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Isometric Businessman and Robot Holding Last Piece of Jigsaw Together

Isometric Businessman and Robot Holding Last Piece of Jigsaw Together

Hand put the last piece of jigsaw puzzle to complete the mission. Completing final task, missing jigsaw puzzle pieces and business

Hand put the last piece of jigsaw puzzle to complete the mission. Completing final task, missing jigsaw puzzle pieces and business

Hand put the last piece of jigsaw puzzle to complete the mission

Hand put the last piece of jigsaw puzzle to complete the mission

Hand putting the last piece of white puzzle for business concept or content background

Hand putting the last piece of white puzzle for business concept or content background

Last piece of white puzzle

Last piece of white puzzle

Last piece of the puzzle

Last piece of the puzzle

Red Love Heart Puzzle Complete with Last Piece for Someone concept

Red Love Heart Puzzle Complete with Last Piece for Someone concept

Last piece of jigsaw puzzle

Last piece of jigsaw puzzle

Unfinished white jigsaw puzzle pieces on blue background, The last piece of jigsaw puzzle, Copy space

Unfinished white jigsaw puzzle pieces on blue background, The last piece of jigsaw puzzle, Copy space

Hand put the last piece of jigsaw puzzle to complete the mission. Completing final task, missing jigsaw puzzle pieces and business

Hand put the last piece of jigsaw puzzle to complete the mission. Completing final task, missing jigsaw puzzle pieces and business

Male hand putting the last piece in the puzzle

Male hand putting the last piece in the puzzle

Hand put the last piece of jigsaw puzzle to complete the mission

Hand put the last piece of jigsaw puzzle to complete the mission

Hand put the last piece of jigsaw puzzle to complete the mission, Business solutions, success and strategy concept

Hand put the last piece of jigsaw puzzle to complete the mission, Business solutions, success and strategy concept

Hand put the last piece of jigsaw puzzle to complete the mission, Business solutions, success and strategy concept

Hand put the last piece of jigsaw puzzle to complete the mission, Business solutions, success and strategy concept

Last Piece

Five puzzle blocks

Five colored puzzle blocks, isolated on white. Five colored puzzle blocks, isolated on white

Jigsaw puzzle concept

Completing the missing jigsaw puzzle concept

Puzzles tiled background

Puzzles tiled background, 3d illustration

Five colored puzzle blocks

Five colored puzzle blocks, isolated on white

Jigsaw puzzle concept

Completing the missing jigsaw puzzle concept

Completing the missing jigsaw puzzle

Completing the missing jigsaw puzzle with different colour

All grown up :&#x29

Neu looks so much more like a hamster now. He scared me last night. I heard loud squeaking noises from his cage and ran to get him. He had a piece of cotton bedding wraped around one of his feet so tight that his toes were all red! It was super hard to take it off because Neu wouldn't stop moving and squeaking. But I did it! No more cotton bedding for my hammies, I'll stick with giving them pieces of toilet paper instead, thank god his cage is near my bed and I heard him, otherwise who knows what would have happened to his foot :(. Neu looks so much more like a hamster now. He scared me last night. I heard loud squeaking noises from his cage and ran to get him. He had a piece of cotton bedding wraped around one of his feet so tight that his toes were all red! It was super hard to take it off because Neu wouldn't stop moving and squeaking. But I did it! No more cotton bedding for my hammies, I'll stick with giving them pieces of toilet paper instead, thank god his cage is near my bed and I heard him, otherwise who knows what would have happened to his foot :(

Textile, Rectangle, Art, Painting

Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 31 х 2. The Annunciation Last quarter of the 16th c. Galychyna. Tempera on gesso-grounded two-piece lime-wood panel, silvering, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Остання чверть XVI ст. Галичина. Дошка липова, левкас, темпера, сріблення, тиснення на полях. 42 х 31 х 2. The Annunciation Last quarter of the 16th c. Galychyna. Tempera on gesso-grounded two-piece lime-wood panel, silvering, border stamping. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003

Textile, Art, Painting, Wall

Кінець XVII ст. Київ. Дошка липова, левкас, олія, темпера, позолота. 124 х 147 х 2,5. The Last Judgement. Late 17th c. Kyiv. Oil, tempera on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003. Кінець XVII ст. Київ. Дошка липова, левкас, олія, темпера, позолота. 124 х 147 х 2,5. The Last Judgement. Late 17th c. Kyiv. Oil, tempera on gesso-grounded three-piece lime-wood panel. Національний художній музей України. Альбом. Київ, "Артанія Нова", 2003.

