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Sarmizegetusa Regia

Sarmizegetusa Regia

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Circular Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Circular Big Sanctuary

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary

Sarmizegetusa Regia

Sarmizegetusa Regia

A wealthy widow is a sitting duck for a killer

The strange photographer

The young man with the camera. The young man with the camera.

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Circular Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Circular Big Sanctuary

A incense burner in front of temple.

Pagan altar

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Circular Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Circular Big Sanctuary

Photographer

Photographer

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary

Guadalajara, Jalisco / Mexico - May 26, 2021: Sculpture of a snake in the Plaza TapatÃa representing the immolation of the

Guadalajara, Jalisco / Mexico - May 26, 2021: Sculpture of a snake in the Plaza TapatÃa representing the immolation of the

Burning and melting, Bride with mourners carrying the bridegroom's coffin, Walters Manuscript W.649, fol. 14a

Overcome with grief, the young Hindu woman accompanies her bridegroom’s coffin to the funeral pyre and decides to commit sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. Here the young man's coffin is being carried in the presence of his bride-to-be. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. Overcome with grief, the young Hindu woman accompanies her bridegroom’s coffin to the funeral pyre and decides to commit sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. Here the young man's coffin is being carried in the presence of his bride-to-be. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Sarmizegetusa Regia Sanctuary

Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary. Situated at 1200m altitude, Sarmizegetusa was the strategical centre of the dacian defensive system in Orastiei Mountains. The fortress included a sacred area and several sanctuaries, as the Limestone Big Sanctuary

Sarmizegetusa Regia

Sarmizegetusa Regia

Sarmizegetusa Regia

Sarmizegetusa Regia

Guadalajara, Jalisco / Mexico - May 26, 2021: Sculpture of a snake in the Plaza TapatÃa representing the immolation of the

Guadalajara, Jalisco / Mexico - May 26, 2021: Sculpture of a snake in the Plaza TapatÃa representing the immolation of the

Burning and melting, Prince Dāniyāl accompanies the young Hindu girl to the funeral pyre, Walters Manuscript W.649, fol. 17b

Emperor Akbar eventually permits the young Hindu girl to practice sati (self-immolation). Akbar's son, Prince Dāniyāl, accompanies the woman to the funeral pyre. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. Emperor Akbar eventually permits the young Hindu girl to practice sati (self-immolation). Akbar's son, Prince Dāniyāl, accompanies the woman to the funeral pyre. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Burning Protester Shouts at Riot Act

Burning Protester Shouts at Riot Act

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Burning and melting, Young Hindu girl before the Mughal Emperor Akbar, Walters Manuscript W.649, fol. 16a

The Mughal Emperor Akbar attempts to dissuade the young Hindu girl from committing sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. The Mughal Emperor Akbar attempts to dissuade the young Hindu girl from committing sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

The photographer - woman

The photographer - woman

Photographer

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