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Lotus fructification

A lotus in back, its fructification in the front. A lotus in back, its fructification in the front

Front view Professional kite surfer woman rides on a board with a plank in her hands on a leman lake with sea water at

Front view Professional kite surfer woman rides on a board with a plank in her hands on a leman lake with sea water at

Häme Castle in Hämeenlinna, Finland

Häme Castle in Hämeenlinna, Finland, by Lake Vanajavesi

Grand Tetons National Park

An old barn in front of the huge Grand Teton mountain range in Wyoming. An old barn in front of the huge Grand Teton mountain range in Wyoming

Breakfast in front of floating wooden bungalow on the lake Khao Sok national park Thailand

Breakfast in front of floating wooden bungalow on the lake Khao Sok national park Thailand

Woman standing in front of lake in mountains

Woman standing in front of lake in mountains

Gospel Book, Holy Women at the Tomb of Christ, Walters Manuscript W.540, fol. 13r

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Sunny Lighthouse (front)

Lighthouse and fountain in pond on sunny day. Lighthouse and fountain in pond on sunny day.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

This image is part of a new project I've started. The plan is to share a few images a week that I've taken along the back-roads of Kansas on a new Facebook page. While at the same time. making them available as high resolution images at Unsplash. Images at Unsplash are Creative Commons Zero. Which basically means they are being made available as public domain. Take them and use them as you please. No strings attached. www.facebook.com/BackroadsKansas/ unsplash.com/@backroadskansas. This image is part of a new project I've started. The plan is to share a few images a week that I've taken along the back-roads of Kansas on a new Facebook page. While at the same time. making them available as high resolution images at Unsplash. Images at Unsplash are Creative Commons Zero. Which basically means they are being made available as public domain. Take them and use them as you please. No strings attached. www.facebook.com/BackroadsKansas/ unsplash.com/@backroadskansas

Young man traveler in black sunglasses and grey t-shirt standing back to the camera in front of the mountain lake

Young man traveler in black sunglasses and grey t-shirt standing back to the camera in front of the mountain lake

Barbed wire fence and sun

Took in front of a beach to protect holiday home. Took in front of a beach to protect holiday home.

Beautiful girl in white

Beautiful girl in white，In front of white flowers

Perfect mountain reflection

A beautiful mountain reflection in a lake. A beautiful mountain reflection in a lake

Picturesque view of the autumn pond

Picturesque view of the autumn pond with tree branch in front

Hand up on bank silhouette

A silhouette of a woman in front of some water with her arm up. A silhouette of a woman in front of some water with her arm up.

Woman`s hand holding Wooden encircled Pentagram symbol at sunrise in front of the lake. Concept of Five elements

Woman`s hand holding Wooden encircled Pentagram symbol at sunrise in front of the lake. Concept of Five elements

Lewis Monkeyflower Blossom in front of lake Isabelle

Lewis Monkeyflower Blossom in front of lake Isabelle

Oriental building

Oriental building at a water front showing off typical style of building and architecture

Oriental building

Oriental building at a water front showing off typical style of building and architecture

Swimming ducklings.

Three wild ducklings are swimming. The one in the front is in focus and centered. Three wild ducklings are swimming. The one in the front is in focus and centered.

Floating ice upsala glacier

Ice breaking down from the perito moreno glacier in Patagonia floating on lake. Ice breaking down from the perito moreno glacier in Patagonia floating on lake

Oriental building

Oriental building at a water front showing off typical style of building and architecture

Blonde woman taking a photo with her mobile phone in front of a lake during sunset

Blonde woman taking a photo with her mobile phone in front of a lake during sunset

Oriental building

Oriental building at a water front showing off typical style of building and architecture

Family fun on the water

Family of three riding jet ski in front of a large boat. Family of three riding jet ski in front of a large boat.

Wooden encircled Pentagram symbol on the beach at sunrise in front of the lake. Concept of Five elements:

Wooden encircled Pentagram symbol on the beach at sunrise in front of the lake. Concept of Five elements:

Gospel Book, Harrowing of Hell, Walters Manuscript W.540, fol. 12r

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Cloudy sunrise with reflection in a lake and some straws in front. Threes on the other side of the lake. Moody and sepia like colors. Cloudy sunrise with reflection in a lake and some straws in front. Threes on the other side of the lake. Moody and sepia like colors.

Boat in Bunschoten-harbour

Front part of boat in the harbour of Bunschoten - Holland. Front part of boat in the harbour of Bunschoten - Holland

Golf course landscape in the mountains

Golf course landscape with few houses in the mountains on a beautiful summer day. Focus is on the flowers in front. Golf course landscape with few houses in the mountains on a beautiful summer day. Focus is on the flowers in front

Temple of Abu Simbel

Front of the temple of Abu Simbel

Grand Tetons National Park

An old barn in front of the huge Grand Teton mountain range in Wyoming. An old barn in front of the huge Grand Teton mountain range in Wyoming

Lighthouse and girl at sunset

Silhouette of a girl in front of a lighthouse at sunset. Silhouette of a girl in front of a lighthouse at sunset

Gospel Book, Entombment, Walters Manuscript W.540, fol. 12v

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Lamppost in front of Seneca Lake in New York

Lamppost in front of Seneca Lake in New York

Young tourist standing in front of famous lake Joekulsarlon glacial lagoon and diamond beach with its icebergs and ice

Young tourist standing in front of famous lake Joekulsarlon glacial lagoon and diamond beach with its icebergs and ice

Car travel. The front part of the car on the background of Lake Hovsgol

Car travel. The front part of the car on the background of Lake Hovsgol

Seagulls Bickering

Seagulls bickering at Lake Michigan Lake front.

Early morning fog

Fog on pond with remains of a tree in front of picture. Fog on pond with remains of a tree in front of picture

Graceful swan in front of mandarin ducks

A graceful white swan swim in mandarin duck groups. A graceful white swan swim in mandarin duck groups

Oriental building

Oriental building at a water front showing off typical style of building and architecture

Two trees in front of Ledvicka lake

Two trees in front of Ledvicka lake

Japan Destinations. Red Maple Trees in Front of Picturesque Fuji Mountain At Kawaguchiko Lake in Japan

Japan Destinations. Red Maple Trees in Front of Picturesque Fuji Mountain At Kawaguchiko Lake in Japan

Lugano view from San Salvatore

View of Lugano from San Salvatore mountain with a cross in front. View of Lugano from San Salvatore mountain with a cross in front

Gongde or Merits & Virtues Archway in front of reconstructed King Qian Temple by West Lake

Gongde or Merits & Virtues Archway in front of reconstructed King Qian Temple by West Lake

Great Blue Heron Hideout

This great blue heron sat quietly in front of me...so still that for a moment I did not even see him. This great blue heron sat quietly in front of me...so still that for a moment I did not even see him

Trees in front of Emerald Bay and Lake Tahoe

Trees in front of Emerald Bay and Lake Tahoe

Propeller and Lighthouse

Propeller in front of a lighthouse. Propeller in front of a lighthouse

Tree in the mirror with mute swan

Mirror image of a tree on a sunny winter afternoon with a mute swan in front. Mirror image of a tree on a sunny winter afternoon with a mute swan in front

This is a picture of three wooden Beach chairs that are sitting on a rock shoreline. They are three different colors and are in front of a wooded background. This is a picture of three wooden Beach chairs that are sitting on a rock shoreline. They are three different colors and are in front of a wooded background.

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