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Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Ankara Opera Building

The Ankara Opera Building, which hosts performances by the Ankara State Opera and Ballet and Ankara State Theater was designed and built as an exhibition center and only later converted into an opera house. In 1933 the National Economy Community opened an international competition for the building stating that it had to be in modernist style. A proposal by Åževki Balmumcu received first prize and construction went ahead between 1933 and 1934. In 1948 Paul Bonatz converted the building into an opera house and his addition of traditional Turkish architectural details made it more â€œnational.â€ Balmumcu was not consulted about the buildingâ€™s renovation, which disappointed and professionally disturbed him for years to come. In the garden of the building there are sculptures of Leyla Gencer, CÃ¼neyt Gencer and Muhsin ErtuÄŸrul.

SALT Research, Harika-Kemali SÃ¶ylemezoÄŸlu Archive

GÃ¼nÃ¼mÃ¼zde hem Ankara Devlet Opera ve Balesi temsillerine ev sahipliÄŸi yapan hem de BÃ¼yÃ¼k Tiyatro adÄ±yla Ankara Devlet Tiyatrosu iÃ§in bir sahne olarak hizmet veren Ankara Opera BinasÄ±, ilk olarak bir sergi sarayÄ± olarak inÅŸa edildi, daha sonra opera binasÄ±na dÃ¶nÃ¼ÅŸtÃ¼rÃ¼ldÃ¼. BinanÄ±n tasarÄ±mÄ±na, Milli Ä°ktisat ve Tasarruf Cemiyetiâ€™nin 1933â€™te aÃ§tÄ±ÄŸÄ± uluslararasÄ± bir yarÄ±ÅŸma sonunda karar verildi. YarÄ±ÅŸmanÄ±n duyurusunda, tasarÄ±mÄ±n modernist Ã¼slupta olmasÄ± gerektiÄŸi Ã¶zellikle belirtildi. Birinci seÃ§ilerek mimarÄ± Åževki Balmumcuâ€™ya bÃ¼yÃ¼k bir prestij kazandÄ±ran proje 1933-1934 yÄ±llarÄ±nda uygulandÄ±. Paul Bonatz, 1948â€™te binayÄ± iÅŸlevinden Ã§ok farklÄ± olarak bir opera binasÄ±na Ã§evirdi; Geleneksel TÃ¼rk MimarlÄ±ÄŸÄ±â€™ndan detaylar ekleyerek binayÄ± â€œmillÃ®leÅŸtirdiâ€. TasarladÄ±ÄŸÄ± binanÄ±n kendisine hiÃ§ danÄ±ÅŸÄ±lmadan, dÃ¶nemin eÄŸilimi olan Ä°kinci Ulusal MimarlÄ±kâ€™a uygun hÃ¢le getirilmesi, Balmumcuâ€™yu mesleki anlamda olumsuz etkiledi. Caddeye paralel uzanan ve birbirini dik kesen iki kitleden oluÅŸan binanÄ±n bahÃ§esinde Leyla Gencer, CÃ¼neyt Gencer ve Muhsin ErtuÄŸrulâ€™un heykelleri bulunmaktadÄ±r.

SALT AraÅŸtÄ±rma, Harika-Kemali SÃ¶ylemezoÄŸlu ArÅŸivi

Repository: SALT Research

Rights Info: This material can be used under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

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