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Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaÊ¿) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qurâ€™an (SÅ«rat al-baqarah, 2:65-68 and SÅ«rat al-nisÄÊ¾, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (á¸³aralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Åžeyh Hamdullah (á¸¤amd AllÄh al-AmÄsÄ«, d. 926 AH /1520 CE). This calligraphic page with verses from SÅ«rat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Åžeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

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