Islamic Background White Free Stock Images

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Thinking something

Young muslim women was thinking of something. Young muslim women was thinking of something

Flouting mosque

Flouting mosque on the blue sky background

Luxury mosque in illustration drawing

3D white paper art Islamic geometry cross pattern seamless background

3D white paper art Islamic geometry cross pattern seamless background

Illuminated Manuscript of a Gloss on a Commentary on the Koran, Illuminated opening page with a rectangular headpiece, Walters Ar

A gloss (ḥāshiyah) by Kemalpaşazade (d. 940 AH / 1533 CE) on the commentary on the Koran (Qur’an) composed by ʿAbd Allāh al-Bayḍawī (d. ca. 685 AH / 1286 CE) and entitled Anwār al-tanzīl. Transcribed in 966 AH / 1558 CE, this elegant copy was made from the author's holograph by ʿUthmān ibn Manṣūr. This is the decorated incipit page with a rectangular headpiece carrying the doxological formula (basmalah) written in white tawqīʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=2150. A gloss (ḥāshiyah) by Kemalpaşazade (d. 940 AH / 1533 CE) on the commentary on the Koran (Qur’an) composed by ʿAbd Allāh al-Bayḍawī (d. ca. 685 AH / 1286 CE) and entitled Anwār al-tanzīl. Transcribed in 966 AH / 1558 CE, this elegant copy was made from the author's holograph by ʿUthmān ibn Manṣūr. This is the decorated incipit page with a rectangular headpiece carrying the doxological formula (basmalah) written in white tawqīʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=2150

Muslim cemetery

Muslim cemetery with Fes medina view background, Morocco

Illuminated Manuscript, Poem (masnavi), Walters Art Museum Ms. W.642, fol. 1a

This is a copy of the well-known poem (mas̱navī) Subḥat al-abrār ('The Rosary of the Righteous') by Nūr al-Dīn ʿAbd al-Raḥmān ibn Aḥmad Jāmī (d. 898 AH / 1492 CE). Penned in nastaʿlīq script by Ḥaydar al-Ḥusaynī in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The right side of an illuminated double-page incipit with the top panel inscribed with the title of the poem in white tawqīʿ/riqāʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402. This is a copy of the well-known poem (mas̱navī) Subḥat al-abrār ('The Rosary of the Righteous') by Nūr al-Dīn ʿAbd al-Raḥmān ibn Aḥmad Jāmī (d. 898 AH / 1492 CE). Penned in nastaʿlīq script by Ḥaydar al-Ḥusaynī in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The right side of an illuminated double-page incipit with the top panel inscribed with the title of the poem in white tawqīʿ/riqāʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402

Mosque Islamic template on white background

Mosque Islamic template on white background

Golden pattern design

Vector illustration of a golden pattern design set

Arabic Coffee with Date Fruit

Arabic Coffee with Dates Fruit isolated on white Background. Arabic Coffee with Dates Fruit isolated on white Background

Flouting mosque

Flouting mosque on the blue sky background

Mirror mosque on the blue sky background

Holidays cookies Maamoul - Arab dessert. Ramadan food.

Holidays cookies Maamoul - Arab dessert usually made a few days before Eid al-Fitr, Easter, and Purim Holidays. Holidays cookies Maamoul - Arab dessert usually made a few days before Eid al-Fitr, Easter, and Purim Holidays.

3D white paper art Islamic geometry cross pattern seamless background

3D white paper art Islamic geometry cross pattern seamless background

Mirror mosque on the blue sky background

Ramadan kareem background with white paper cut geometric shape. Vector illustration for Islamic holy month celebrations. Place for

Ramadan kareem background with white paper cut geometric shape. Vector illustration for Islamic holy month celebrations. Place for

Mirror mosque on the blue sky background

abstract white and dark blue grunge background with islamic Calligraphy of surah hud 61

abstract white and dark blue grunge background with islamic Calligraphy of surah hud 61

Holy Kaaba isolated on white background. Design concept of islamic celebration eid al adha or hajj.

Holy Kaaba isolated on white background. Design concept of islamic celebration eid al adha or hajj.

