Husrev Free Stock Images

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Gazi Husrev-beg Mosque, Bascarsija, Sarajevo, Bosnia Herzegovina

Gazi Husrev-beg Mosque, Bascarsija, Sarajevo, Bosnia Herzegovina

Historic Gazi Husrev Mosque in the old town of Sarajevo, the capital city of Bosnia and Herzegovina, at dusk

Sarajevo, Historic Gazi Husrev Mosque yard in bascarsija

Gazi Husrev-beg mosque in Sarajevo. Bosnia and Herzegovina

Gazi Husrev-beg mosque in Sarajevo. Bosnia and Herzegovina

Gazi Husrev Bey Mosque, Sarajevo, Bosnia

Gazi Husrev Bey Mosque, Sarajevo, Bosnia

Gazi Husrev Bey Mosque, Sarajevo, Bosnia

Gazi Husrev Bey Mosque, Sarajevo, Bosnia

Sarajevo Mosque Gazi Husrev-bey

Sarajevo Mosque Gazi Husrev-bey

Gazi Husrev-Bey Mosque

Gazi Husrev-Bey Mosque

Sarajevo Mosque Gazi Husrev-bey

Sarajevo Mosque Gazi Husrev-bey

Historic Gazi Husrev Mosque

Historic Gazi Husrev Mosque

Gazi Husrev-beg madrasa school Sarajevo muqarnas

Gazi Husrev-beg madrasa school Sarajevo muqarnas

Gazi Husrev-beg mosque and Sahat-kula (clock tower) in Sarajevo. Bosnia and Herzegovina

Gazi Husrev-beg mosque and Sahat-kula (clock tower) in Sarajevo. Bosnia and Herzegovina

Gazi Husrev Bey Museum

Gazi Husrev Bey Museum

Five poems (quintet), Şeyh Nizameddin saving the life of Hüsrev-i Hindi, Walters Manuscript W.666, fol. 37a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

Gazi Husrev-beg library in Sarajevo. Bosnia and Herzegovina

Gazi Husrev-beg library in Sarajevo. Bosnia and Herzegovina

Clock tower and Gazi Husrev-beg Mosque

Clock tower and Gazi Husrev-beg Mosque

Tomb of Gazi Husrev-beg in Sarajevo. Bosnia and Herzegovina

Tomb of Gazi Husrev-beg in Sarajevo. Bosnia and Herzegovina

Sarajevo, Historic Gazi Husrev Mosque yard in bascarsija

Gazi Husrev-Bey Mosque

Gazi Husrev-Bey Mosque

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