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A slice of citrus fruit on a black backgroung - a slice of lemon See an ORANGE SLICE here See an LIME SLICE here See an GRAPEFRUIT SLICE here See FOUR FRUIT SLICES here. A slice of citrus fruit on a black backgroung - a slice of lemon See an ORANGE SLICE here See an LIME SLICE here See an GRAPEFRUIT SLICE here See FOUR FRUIT SLICES here

Beer Here Signage

Beer Here Signage

And here comes

A slice of grapefruit on a black background See an ORANGE SLICE here See an LIME SLICE here See an LEMON SLICE here See FOUR FRUIT SLICES here. A slice of grapefruit on a black background See an ORANGE SLICE here See an LIME SLICE here See an LEMON SLICE here See FOUR FRUIT SLICES here

Female index finger crooked reckoning come over here

Female index finger crooked reckoning come over here

Piazza Chiesa San Giusseppe-Taormina-Sicilia-Italy - Creative Commons by gnuckx

www.meimanrensheng.com/ www.livingalifeincolour.com/ www.travelagenda.nl/ www.travelagenda.nl/nieuws/koffietijdkiekjes/koffietijd-k... To see more ... www.flickr.com/photos/gnuckx Taormina Taormina (Sicilian: Taurmina, Greek: Ταυρομένιον - Tauromenion, Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina and Catania. Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and has a high salt content. Taormina can be reached via highways (autostrade) from Messina from the north and Catania from the south. Contemporary age In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled "Journey to Italy," but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an ‘unbridled imagination’. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth. During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír. By this time Taormina had become "a polite synonym for Sodom" as Harold Acton described it. Later, however, after the Second World War Acton was visiting Taormina with Evelyn Waugh and, coming upon a board advertising “Ye Olde English Teas” he sighed and commented that Taormina 'was now quite as boring as Bournemouth'. Archaeology The present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine. The Teatro Greco ("Greek theatre"). But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, or "Greek theatre"), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period. With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size. taormina rainbow messina bougainvillea basil basilico hotel san domenico giardini naxos etna volcano vulcano island isola sicilia sicily italia italy sea sun landscape free europe wallpaper michael micky castielli resolution vacation holiday travel flight creativecommons creative commons zero CC0 cc0 CC cc panoramio flickr googleearth maps geotagged gnu gimp wikimedia. www.meimanrensheng.com/ www.livingalifeincolour.com/ www.travelagenda.nl/ www.travelagenda.nl/nieuws/koffietijdkiekjes/koffietijd-k... To see more ... www.flickr.com/photos/gnuckx Taormina Taormina (Sicilian: Taurmina, Greek: Ταυρομένιον - Tauromenion, Latin Tauromenium) is a comune and small town on the east coast of the island of Sicily, Italy, in the Province of Messina, about midway between Messina and Catania. Taormina has been a very popular tourist destination since the 19th century. It has popular beaches (accessible via an aerial tramway) on the Ionian sea, which is remarkably warm and has a high salt content. Taormina can be reached via highways (autostrade) from Messina from the north and Catania from the south. Contemporary age In the late 19th century Taormina gained further prominence as the place where Wilhelm von Gloeden worked most of his life as a photographer of predominantly male nudes. Also credited for making Taormina popular was Otto Geleng, best known in his hometown of Berlin for his fine paintings, which he composed and painted in Italy but exhibited in Germany. What distinguishes Geleng, however, is his choice to depict the more southern regions where he captured the spectacular views and light of Sicily. He often painted the area's Greek colonial ruins, including Taormina. Taormina's first important tourist was Johann Wolfgang Goethe who dedicated exalting pages to the city in his book entitled "Journey to Italy," but perhaps it was Geleng’s views that made its beauty talked about throughout Europe and turned the site into a famous tourist center. The artist arrived in Sicily at the age of 20 in search of new subjects for his paintings. On his way through Taormina he was so enamoured by the landscape that he decided to stop for part of the winter. Geleng began to paint everything that Taormina offered: ruins, sea, mountains, none of which were familiar to the rest of Europe. When his paintings were later exhibited in Berlin and Paris, many critics accused Geleng of having an ‘unbridled imagination’. At that, Geleng challenged them all to go to Taormina with him, promising that he would pay everyone's expenses if he were not telling the truth. During the early 20th century the town became a colony of expatriate artists, writers, and intellectuals. D. H. Lawrence stayed here at the Fontana Vecchia from 1920 to 1922, and wrote a number of his poems, novels, short stories, and essays, and a travel book, Sea and Sardinia. Charles Webster Leadbeater, the theosophical author, found out that Taormina had the right magnetics fields for Jiddu Krishnamurti to develop his talents, so the young Krishnamurti dwelt here from time to time. Halldór Laxness, the Icelandic author, worked here on the first modern Icelandic novel, Vefarinn mikli frá Kasmír. By this time Taormina had become "a polite synonym for Sodom" as Harold Acton described it. Later, however, after the Second World War Acton was visiting Taormina with Evelyn Waugh and, coming upon a board advertising “Ye Olde English Teas” he sighed and commented that Taormina 'was now quite as boring as Bournemouth'. Archaeology The present town of Taormina occupies the ancient site, on a lofty hill which forms the last projecting point of the mountain ridge that extends along the coast from Cape Pelorus to this point. The site of the old town is about 300 m above the sea, while a very steep and almost isolated rock, crowned by a Saracen castle, rises about 150 m higher: this is undoubtedly the site of the ancient Arx or citadel, the inaccessible position of which is repeatedly alluded to by ancient writers. Portions of the ancient walls may be traced at intervals all round the brow of the hill, the whole of the summit of which was evidently occupied by the ancient city. Numerous fragments of ancient buildings are scattered over its whole surface, including extensive reservoirs of water, sepulchres, tesselated pavements, etc., and the remains of a spacious edifice, commonly called a Naumachia, but the real destination of which it is difficult to determine. The Teatro Greco ("Greek theatre"). But by far the most remarkable monument remaining at Taormina is the ancient theatre (the teatro greco, or "Greek theatre"), which is one of the most celebrated ruins in Sicily, on account both of its remarkable preservation and of the surpassing beauty of its situation. It is built for the most part of brick, and is therefore probably of Roman date, though the plan and arrangement are in accordance with those of Greek, rather than Roman, theatres; whence it is supposed that the present structure was rebuilt upon the foundations of an older theatre of the Greek period. With a diameter of 109 metres (after an expansion in the 2nd century), this theatre is the second largest of its kind in Sicily (after that of Syracuse); it is frequently used for operatic and theatrical performances and for concerts. The greater part of the original seats have disappeared, but the wall which surrounded the whole cavea is preserved, and the proscenium with the back wall of the scena and its appendages, of which only traces remain in most ancient theatres, are here preserved in singular integrity, and contribute much to the picturesque effect, as well as to the interest, of the ruin. From the fragments of architectural decorations still extant we learn that it was of the Corinthian order, and richly ornamented. Some portions of a temple are also visible, converted into the church of San Pancrazio, but the edifice is of small size. taormina rainbow messina bougainvillea basil basilico hotel san domenico giardini naxos etna volcano vulcano island isola sicilia sicily italia italy sea sun landscape free europe wallpaper michael micky castielli resolution vacation holiday travel flight creativecommons creative commons zero CC0 cc0 CC cc panoramio flickr googleearth maps geotagged gnu gimp wikimedia