Muslim girl pointing

Muslim girl pointing on white background

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Isolated stuffed dates on white background

Islamic pattern octagonal geometric style black color in white background-01

Islamic pattern octagonal geometric style black color in white background-01

Black and white feather with Arabic Islamic calligraphy symbols vector illustration. Education and writing background with Arabic

Black and white feather with Arabic Islamic calligraphy symbols vector illustration. Education and writing background with Arabic

Attractive islamic style white and gold pattern background

Attractive islamic style white and gold pattern background

Roof of a mosque in Singkiang,China. Roof of a mosque in Singkiang,China

Arabic Coffee with Date Fruit and The Holy Quran

Arabic Coffee with Dates Fruit and the Holy Quran isolated on white Background. Arabic Coffee with Dates Fruit and the Holy Quran isolated on white Background

3D white paper art Islamic geometry cross pattern seamless background

3D white paper art Islamic geometry cross pattern seamless background

Ramadan Kareem islamic design crescent moon on white abstract background. Vector Illustration for greeting card, poster

Ramadan Kareem islamic design crescent moon on white abstract background. Vector Illustration for greeting card, poster

Flouting mosque

Flouting mosque on the blue sky background

Gold crescent moon paper cut on white background. Design creative concept of islamic celebration day

Gold crescent moon paper cut on white background. Design creative concept of islamic celebration day

Green books isolated on white background

Dagger is old Turkish weapon

Set of colorful islamic ornament frame with empty place for text isolated on white background

Set of colorful islamic ornament frame with empty place for text isolated on white background

A mosque in Singkiang,China,in the early morning

Slamic girl wearing hijab

Slamic girl wearing a hijab against a black background. Slamic girl wearing a hijab against a black background.

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 33b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Khusraw va Shīrīn. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Khusraw va Shīrīn. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Flouting mosque

Flouting mosque on the blue sky background

An abstract illustrated pattern with Islamic tile for inspiration done in neon colors and a contemporary twist. An abstract illustrated pattern with Islamic tile for inspiration done in neon colors and a contemporary twist.

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 257b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Iskandar nāmah. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Iskandar nāmah. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 2a

The second half of a beautifully illuminated double-page decoration containing two small medallions with inscription in white on blue background giving the name of the illuminator. The second half of a beautifully illuminated double-page decoration containing two small medallions with inscription in white on blue background giving the name of the illuminator.

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 185b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Haft paykar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Haft paykar. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Illuminated Manuscript, Poem (masnavi), Walters Art Museum Ms. W.642, fol. 2a

This is a copy of the well-known poem (mas̱navī) Subḥat al-abrār ('The Rosary of the Righteous') by Nūr al-Dīn ʿAbd al-Raḥmān ibn Aḥmad Jāmī (d. 898 AH / 1492 CE). Penned in nastaʿlīq script by Ḥaydar al-Ḥusaynī in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The left side of an illuminated double-page incipit with the top panel inscribed with the author's name in white tawqīʿ/riqāʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402. This is a copy of the well-known poem (mas̱navī) Subḥat al-abrār ('The Rosary of the Righteous') by Nūr al-Dīn ʿAbd al-Raḥmān ibn Aḥmad Jāmī (d. 898 AH / 1492 CE). Penned in nastaʿlīq script by Ḥaydar al-Ḥusaynī in 965 AH / 1557-8 CE, the codex opens with an illuminated double-page inscribed with the title and author's name. The text area of later pages are framed by decorated borders and gold-sprinkled margins. The binding is contemporary with the textblock. The left side of an illuminated double-page incipit with the top panel inscribed with the author's name in white tawqīʿ/riqāʿ script on gold background. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=6402

Mosque minaret balcony, Tehran, Iran

Qutub Minara tower Delhi India

Hand drawn illustration of the Qutub Minara tower in Delhi, India is the world's tallest brick minaret. it is notable for being one of the earliest and most prominent examples of Indo-Islamic architecture. Hand drawn illustration of the Qutub Minara tower in Delhi, India is the world's tallest brick minaret. it is notable for being one of the earliest and most prominent examples of Indo-Islamic architecture.

Glamour portrait of a young beauty woman. Glamour portrait of a young beauty woman

Fresh Dates Fruit isolated on white Background. Fresh Dates Fruit isolated on white Background

The Holy Quran closeup isolated on white background

Green books isolated on white background

Mosque tall minaret, Tehran, Iran

Technical support woman working isolated background. Technical support woman working isolated background

Flouting mosque

Flouting mosque on the blue sky background

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Arabic Coffee isolated on white Background

Mirror mosque on the blue sky background

Arabic Coffee with Date Fruit

Arabic Coffee with Dates Fruit isolated on white Background. Arabic Coffee with Dates Fruit isolated on white Background

Greeting card on white background. Eid Al Adha sacrifice festival, Islamic Arabic candles and sheep. Eid al adha eid mubarak mean

Greeting card on white background. Eid Al Adha sacrifice festival, Islamic Arabic candles and sheep. Eid al adha eid mubarak mean

Islamic months on white background

Islamic months on white background

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 351b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Iqbāl nāmah. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Iqbāl nāmah. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

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