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Islamic Floral Frame, Premium vector illustration template Page cover

Islamic Floral Frame, Premium vector illustration template Page cover

Islamic Prayer Book page border & frame

Islamic Prayer Book page border & frame

Page book border & Frame for Islamic Book Prayer

Page book border & Frame for Islamic Book Prayer

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Illuminated Manuscript, Map of the French coast from the Italian border as far as Nice (Nīse) from Book on Navigation

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Floral Art Ornament Border in Violet colour

Floral Art Ornament Border in Violet colour

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Illuminated Manuscript, Map of the western Italian coast from Pisa to the French border, including the towns of Genoa (Jinūz

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Floral Art Ornament Border in White Background

Floral Art Ornament Border in White Background

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Floral Islamic Art Pattern in Pink Colour

Floral Islamic Art Pattern in Pink Colour

Illuminated Manuscript, Map of the Libyan coast towards the Egyptian border from Book on Navigation, Walters Art Museum Ms. W.658

Originally composed in 932 AH / 1525 CE and dedicated to Sultan SÃ¼leyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan SÃ¼leyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium vector illustration template Page cover

Islamic Floral Frame, Premium vector illustration template Page cover

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Page book border & frame for Islamic Prayer book

Page book border & frame for Islamic Prayer book

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Islamic Floral Frame, Premium A4 vector illustration template Page cover

Illuminated Manuscript, Map of the Libyan coast towards to Egyptian border from Book on Navigation, Walters Art Museum Ms. W.658

Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195. Originally composed in 932 AH / 1525 CE and dedicated to Sultan Süleyman I ("The Magnificent"), this great work by Piri Reis (d. 962 AH / 1555 CE) on navigation was later revised and expanded. The present manuscript, made mostly in the late 11th AH / 17th CE century, is based on the later expanded version with some 240 exquisitely executed maps and portolan charts. They include a world map (fol.41a) with the outline of the Americas, as well as coastlines (bays, capes, peninsulas), islands, mountains and cities of the Mediterranean basin and the Black Sea. The work starts with the description of the coastline of Anatolia and the islands of the Aegean Sea, the Peloponnese peninsula and eastern and western coasts of the Adriatic Sea. It then proceeds to describe the western shores of Italy, southern France, Spain, North Africa, Palestine, Israel, Lebanon, Syria, western Anatolia, various islands north of Crete, Sea of Marmara, Bosporus and the Black Sea. It ends with a map of the shores of the the Caspian Sea (fol.374a). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19195

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Floral Islamic Art Pattern in Russet Colour

Floral Islamic Art Pattern in Russet Colour

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