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After a vicious storm, the nest fell from a tree, my friends and I tried to save 4 of them, but they all died in few hours later. After a vicious storm, the nest fell from a tree, my friends and I tried to save 4 of them, but they all died in few hours later.

This is a near thread species. Morimus funereus is a species of beetle in family Cerambycidae. It occurs in Central and South-eastern Europe. Characteristic of old lower montane oak and beech forests. Larvae develop under the bark of a range of broad-leaved trees, later feeding in the heartwood, where they pupate. Development takes at least two years. Adults can be seen in June and July on the foodplant and wood piles. This is a front view picuture.

The cathedral at Ypres

Destroyed in the first world war and later restored in Ypres near the Menin Gate. Destroyed in the first world war and later restored in Ypres near the Menin Gate.

A crab walked up to us on the beach. He didn't seem to be scared. He later burried himself in the sand. Shot with Kodachrome 64 slide film and scaned from Negative.

Golden Retriever

The original name of the Golden Retriever English: Golden Retriever is the Soviet Russian tracking dog. Later it joined the Buddha`s hunting dog species, the blood hunting dog species and the water snipe dog gene. The result of the mating produces a breed that is born with the ability to retrieve the prey and be good at tracking and having a keen sense of smell. After the first exhibition in 1908, it was popular with people. It was one of the most common dogs. The unique feature of golden hair is its agreeable personality. It belongs to a dog that is well-balanced, vigorous and active. Its characteristics are firm, body parts and parts are reasonable, legs are neither too long nor clumsy, they are friendly, enthusiastic, alert, confident and fearless. The golden dog was the first kind of retriever. Most of them are now a guide dog and a pet dog.

The zodiac sign of capricorn in a glass orb. Isolated on a white background. The zodiac sign of capricorn in a glass orb. Isolated on a white background

Man Holding a Green and Golden Bell Frog

Sitting on a man`s wet fingertips is a mature Green and Golden Bell Frog. These frogs are native to Australia and are also found in New Zealand, where they were later introduced. Sitting on a man`s wet fingertips is a mature Green and Golden Bell Frog. These frogs are native to Australia and are also found in New Zealand, where they were later introduced.

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Young beautiful woman riding an electric scooter.

Young beautiful woman riding an electric scooter, modern girl on the ecological transport. Young beautiful woman riding an electric scooter, modern girl on the ecological transport.

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Businesswoman standing on the platform of a train station and looking at her watch. Businesswoman standing on the platform of a train station and looking at her watch

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

the signs of the zodiac

The twelve signs of the zodiac in a glassy orbs. Isolated on a white background. The twelve signs of the zodiac in a glassy orbs. Isolated on a white background

Water highway 315 crossing the salt lake of Dongtai Kinel

West Taijinel Lake has an area of 110.0km2 of chemical deposition of sandy dry salt lakes; it is 35.0km east of Dongtai Jinel Lake. The two lakes originally belonged to the same lake, but later separated into independent lakes due to the retreat of the lake.nThe lake area belongs to the arid and extremely arid climate of the Qaidam Desert, with an average annual temperature of about 2.0Â°C and annual precipitation less than 25mm. The lake water mainly relies on a small amount of melt water from ice and snow in summer. The density of the lake water is 1.217, the pH value is 7.7, and the salinity is 336.33g/L. It belongs to the salt lake of magnesium sulfate subtype. The contents of Li and B are 136.72 and 217.39 mg/L, respectively. There are rock salt deposits at the bottom of the lake, rich in resources.nNational Highway 315 runs through the center of the lake, showing blue on one side and green on the other, which is extremely beautiful and spectacular. West Taijinel Lake has an area of 110.0km2 of chemical deposition of sandy dry salt lakes; it is 35.0km east of Dongtai Jinel Lake. The two lakes originally belonged to the same lake, but later separated into independent lakes due to the retreat of the lake.nThe lake area belongs to the arid and extremely arid climate of the Qaidam Desert, with an average annual temperature of about 2.0Â°C and annual precipitation less than 25mm. The lake water mainly relies on a small amount of melt water from ice and snow in summer. The density of the lake water is 1.217, the pH value is 7.7, and the salinity is 336.33g/L. It belongs to the salt lake of magnesium sulfate subtype. The contents of Li and B are 136.72 and 217.39 mg/L, respectively. There are rock salt deposits at the bottom of the lake, rich in resources.nNational Highway 315 runs through the center of the lake, showing blue on one side and green on the other, which is extremely beautiful and spectacular.

