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King Sheba (Bilqīs) enthroned; part of a double-page composition featuring also King Solomon (Sulaymān) from

An anonymous decorated and illustrated copy of the collection of poems (DÄ«vÄn) by Shams al-DÄ«n Muá¸¥ammad á¸¤Äfiz al-ShÄ«rÄzÄ« who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaÊ¿lÄ«q hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560. An anonymous decorated and illustrated copy of the collection of poems (DÄ«vÄn) by Shams al-DÄ«n Muá¸¥ammad á¸¤Äfiz al-ShÄ«rÄzÄ« who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaÊ¿lÄ«q hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

The garden party from Collection of poems (divan), Walters Art Museum Ms. W.631, fol.150b

An anonymous decorated and illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaʿlīq hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560. An anonymous decorated and illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaʿlīq hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560

Old vintage scroll manuscript isolated on white background. Vector illustration paper.

Old vintage scroll manuscript isolated on white background. Vector illustration paper.

Illuminated Manuscript, Map of eastern coast of Calabria around Rossano from Book on Navigation, Walters Art Museum Ms. W.658, fol

Ursprünglich verfasst in CER 932 AH/1525 und Sultan SÃ ¼ leyman I &#x28 eingeweiht; " Das Magnificent" ) , diese große Arbeit durch Piri Reis ( d 962 AH/1555 CE) auf Navigation wurde später verbessert und erweitert Das anwesende Manuskript, gemacht größtenteils Ende 11. AH/17. CER-Jahrhundert, basiert auf der neueren erweiterten Version mit ca. 240 vorzüglich durchgeführten Karten und portolan Diagrammen Sie schließen eine Weltkarte &#x28 mit ein; fol 41a) mit dem Entwurf des Amerikas sowie den Küstenlinien ( Buchten, Kape, peninsulas) , Inseln, Berge und Städte des Mittelmeerraums und des Schwarzen Meers Die Arbeit beginnt mit der Beschreibung der Küstenlinie von Anatolien und von Inseln des Ägäischen Meers, der Peloponnes-Halbinsel und der Ost- und Westküsten des adriatischen Meeres Es fährt dann fort, die West- Ufer von Italien, Süd- Frankreich, Spanien, Nord- Afrika, Palästina, Israel, der Libanon, Syrien, West-Anatolien, verschiedene Inseln zu beschreiben nördlich Kretas, Marmarameer, Bosporus und des Schwarzen Meers Es beendet mit einer Karte der Ufer des Kaspischen Meers ( fol 374a) Sehen Sie dieses Manuskript Seite für Seite an der Walters Art Museum-Website: Kunst thewalters org/viewwoa aspx? id=19195. Ursprünglich verfasst in CER 932 AH/1525 und Sultan SÃ ¼ leyman I &#x28 eingeweiht; " Das Magnificent" ) , diese große Arbeit durch Piri Reis ( d 962 AH/1555 CE) auf Navigation wurde später verbessert und erweitert Das anwesende Manuskript, gemacht größtenteils Ende 11. AH/17. CER-Jahrhundert, basiert auf der neueren erweiterten Version mit ca. 240 vorzüglich durchgeführten Karten und portolan Diagrammen Sie schließen eine Weltkarte &#x28 mit ein; fol 41a) mit dem Entwurf des Amerikas sowie den Küstenlinien ( Buchten, Kape, peninsulas) , Inseln, Berge und Städte des Mittelmeerraums und des Schwarzen Meers Die Arbeit beginnt mit der Beschreibung der Küstenlinie von Anatolien und von Inseln des Ägäischen Meers, der Peloponnes-Halbinsel und der Ost- und Westküsten des adriatischen Meeres Es fährt dann fort, die West- Ufer von Italien, Süd- Frankreich, Spanien, Nord- Afrika, Palästina, Israel, der Libanon, Syrien, West-Anatolien, verschiedene Inseln zu beschreiben nördlich Kretas, Marmarameer, Bosporus und des Schwarzen Meers Es beendet mit einer Karte der Ufer des Kaspischen Meers ( fol 374a) Sehen Sie dieses Manuskript Seite für Seite an der Walters Art Museum-Website: Kunst thewalters org/viewwoa aspx? id=19195

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Floral vintage Medieval illuminati manuscript inspiration.