Trolley Boards Here Sign

Trolley Boards Here Sign

Be here now word abstract in wood type

Be here now word abstract in wood type

A slice of orange See an LIME SLICE here See an LEMON SLICE here See an GRAPEFRUIT SLICE here See FOUR FRUIT SLICES here. A slice of orange See an LIME SLICE here See an LEMON SLICE here See an GRAPEFRUIT SLICE here See FOUR FRUIT SLICES here

Start here button

Start here button

Love grows here, vector, wording design, lettering, poster design, wall decals, wall art decor

Love grows here, vector, wording design, lettering, poster design, wall decals, wall art decor

Look here! Happy young handsome businessman in suit pointing to the flipchart with the inscription read me. Vector.

Look here! Happy young handsome businessman in suit pointing to the flipchart with the inscription read me. Vector.

Swans from Blue Wonder

Here it is 12 ºC warm. I am feeding the swans here. Nonstop and each 5 min comes a Westgerman state observer and is taking pictures of me and my bike even. Then coming 4 Westgermans and one with red hairloss is throwing brutally stones to the swans and is hiting them and says: "The swans are so aggresively to all persons. Hahaha". The rest of his friedns are ugly. One woman is walking with them. A type in red jacket is persecuting me since 30 min and is watching back and forth. His car is parked in the near. That is not all and the boat driver comes again. If you feed the swans, he is driving here with full speed and makes waves that all the fodder is disappearing from the waterside and the swans can not find the fodder. Every time. And he is only there. If you would rent this, you would travel to other towns and not only here back and forth. Here it is 12 ºC warm. I am feeding the swans here. Nonstop and each 5 min comes a Westgerman state observer and is taking pictures of me and my bike even. Then coming 4 Westgermans and one with red hairloss is throwing brutally stones to the swans and is hiting them and says: "The swans are so aggresively to all persons. Hahaha". The rest of his friedns are ugly. One woman is walking with them. A type in red jacket is persecuting me since 30 min and is watching back and forth. His car is parked in the near. That is not all and the boat driver comes again. If you feed the swans, he is driving here with full speed and makes waves that all the fodder is disappearing from the waterside and the swans can not find the fodder. Every time. And he is only there. If you would rent this, you would travel to other towns and not only here back and forth.

A drawing of an grapefruit slice See an ORANGE SLICE here See an LIME SLICE here See an LEMON SLICE here See FOUR FRUIT SLICES here

Box of pre loved clothes with sign Donations here sign

Box of pre loved clothes with sign Donations here sign

Your Design Here

Your Design Here

Here comes Santa paws - Calligraphy phrase for Christmas.

Here comes Santa paws - Calligraphy phrase for Christmas.

Nothing to See Here Neon Signage

Nothing to See Here Neon Signage

Wish You Were Here - Feet in Surf

Wish You Were Here - Feet in Surf

Be here now watch

Be here now watch

Click here button

Click here button

Text summer is here in a signboard topping a sandcastle

Text summer is here in a signboard topping a sandcastle

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