A fog is rising from the snow on a later winter afternoon in the foothills of the Bavarian Alps near the Pilgrimage Church of Wies. A fog is rising from the snow on a later winter afternoon in the foothills of the Bavarian Alps near the Pilgrimage Church of Wies.

The twelve signs of the zodiac in brown glassy orbs. generated by computer and isolated on a white background

Business man wants to start

Bright green scaled forest Lizard.

While exploring the uninhabited island of PathiraManal with friends, we spotted this bright lizard in the leaf litter. It was quite calm and showed no fear or aggression. We mistakenly thought it was a chameleon. But its inability to camouflage which is a characteristic feature of chameleon, kept us wondering. Later, on closer look we noticed its eyes, scales and other features which resembled that of the large scaled forest lizard Calotes grandisquamis. While exploring the uninhabited island of PathiraManal with friends, we spotted this bright lizard in the leaf litter. It was quite calm and showed no fear or aggression. We mistakenly thought it was a chameleon. But its inability to camouflage which is a characteristic feature of chameleon, kept us wondering. Later, on closer look we noticed its eyes, scales and other features which resembled that of the large scaled forest lizard Calotes grandisquamis.

Casino scene with poker cards. Casino scene with poker cards

Biography: Rosa Parks's deliberate decision to test the practice of Jim Crow was the catalyst that triggered the 1955 bus boycott in Montgomery, Ala. The daughter of James and Leona Edwards McCauley, she grew up in Pine Level, Ala., and was sent away to a private girls' school in Montgomery at the age of 11. She later met Raymond Parks, a serious young barber with whom she spent many hours discussing the burden and injustice of the racial situation; they married in 1932. Mr. Parks was a member of the National Committee to Save the Scottsboro Boys, and she soon joined him in becoming active in the Montgomery chapter of the NAACP, serving as secretary and youth adviser. On December 1, 1955, Rosa Parks refused to give up her seat for a white passenger on a Montgomery bus. Her arrest and the subsequent development of a 381-day bus boycott by tens of thousands heralded a new phase in the civil rights movement. The Black community formed the Montgomery Improvement Association, electing as president Martin Luther King, Jr.; Mrs. Parks served for a time on its board of directors. Fired from her job as an assistant tailor in a department store, she stayed in Montgomery until the boycott forced an end to all discriminatory practices on the bus lines. In 1957 she and her husband moved to Detroit, Mich., where in 1965 she took a part-time job as receptionist and administrative aide in the office of Congressman John Conyers. She was the first woman in 1980 to receive the Martin Luther King, Jr., Nonviolent Peace Prize. There is a National Committee for the Rosa L. Parks Shrine, organized to commemorate her life by the establishment of a home and library.

Description: The Black Women Oral History Project interviewed 72 African American women between 1976 and 1981. With support from the Schlesinger Library, the project recorded a cross section of women who had made significant contributions to American society during the first half of the 20th century. Photograph taken by Judith Sedwick

Repository: Schlesinger Library on the History of Women in America.

