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Islamic calligraphy

Islamic writing on metal plates. Islamic writing on metal plates

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Illustration of Islamic Art design

A vector illustration of Islamic Art design with colorful background and writing Eid mubarak in arabic

Islamic calligraphy.

Slamic Calligraphy characters on silk textile with a hand made calligraphy. Slamic Calligraphy characters on silk textile with a hand made calligraphy.

Minarets of an old mosque. Minarets of an old mosque

Islamic Illustration

Simple Illustration for Islamic Events Like Ramadan Month, Feter Eid, Adha Eid. Simple Illustration for Islamic Events Like Ramadan Month, Feter Eid, Adha Eid

Arabic Islamic Calligraphy of Bismillah

Arabic Islamic Calligraphy of Bismillah

Persian linear background

Set of three islamic calligraphy patterns different colors isolated on black background. Set of three islamic calligraphy patterns different colors isolated on black background

Islamic calligraphy from the Quran Surah al-falaq 113.

Islamic calligraphy from the Quran Surah al-falaq 113.

Islamic calligraphy from the Koran, Sura

Islamic calligraphy from the Koran, Sura

Islamic calligraphy `AlhamduliLachi Robbil Alamin` For the design of Muslim holidays means `Praising God for the Lord of

Islamic calligraphy `AlhamduliLachi Robbil Alamin` For the design of Muslim holidays means `Praising God for the Lord of

Islamic calligraphy with typography

Typographic islamic wallpaper which is actually ''authentic introduction''of islam. The worlds for introduction has been taken from IRF's official webpage. Typographic islamic wallpaper which is actually ''authentic introduction''of islam. The worlds for introduction has been taken from IRF's official webpage.

Islamic calligraphy from the Quran Surah Al-Nas 114

Islamic calligraphy from the Quran Surah Al-Nas 114

Holy Quran in black and white

Holy Quran opened in black and white photography,photo was taken in Indonesia. Holy Quran opened in black and white photography,photo was taken in Indonesia

Valentine branch wallpaper includes love leaf. Valentine branch wallpaper includes love leaf

Abigail Quandt and Adam Gacek examine a Koran

Abigail Quandt, Senior Conservator of Manuscripts at The Walters Art Museum, examines a Koran with Adam Gacek in the NEH project to digitize The Walters Art Museum's Islamic illuminated manuscripts. Abigail Quandt, Senior Conservator of Manuscripts at The Walters Art Museum, examines a Koran with Adam Gacek in the NEH project to digitize The Walters Art Museum's Islamic illuminated manuscripts

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

The background of the roster wall has an Islamic art motif

The background of the roster wall has an Islamic art motif

Minaret of a mosque in Tehran

Islamic calligraphy from the Holy Koran Sura al-Ikhlas 112 verse

Islamic calligraphy from the Holy Koran Sura al-Ikhlas 112 verse

Islamic symbol of Allah, calligraphy

Arabic Calligraphy on a Mosque

Arabic Calligraphy made from painted mortar, attached on a side of a mosque. Arabic Calligraphy made from painted mortar, attached on a side of a mosque.

Pages of book of Koran. Pages of book of Koran

Read the Islamic holy book Al-Quran. holding the Koran in open position

Read the Islamic holy book Al-Quran. holding the Koran in open position

Islamic calligraphy

Islamic writing on metal plates. Islamic writing on metal plates

arabic text at alhambra

Islamic text engraved on the walls of Alhambra in Granada Spain. Islamic text engraved on the walls of Alhambra in Granada Spain

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

islamic calligraphy with mecca madinah

islamic calligraphy with mecca madinah

Pages of book of Koran. Pages of book of Koran

Islamic calligraphy

Islamic Calligraphy characters on paper with a hand made calligraphy pen

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE).

Islamic calligraphy

Holy Koran written on gazelle leather articles. Holy Koran written on gazelle leather articles

Islamic Illustration

Golden Arabic Calligraphy, hand writing in arabic language. Golden Arabic Calligraphy, hand writing in arabic language

Islamic calligraphy (Muhammad)

Islamic calligraphy (Muhammad in Arabic language). Islamic calligraphy (Muhammad in Arabic language).

