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Bou Inania Madrassa in Fez, Morocco

Detail of wood carving en mosaic tiles at Bou Inania Madrassa in Fez, Morocco

Dayabumi center, kuala lumpur

Dayabumi center skyscraper, kuala lumpur, malaysia. Dayabumi center skyscraper, kuala lumpur, malaysia

Beige Concrete Walls

Beige Concrete Walls

Bou Inania Madrassa in Fez, Morocco

Detail of an entrance door at the Bou Inania Madrassa in Fez, Morocco

Arabic floral arch. Traditional islamic ornament. Mosque decoration design element. Design template for greeting card, banner, po

Arabic floral arch. Traditional islamic ornament. Mosque decoration design element. Design template for greeting card, banner, po

Room With Multicolored Wall Tiles

Room With Multicolored Wall Tiles

Islamic calligraphy Allah can be used for the design of holidays in Islam, such as ramadan.Translation-Allah - The only one who is

Islamic calligraphy Allah can be used for the design of holidays in Islam, such as ramadan.Translation-Allah - The only one who is

Happy Islamic New Year cool design

Happy Islamic New Year cool design

Mandala. Indian antistress medallion. Abstract islamic flower, arabic henna design, yoga symbol.

Mandala. Indian antistress medallion. Abstract islamic flower, arabic henna design, yoga symbol.

Islamic Geometric Square Pattern Texture Art Design

Islamic Geometric Square Pattern Texture Art Design

Dayabumi center, kuala lumpur

Dayabumi center skyscrapers, kuala lumpur, malaysia. Dayabumi center skyscrapers, kuala lumpur, malaysia

Sultanahmet Blue mosque - silhouette

Sultanahmet Mosque (Ottoman Imperial mosque) interior ornate architecture in Istanbul, Turkey. Sultanahmet Mosque (Ottoman Imperial mosque) interior ornate architecture in Istanbul, Turkey

Islamic greeting card design for Eid Mubarak.

Islamic greeting card design for Eid Mubarak.

Dayabumi center, kuala lumpur

Dayabumi center skyscrapers, kuala lumpur, malaysia. Dayabumi center skyscrapers, kuala lumpur, malaysia

Sultanahmet Blue Mosque interior - dome

Sultanahmet Mosque (Ottoman Imperial mosque) interior ornate architecture in Istanbul, Turkey. Sultanahmet Mosque (Ottoman Imperial mosque) interior ornate architecture in Istanbul, Turkey

Dayabumi center, kuala lumpur

Dayabumi center, kuala lumpur, malaysia

Bou Inania Madrassa in Fez, Morocco

Detail of a wooden door at the Bou Inania Madrassa in Fez, Morocco

Dayabumi center, kuala lumpur

Dayabumi center, kuala lumpur, malaysia

Ramadan Kareem islamic greeting card. Eastern design line mosque with arabic pattern

Ramadan Kareem islamic greeting card. Eastern design line mosque with arabic pattern

Islamic calligraphic verses from the Koran Al Fatih 1: for the design of Muslim holidays means

Islamic calligraphic verses from the Koran Al Fatih 1: for the design of Muslim holidays means

Arabic arch. Eid al adha festival. Traditional islamic ornament on white marble background. Mosque decoration design element.

Arabic arch. Eid al adha festival. Traditional islamic ornament on white marble background. Mosque decoration design element.

Dayabumi center, kuala lumpur

Dayabumi center, kuala lumpur, malaysia

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Ceiling interior of a Moroccan house

Ceiling interior of a Moroccan house with such intricate details at Putrajaya Botanical Garden, Malaysia

Alhambra fortress courtyard

A view showing the fortress and canon courtyard of the well known Alhambra palace, Granada, Andalucia, Spain. A view showing the fortress and canon courtyard of the well known Alhambra palace, Granada, Andalucia, Spain

Mandala. Indian antistress medallion. Abstract islamic flower, arabic henna design, yoga symbol.

Mandala. Indian antistress medallion. Abstract islamic flower, arabic henna design, yoga symbol.

Traditional islamic ramadan kareem card design .Vector illustration

Traditional islamic ramadan kareem card design .Vector illustration

Ramadan Kareem islamic greeting card. Eastern design line mosque with arabic pattern

Ramadan Kareem islamic greeting card. Eastern design line mosque with arabic pattern

Islamic calligraphy Allah can be used for the design of holidays in Islam, such as ramadan.Translation-Allah - The only one who is

Islamic calligraphy Allah can be used for the design of holidays in Islam, such as ramadan.Translation-Allah - The only one who is

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

`Islamic calligraphy` Allahumma Salli ala sayyidina Muhammad was salim `for the design of Muslim holidays, ozonchaet: O

`Islamic calligraphy` Allahumma Salli ala sayyidina Muhammad was salim `for the design of Muslim holidays, ozonchaet: O

Islamic calligraphic verses from the Koran Al Fatih 1: for the design of Muslim holidays means

Islamic calligraphic verses from the Koran Al Fatih 1: for the design of Muslim holidays means

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