Art, Cartoon, Illustration, Beard

ÐžÑÑ‚Ð°Ð½Ð½Ñ Ñ‡Ð²ÐµÑ€Ñ‚ÑŒ XVI ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ‚Ð¸ÑÐ½ÐµÐ½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 82 Ñ… 50 Ñ… 2. Saint Nicolas. Last quarter of the 16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece lime-wood panel, stamping. ...Ð–Ð°Ð½Ñ€Ð¾Ð²Ð° Ð¿Ñ€Ð¸Ð·ÐµÐ¼Ð»ÐµÐ½Ñ–ÑÑ‚ÑŒ Ð¾Ð±Ñ€Ð°Ð·Ñ–Ð², ÑˆÐ¸Ñ€Ð¾Ñ‚Ð° Ð´ÐµÐºÐ¾Ñ€Ð°Ñ‚Ð¸Ð²Ð½Ð¾Ð³Ð¾ Ð¼Ð¸ÑÐ»ÐµÐ½Ð½Ñ Ð³Ð°Ð»Ð¸Ñ†ÑŒÐºÐ¸Ñ… Ð¼Ð°Ð¹ÑÑ‚Ñ€Ñ–Ð², Ð±ÐµÐ·Ð¿Ð¾ÑÐµÑ€ÐµÐ´Ð½Ñ Ñ‰Ð¸Ñ€Ñ–ÑÑ‚ÑŒ Ñ—Ñ…Ð½ÑŒÐ¾Ð³Ð¾ ÑÐ²Ñ–Ñ‚Ð¾Ð²Ñ–Ð´Ñ‡ÑƒÑ‚Ñ‚Ñ Ð·ÑƒÐ¼Ð¾Ð²Ð¸Ð»Ð¸ ÑÑÐºÑ€Ð°Ð²Ñƒ ÑÐ°Ð¼Ð¾Ð±ÑƒÑ‚Ð½Ñ–ÑÑ‚ÑŒ Ñ‚Ð¾Ð³Ð¾Ñ‡Ð°ÑÐ½Ð¾Ð³Ð¾ Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÑƒ. Ð¢ÐµÐ½Ð´ÐµÐ½Ñ†Ñ–Ñ Ð´Ð¾ Ð¿Ð¾Ð´Ð¾Ð»Ð°Ð½Ð½Ñ Ð°Ð±ÑÑ‚Ñ€Ð°Ð³Ð¾Ð²Ð°Ð½Ð¾Ñ— Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÐ½Ð¾Ñ— Ð¼Ð¾Ð²Ð¸ Ð²Ð¸ÑÐ²Ð»ÑÑ”Ñ‚ÑŒÑÑ Ñƒ Ð¿Ñ€Ð°Ð³Ð½ÐµÐ½Ð½Ñ– Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÑ†Ñ–Ð² Ð¿ÐµÑ€ÐµÐ´Ð°Ñ‚Ð¸ Ñ€ÐµÐ°Ð»ÑŒÐ½Ñ– ÑÐ¿Ð¾ÑÑ‚ÐµÑ€ÐµÐ¶ÐµÐ½Ð½Ñ Ð½Ð°Ð²ÐºÐ¾Ð»Ð¸ÑˆÐ½ÑŒÐ¾Ð³Ð¾ ÑÐµÑ€ÐµÐ´Ð¾Ð²Ð¸Ñ‰Ð°, Ð¾Ð»ÑŽÐ´Ð½Ð¸Ñ‚Ð¸ Ð²Ñ–Ð´Ñ‡ÑƒÐ¶ÐµÐ½Ð¸Ð¹ Ñ€ÐµÐ»Ñ–Ð³Ñ–Ð¹Ð½Ð¸Ð¹ Ñ–Ð´ÐµÐ°Ð» ("Ð¡Ð²ÑÑ‚Ð¸Ð¹ ÐœÐ¸ÐºÐ¾Ð»Ð°", "Ð’Ð¾ÑÐºÑ€ÐµÑÑ–Ð½Ð½Ñ", "Ð¤Ð¾Ð¼Ð° Ñ– Ð’Ð°Ñ€Ñ„Ð¾Ð»Ð¾Ð¼Ñ–Ð¹" Ñ‚Ð° Ñ–Ð½. - Ð´Ñ€ÑƒÐ³Ð° Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ð° XVI ÑÑ‚.). Ð›Ð°Ñ€Ð¸ÑÐ° Ð§Ð»ÐµÐ½Ð¾Ð²Ð° ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐžÑÑ‚Ð°Ð½Ð½Ñ Ñ‡Ð²ÐµÑ€Ñ‚ÑŒ XVI ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ‚Ð¸ÑÐ½ÐµÐ½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 82 Ñ… 50 Ñ… 2. Saint Nicolas. Last quarter of the 16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece lime-wood panel, stamping. ...Ð–Ð°Ð½Ñ€Ð¾Ð²Ð° Ð¿Ñ€Ð¸Ð·ÐµÐ¼Ð»ÐµÐ½Ñ–ÑÑ‚ÑŒ Ð¾Ð±Ñ€Ð°Ð·Ñ–Ð², ÑˆÐ¸Ñ€Ð¾Ñ‚Ð° Ð´ÐµÐºÐ¾Ñ€Ð°Ñ‚Ð¸Ð²Ð½Ð¾Ð³Ð¾ Ð¼Ð¸ÑÐ»ÐµÐ½Ð½Ñ Ð³Ð°Ð»Ð¸Ñ†ÑŒÐºÐ¸Ñ… Ð¼Ð°Ð¹ÑÑ‚Ñ€Ñ–Ð², Ð±ÐµÐ·Ð¿Ð¾ÑÐµÑ€ÐµÐ´Ð½Ñ Ñ‰Ð¸Ñ€Ñ–ÑÑ‚ÑŒ Ñ—Ñ…Ð½ÑŒÐ¾Ð³Ð¾ ÑÐ²Ñ–Ñ‚Ð¾Ð²Ñ–Ð´Ñ‡ÑƒÑ‚Ñ‚Ñ Ð·ÑƒÐ¼Ð¾Ð²Ð¸Ð»Ð¸ ÑÑÐºÑ€Ð°Ð²Ñƒ ÑÐ°Ð¼Ð¾Ð±ÑƒÑ‚Ð½Ñ–ÑÑ‚ÑŒ Ñ‚Ð¾Ð³Ð¾Ñ‡Ð°ÑÐ½Ð¾Ð³Ð¾ Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÑƒ. Ð¢ÐµÐ½Ð´ÐµÐ½Ñ†Ñ–Ñ Ð´Ð¾ Ð¿Ð¾Ð´Ð¾Ð»Ð°Ð½Ð½Ñ Ð°Ð±ÑÑ‚Ñ€Ð°Ð³Ð¾Ð²Ð°Ð½Ð¾Ñ— Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÐ½Ð¾Ñ— Ð¼Ð¾Ð²Ð¸ Ð²Ð¸ÑÐ²Ð»ÑÑ”Ñ‚ÑŒÑÑ Ñƒ Ð¿Ñ€Ð°Ð³Ð½ÐµÐ½Ð½Ñ– Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÑ†Ñ–Ð² Ð¿ÐµÑ€ÐµÐ´Ð°Ñ‚Ð¸ Ñ€ÐµÐ°Ð»ÑŒÐ½Ñ– ÑÐ¿Ð¾ÑÑ‚ÐµÑ€ÐµÐ¶ÐµÐ½Ð½Ñ Ð½Ð°Ð²ÐºÐ¾Ð»Ð¸ÑˆÐ½ÑŒÐ¾Ð³Ð¾ ÑÐµÑ€ÐµÐ´Ð¾Ð²Ð¸Ñ‰Ð°, Ð¾Ð»ÑŽÐ´Ð½Ð¸Ñ‚Ð¸ Ð²Ñ–Ð´Ñ‡ÑƒÐ¶ÐµÐ½Ð¸Ð¹ Ñ€ÐµÐ»Ñ–Ð³Ñ–Ð¹Ð½Ð¸Ð¹ Ñ–Ð´ÐµÐ°Ð» ("Ð¡Ð²ÑÑ‚Ð¸Ð¹ ÐœÐ¸ÐºÐ¾Ð»Ð°", "Ð’Ð¾ÑÐºÑ€ÐµÑÑ–Ð½Ð½Ñ", "Ð¤Ð¾Ð¼Ð° Ñ– Ð’Ð°Ñ€Ñ„Ð¾Ð»Ð¾Ð¼Ñ–Ð¹" Ñ‚Ð° Ñ–Ð½. - Ð´Ñ€ÑƒÐ³Ð° Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ð° XVI ÑÑ‚.). Ð›Ð°Ñ€Ð¸ÑÐ° Ð§Ð»ÐµÐ½Ð¾Ð²Ð° ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003