Collection: Black Women Oral History Project

Research Guide: guides.library.harvard.edu/schlesinger_bwohp

Questions? Ask a Schlesinger Librarian. Biography: Rosa Parks's deliberate decision to test the practice of Jim Crow was the catalyst that triggered the 1955 bus boycott in Montgomery, Ala. The daughter of James and Leona Edwards McCauley, she grew up in Pine Level, Ala., and was sent away to a private girls' school in Montgomery at the age of 11. She later met Raymond Parks, a serious young barber with whom she spent many hours discussing the burden and injustice of the racial situation; they married in 1932. Mr. Parks was a member of the National Committee to Save the Scottsboro Boys, and she soon joined him in becoming active in the Montgomery chapter of the NAACP, serving as secretary and youth adviser. On December 1, 1955, Rosa Parks refused to give up her seat for a white passenger on a Montgomery bus. Her arrest and the subsequent development of a 381-day bus boycott by tens of thousands heralded a new phase in the civil rights movement. The Black community formed the Montgomery Improvement Association, electing as president Martin Luther King, Jr.; Mrs. Parks served for a time on its board of directors. Fired from her job as an assistant tailor in a department store, she stayed in Montgomery until the boycott forced an end to all discriminatory practices on the bus lines. In 1957 she and her husband moved to Detroit, Mich., where in 1965 she took a part-time job as receptionist and administrative aide in the office of Congressman John Conyers. She was the first woman in 1980 to receive the Martin Luther King, Jr., Nonviolent Peace Prize. There is a National Committee for the Rosa L. Parks Shrine, organized to commemorate her life by the establishment of a home and library.

Description: The Black Women Oral History Project interviewed 72 African American women between 1976 and 1981. With support from the Schlesinger Library, the project recorded a cross section of women who had made significant contributions to American society during the first half of the 20th century. Photograph taken by Judith Sedwick

Repository: Schlesinger Library on the History of Women in America.

Collection: Black Women Oral History Project

Research Guide: guides.library.harvard.edu/schlesinger_bwohp

Questions? Ask a Schlesinger Librarian

Woman using a laptop and talking with someone over the shoulder. Woman using a laptop and talking with someone over the shoulder.

In the far north of Scotland, the sun rises over the mist at later than 9am. In the far north of Scotland, the sun rises over the mist at later than 9am.

Image of firewood stacked up for later use. Image of firewood stacked up for later use

Eid Mubarak greeting Card Illustration, ramadan kareem, Wishing for Islamic festival for banner, background, flyer, illustration

Eid Mubarak greeting Card Illustration, ramadan kareem, Wishing for Islamic festival for banner, background, flyer, illustration, brochure and sale background in paper art style - Vector

Young shoots and leaves of bright strawberry bushes without berries grow near the wooden walkway.

Young shoots and leaves of bright strawberry bushes without berries grow near the wooden walkway. Gardener grows bushes seedlings in the spring for transplanting later

Devin Castle - Bratislava -Slovakia

The castle which witnessed the glory and fall of Great Moravia and was blown up by Napoleon s army. Later declared to be a national cultural monument of Slovakia. Since it is situated on a high cliff over the Morava and Danube rivers, and standing on the frontier between Slovakia and Austria, it offers beautiful panoramic views and is a very popular place to visit. Come here if you want to soak in the rich medieval history which is mirrored in its ruins :. The castle which witnessed the glory and fall of Great Moravia and was blown up by Napoleon s army. Later declared to be a national cultural monument of Slovakia. Since it is situated on a high cliff over the Morava and Danube rivers, and standing on the frontier between Slovakia and Austria, it offers beautiful panoramic views and is a very popular place to visit. Come here if you want to soak in the rich medieval history which is mirrored in its ruins :

The zodiac sign of aries in a glass orb. Isolated on a white background

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

The zodiac sign of cancer in a glass orb. Isolated on a white background

A web that houses worms, which will later become moths. A web that houses worms, which will later become moths.

Baby as it appears in the mothers stomach

The signs of the zodiac

The twelve signs of the zodiac in a glassy orbs. Isolated on a white background. The twelve signs of the zodiac in a glassy orbs. Isolated on a white background

The Rough Collie is a breed of dog developed originally for herding in Scotland. It is well known because of the works of author Albert Payson Terhune, and was popularized in later generations by the Lassie novel, movies, and television shows.

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