Floral vintage Medieval illuminati manuscript inspiration.

Antique BOOKs, Manuscript, Incunabula, Vintage Aging of the Pages, Background, Parchment, Leather-Bound

Antique BOOKs, Manuscript, Incunabula, Vintage Aging of the Pages, Background, Parchment, Leather-Bound

Businessman holding manuscript project presentation with his han

Businessman holding manuscript project presentation with his han

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 315b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE.

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol.1b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page is the first of a double-page decoration containing the title and the author's name executed in gold thuluth script and placed in four cartouches. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page is the first of a double-page decoration containing the title and the author's name executed in gold thuluth script and placed in four cartouches.

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Illuminated Manuscript Koran, Left side of a double-page opening with verses of the first chapter (Sūrat al-fātiḥah&#x29

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page opening decoration containing the text of the first chapter (Sūrat al-fātiḥah) inscribed in the center medallion in gold muḥaqqaq script on a blue background.

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

The Four Evangelists and Two Apostles, The four evangelists and the two chief apostles, Walters Manuscript W.530.C, fol. 211r

This image originally faced the beginning of the Acts of the Apostles in a late eleventh-century Psalter and New Testament in Mount Athos, Vatopedi Monastery, MS 762. It seems likely that in this manuscript's scribe and illuminator were the same person. The Evangelists and Apostles appear in the following order: Paul, Peter, John (above), Luke, Matthew, Mark (below). This image originally faced the beginning of the Acts of the Apostles in a late eleventh-century Psalter and New Testament in Mount Athos, Vatopedi Monastery, MS 762. It seems likely that in this manuscript's scribe and illuminator were the same person. The Evangelists and Apostles appear in the following order: Paul, Peter, John (above), Luke, Matthew, Mark (below).

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Collection of poems (divan), Moses, holding a fiery rod, comes to meet his future wife, Walters Manuscript W.636, fol. 5

An illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present codex was copied by Mullā Muḥammad Qāsim Hamadānī in 1210 AH /1796 CE in India and contains 48 miniatures. An illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present codex was copied by Mullā Muḥammad Qāsim Hamadānī in 1210 AH /1796 CE in India and contains 48 miniatures.

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Illuminated Manuscript of a work on the duties of Muslims towards the Prophet with an account of his life, Original binding, Walte

La página de Incipit con un marco w-formado del casco y de la cerda joven de una copia iluminada del trabajo popular sobre los deberes de musulmanes hacia el profeta Mohamed, conocidos como ¾ del Ê del al-ShifÄ, por el £Å “bÄ “&#x28 del ¹ del al-Yaá¸¥á del del á¸ del de IyÄ del ¿de Ê; d 544 AH/1149 CE) Este códice con bordes de cerda joven y un atascamiento turco típico fue ejecutado por SalÄ “CE AH/1777 de d del al-RashÄ de m “en 1191 Vea este manuscrito página por página en el sitio web de Walters Art Museum: arte thewalters org/viewwoa ¿aspx? id=11962. La página de Incipit con un marco w-formado del casco y de la cerda joven de una copia iluminada del trabajo popular sobre los deberes de musulmanes hacia el profeta Mohamed, conocidos como ¾ del Ê del al-ShifÄ, por el £Å “bÄ “&#x28 del ¹ del al-Yaá¸¥á del del á¸ del de IyÄ del ¿de Ê; d 544 AH/1149 CE) Este códice con bordes de cerda joven y un atascamiento turco típico fue ejecutado por SalÄ “CE AH/1777 de d del al-RashÄ de m “en 1191 Vea este manuscrito página por página en el sitio web de Walters Art Museum: arte thewalters org/viewwoa ¿aspx? id=11962

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 211b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts The incipit page with the headpiece and an inscription in gold ink Kitāb-i Khusraw va Shīrīn. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts The incipit page with the headpiece and an inscription in gold ink Kitāb-i Khusraw va Shīrīn.

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Businessman touching manuscript project presentation with his fingers

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 292a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. .Bahrām Gūr in the green pavilion. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. .Bahrām Gūr in the green pavilion.

Businessman holding manuscript project presentation with his han

Businessman holding manuscript project presentation with his han

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 277a

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The page depicts Khusraw asking pardon from Shīrīn. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The page depicts Khusraw asking pardon from Shīrīn.

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