Illustration Chains Free Stock Images

Include:

Golden chain glamour seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour seamless pattern illustration. Watercolor texture with golden chains ropes roses

Golden chain glamour seamless pattern illustration. Watercolor texture with golden chains ropes roses

Christmas decorations - cones, bomblets

Christmas decorations - cones, bomblets, chains

Golden chain glamour zebra seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour zebra seamless pattern illustration. Watercolor texture with golden chains

Paper cards background

Paper cards with chains shadow in blue gradient illustration. Paper cards with chains shadow in blue gradient illustration

Isolated display with locked content

Minimalist badge emblem bicycle, bike, bike shop, bike club logo icon vector illustration with chains and mountain concept

3d illustration of textured steel plate with chains isolated over white background

Golden chain glamour seamless pattern illustration. Watercolor texture with golden chains ropes roses

Golden chain glamour seamless pattern illustration. Watercolor texture with golden chains ropes roses

Blockchain Technology Concept

3D Rendering Of Abstract Prisms With Lights On It With Connection Net Mesh. Blockchain Technology Concept.

Metal chain against the blue sky. Metal chain against the blue sky

Abstract 3d illustration of earth locked with chains. Abstract 3d illustration of earth locked with chains

Vector illustration of seamless pattern with belts, chains, anchor, coins on leopard background for fabric design.

Vector illustration of seamless pattern with belts, chains, anchor, coins on leopard background for fabric design.

Golden chain glamour leopard cheetah seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour leopard cheetah seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour snakeskin seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour snakeskin seamless pattern illustration. Watercolor texture with golden chains

Wooden signboard isolated, vector realistic wood texture illustration. Old-style banner with chains.

Wooden signboard isolated, vector realistic wood texture illustration. Old-style banner with chains.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Vector illustration set of chains, straps and belts in golden and silver colors, braid and pendant. Fashion jewelry

Vector illustration set of chains, straps and belts in golden and silver colors, braid and pendant. Fashion jewelry

Boho elements. Vector illustration with feathers, arrow and chains. Ornamental bird feathers isolated on white.

Boho elements. Vector illustration with feathers, arrow and chains. Ornamental bird feathers isolated on white.

Red Christmas background

Red Christmas background with gift boxes

Colorful christmas decorations isolated on white

Colorful christmas decorations isolated on white - bomblets, houses, strawa, chains

3d illustration of copper plate with chains over white background

Black chain on a white background

3D illustration of broken chains with glowing white cross

3D illustration of broken chains with glowing white cross

Under the Christmas tree

Siblings sitting under the Christmas tree and unwraps gifts

Golden chain glamour zebra seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour zebra seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour snakeskin seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour snakeskin seamless pattern illustration. Watercolor texture with golden chains

3d illustration of two iron chains locked in center

Paper cards background

Paper cards with chains shadow in yellow dark gradient illustration. Paper cards with chains shadow in yellow dark gradient illustration

Golden chain glamour zebra seamless pattern illustration. Watercolor texture with golden chains

Golden chain glamour zebra seamless pattern illustration. Watercolor texture with golden chains

Abstract design background

Abstract design background. Fractal illustration

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

- Home
- Search for Illustration chains free images