vintage background with old card and film strip

Vintage background with old card and film strip .page family album

Gypsum copy of Belvedere Torso statue for artists. Replica of famous ancient Greek fragmentary marble sculpture of a

Gypsum copy of Belvedere Torso statue for artists. Replica of famous ancient Greek fragmentary marble sculpture of a

Party poster

The torn heart from florals

The torn heart from green florals. Vector illustration. The torn heart from green florals. Vector illustration

Ancient banknote.

An old banknote, Russia one thousand nine hundred eighteenth. A white background. An old banknote, Russia one thousand nine hundred eighteenth. A white background.

Head of the mongolian warrior

Head of the mongolian warrior

Ancient banknote.

An old paper banknote. The state bank note, Russia one thousand nine hundred eighteenth. An old paper banknote. The state bank note, Russia one thousand nine hundred eighteenth.

Terrible violet bat

Terrible violet bat with sharp teeth. Mascot template. Vector illustration - color + b/w versions.

Grunge retro vintage wood background

Grunge retro vintage wood background. Place for your text

Old paper background with red flower

Old paper background with red flower illustration

Trust

Penetration

Vintage background

An original vintage background is the drawn elements. An original vintage background is the drawn elements

Vintage postcard with space for text or photos

Victorian background with old card and paper rose. family album. Victorian background with old card and paper rose. family album

Yellow flowers and snail

Some yellow summer flowers with little snail. The fence on background. Some yellow summer flowers with little snail. The fence on background

Background from vertical strips

Background from vertical strips with a place for your tex

Zoom/motion shot of peach blossoms

Zoom/motion shot of peach blossoms against a blue sky with only one or two small flowers at center of frame in sharp focus, giving a transitory or zoom-motion effect.

Cross combined on tobacco from pieces of cigarettes. Cross combined on tobacco from pieces of cigarettes

Wall-paper old with fragmentary edges

Wall-paper old with fragmentary edges

Wild flowers in a teapot

In the big teapot, painted with dark blue colours, a bouquet of wild flowers. In the big teapot, painted with dark blue colours, a bouquet of wild flowers

Old grunge background with roses

Old grunge background with roses, lace, ribbon

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

Set of hearts - a paper and textiles

Set of hearts - an old paper, pieces of a fabric, a cardboard. Set of hearts - an old paper, pieces of a fabric, a cardboard

Old paper background with dandelion

Old paper background with dandelion and other flower illustration

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