Beard, Textile, Painting, Art

ÐžÑÑ‚Ð°Ð½Ð½Ñ Ñ‡Ð²ÐµÑ€Ñ‚ÑŒ XVI ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ‚Ð¸ÑÐ½ÐµÐ½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 51 Ñ… 79 Ñ… 3. The Vernicle. Last quarter of the 16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece hollowed lime-wood panel, stamping. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. Ð›ÐµÐ² Ð¡ÐºÐ¾Ð¿, Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ð¸Ðº, Ð¼Ð¸ÑÑ‚ÐµÑ†Ñ‚Ð²Ð¾Ð·Ð½Ð°Ð²ÐµÑ†ÑŒ, Ñ€ÐµÑÑ‚Ð°Ð²Ñ€Ð°Ñ‚Ð¾Ñ€ Ñ‚Ð° Ð´Ð¾ÑÐ»Ñ–Ð´Ð½Ð¸Ðº ÑƒÐºÑ€Ð°Ñ—Ð½ÑÑŒÐºÐ¾Ð³Ð¾ Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÑƒ, Ð½Ð°Ð·Ð¸Ð²Ð°Ñ” Ð°Ð²Ñ‚Ð¾Ñ€Ð¾Ð¼ Ñ†Ñ–Ñ”Ñ— Ñ–ÐºÐ¾Ð½Ð¸ Ð¤ÐµÐ´ÑƒÑÐºÐ°, Ð¼Ð°Ð»ÑÑ€Ð° Ð· Ð¡Ð°Ð¼Ð±Ð¾Ñ€Ð°. Ð¡ÐºÐ¾Ð¿ Ð›.Ð. ÐœÐ°Ð¹ÑÑ‚ÐµÑ€ Ð¼Ñ–Ð½Ñ–Ð°Ñ‚ÑŽÑ€ ÐŸÐµÑ€ÐµÑÐ¾Ð¿Ð½Ð¸Ñ†ÑŒÐºÐ¾Ð³Ð¾ Ð„Ð²Ð°Ð½Ð³ÐµÐ»Ñ–Ñ - Ð¤ÐµÐ´ÑƒÑÐºÐ¾, Ð¼Ð°Ð»ÑÑ€ Ð·Ñ– Ð¡Ð°Ð¼Ð±Ð¾Ñ€Ð°. - Ð”Ñ€Ð¾Ð³Ð¾Ð±Ð¸Ñ‡: ÐšÐ¾Ð»Ð¾, 2011. - Ñ. 25. ÐžÑÑ‚Ð°Ð½Ð½Ñ Ñ‡Ð²ÐµÑ€Ñ‚ÑŒ XVI ÑÑ‚. Ð“Ð°Ð»Ð¸Ñ‡Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ‚Ð¸ÑÐ½ÐµÐ½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. 51 Ñ… 79 Ñ… 3. The Vernicle. Last quarter of the 16th c. Galychyna. Tempera, silvering on gesso-grounded two-piece hollowed lime-wood panel, stamping. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. Ð›ÐµÐ² Ð¡ÐºÐ¾Ð¿, Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ð¸Ðº, Ð¼Ð¸ÑÑ‚ÐµÑ†Ñ‚Ð²Ð¾Ð·Ð½Ð°Ð²ÐµÑ†ÑŒ, Ñ€ÐµÑÑ‚Ð°Ð²Ñ€Ð°Ñ‚Ð¾Ñ€ Ñ‚Ð° Ð´Ð¾ÑÐ»Ñ–Ð´Ð½Ð¸Ðº ÑƒÐºÑ€Ð°Ñ—Ð½ÑÑŒÐºÐ¾Ð³Ð¾ Ñ–ÐºÐ¾Ð½Ð¾Ð¿Ð¸ÑÑƒ, Ð½Ð°Ð·Ð¸Ð²Ð°Ñ” Ð°Ð²Ñ‚Ð¾Ñ€Ð¾Ð¼ Ñ†Ñ–Ñ”Ñ— Ñ–ÐºÐ¾Ð½Ð¸ Ð¤ÐµÐ´ÑƒÑÐºÐ°, Ð¼Ð°Ð»ÑÑ€Ð° Ð· Ð¡Ð°Ð¼Ð±Ð¾Ñ€Ð°. Ð¡ÐºÐ¾Ð¿ Ð›.Ð. ÐœÐ°Ð¹ÑÑ‚ÐµÑ€ Ð¼Ñ–Ð½Ñ–Ð°Ñ‚ÑŽÑ€ ÐŸÐµÑ€ÐµÑÐ¾Ð¿Ð½Ð¸Ñ†ÑŒÐºÐ¾Ð³Ð¾ Ð„Ð²Ð°Ð½Ð³ÐµÐ»Ñ–Ñ - Ð¤ÐµÐ´ÑƒÑÐºÐ¾, Ð¼Ð°Ð»ÑÑ€ Ð·Ñ– Ð¡Ð°Ð¼Ð±Ð¾Ñ€Ð°. - Ð”Ñ€Ð¾Ð³Ð¾Ð±Ð¸Ñ‡: ÐšÐ¾Ð»Ð¾, 2011. - Ñ. 25.

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