Islamic calligraphy from the Koran. Surah al-Taghibun 64, verse 16

Islamic calligraphy from the Koran. Surah al-Taghibun 64, verse 16

Islamic calligraphy from the Koran

Islamic calligraphy from the Koran

Aged, 200 years old letter from ottoman empire

Illuminated Manuscript Walters Art Museum Ms. W.554, fol. 36a

This horizontal-format manuscript on parchment is a collection of illuminated fragments of the Qur'an, dating to the late third century AH / ninth CE and possibly to the fifth century AH / eleventh CE. The earlier text is written in an Early Abbasid (Kufic) script, and the later text is in a hand influenced by the New Abbasid (broken cursive) style. Both are in dark brown ink and vocalized with red dots. The codex opens with an illuminated frontispiece (fol. 1a) of geometric design and closes with a similarly decorated finispiece (fol. 77b). Illuminated forms include chapter headings in gold ink with polychrome palmettes extending into the margin, tashdīds highlighted in gold ink, and verse markers for individual verses and groups of five and ten verses. The blind-tooled black goatskin binding, which is attributable to Egypt, is an important example of early Islamic bookbinding. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=31211. This horizontal-format manuscript on parchment is a collection of illuminated fragments of the Qur'an, dating to the late third century AH / ninth CE and possibly to the fifth century AH / eleventh CE. The earlier text is written in an Early Abbasid (Kufic) script, and the later text is in a hand influenced by the New Abbasid (broken cursive) style. Both are in dark brown ink and vocalized with red dots. The codex opens with an illuminated frontispiece (fol. 1a) of geometric design and closes with a similarly decorated finispiece (fol. 77b). Illuminated forms include chapter headings in gold ink with polychrome palmettes extending into the margin, tashdīds highlighted in gold ink, and verse markers for individual verses and groups of five and ten verses. The blind-tooled black goatskin binding, which is attributable to Egypt, is an important example of early Islamic bookbinding. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=31211

Islamic calligraphy

Holy Koran written on gazelle leather articles. Holy Koran written on gazelle leather articles

Detail of Islamic Calligraphy

Text from the Quran on the wall of the Hagia Sophia in Istanbul, Turkey. Text from the Quran on the wall of the Hagia Sophia in Istanbul, Turkey

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Eid mubarak and arabic calligraphy

Eid Mubarak with Arabic calligraphy for the celebration of Muslim community festival. Eid Mubarak with Arabic calligraphy for the celebration of Muslim community festival

Islamic calligraphy.

Islamic calligraphy (God in Arabic language). Islamic calligraphy (God in Arabic language).

Arabic Calligraphy

Arabic Calligraphy of Islamic word

Islamic calligraphy Alhamdulillah, amid the mosques, for the registration of Muslim holidays. Translation:

Islamic calligraphy Alhamdulillah, amid the mosques, for the registration of Muslim holidays. Translation:

Islamic art,ancient arabian calligraphy on a blue wall background. Islamic art,ancient arabian calligraphy on a blue wall background.

Islamic calligraphy

Holy Koran written on gazelle leather articles. Holy Koran written on gazelle leather articles

Kufi islamic calligraphy design White background

Kufi islamic calligraphy design White background

Islamic ramadan template , ramadan greeting

Islamic ramadan template , ramadan greeting

Islamic Calligraphy of Quran and Sura ASR. Time

Islamic Calligraphy of Quran and Sura ASR. Time

Islamic calligraphy from the Koran

Islamic calligraphy from the Koran

Arabic red and white traffic stop sign.

Islamic calligraphy of Sura 3

Islamic calligraphy of Sura 3

Pages of book of Koran. Pages of book of Koran

Islamic calligraphy

Holy Koran written on gazelle leather articles. Holy Koran written on gazelle leather articles

Islamic calligraphy Allah

Islamic calligraphy Allah

Islamic calligraphy

Holy Koran written on gazelle leather articles. Holy Koran written on gazelle leather articles

Top of a post decorated with many carvings on the stone. Top of a post decorated with many carvings on the stone.

Islamic calligraphy on flower

Islamic calligraphy on flower

Islamic CALLIGRAPHY them the Quran Surah 113 al Falaq the Dawn ayah 1-5. For registration of Muslim holidays

Islamic CALLIGRAPHY them the Quran Surah 113 al Falaq the Dawn ayah 1-5. For registration of Muslim holidays

A huge mosque pointing up to the sky. A huge mosque pointing up to the sky

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