Islamic Border Free Stock Images

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Oriental pattern and ornaments 03

Colorful circular pattern of elegant oriental studies. Colorful circular pattern of elegant oriental studies

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Arabic islamic. Moroccan pattern. Textile ornament. Arabic floral border. Islamic ornament vector. Ornamental pattern

Arabic islamic. Moroccan pattern. Textile ornament. Arabic floral border. Islamic ornament vector. Ornamental pattern

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman illustration design raster. Antique ottoman illustration design raster

Islamic arabic muslim patterns border ornament tribal style. Ramadan kareem background. Vector illustration

Islamic arabic muslim patterns border ornament tribal style. Ramadan kareem background. Vector illustration

3D round white frame, vignette. Islamic geometric border Vector muslim, persian motif. Elegant oriental ornament

3D round white frame, vignette. Islamic geometric border Vector muslim, persian motif. Elegant oriental ornament

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Red morocco pattern, islamic vector border.

Red morocco pattern, islamic vector border.

Islamic seamless border

Islamic seamless border

Islamic Art Border in Green color for inside prayer book cover

Islamic Art Border in Green color for inside prayer book cover

Abstract grunge mosaic tiles and mosque silhouette

Abstract grunge mosaic tiles vector illustration. Abstract grunge mosaic tiles vector illustration

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Islamic, arabic mosaic repeating vector border, pattern, background.

Islamic, arabic mosaic repeating vector border, pattern, background.

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Turkey, Istanbul, Bosphorus Channel

Turkey, Istanbul, an empty oil cargo ship in the Bosphorus Channel. Turkey, Istanbul, an empty oil cargo ship in the Bosphorus Channel

Turkey, Istanbul, Bosphorus Bridge

Turkey, Istanbul, Bosphorus Channel, Bosphorus Bridge, an oil cargo ship under the Bridge. Turkey, Istanbul, Bosphorus Channel, Bosphorus Bridge, an oil cargo ship under the Bridge

Arabic, islamic vector pattern. Geometric arabic texture, background border pattern

Arabic, islamic vector pattern. Geometric arabic texture, background border pattern

Moroccan pattern, islamic vector border.

Moroccan pattern, islamic vector border.

Islamic vector line border set

Islamic vector line border set

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Islamic vector line border set

Islamic vector line border set

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Floral abstract henna design

Handdrawn floaral henna design can be use as rangoli design or abstract background. Handdrawn floaral henna design can be use as rangoli design or abstract background

Islamic Art Border & Frame for Inside Cover Prayer Book, Ready add text

Islamic Art Border & Frame for Inside Cover Prayer Book, Ready add text

Antique ottoman gold design

Antique ottoman illustration design raster. Antique ottoman illustration design raster

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

3D round white frame, vignette. Islamic geometric border, bas-relief. Vector muslim, persian motif. Elegant oriental

3D round white frame, vignette. Islamic geometric border, bas-relief. Vector muslim, persian motif. Elegant oriental

Paper cut out vector illustration. 3D round white frame, vignette. Islamic geometric border. Vector muslim, persian

Paper cut out vector illustration. 3D round white frame, vignette. Islamic geometric border. Vector muslim, persian

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Turkey, Istanbul, Bosphorus Channel

Turkey, Istanbul, Bosphorus Channel, Bosphorus Bridge, a cargo ship in the Channel

Islamic and ramadan kareem windows in oriental style. Border and frame with modern boho design template

Islamic and ramadan kareem windows in oriental style. Border and frame with modern boho design template

Antique ottoman gold design

Antique ottoman illustration design raster. Antique ottoman illustration design raster

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