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2025 IS MY YEAR TO text on white paper note on vision board with Christmas decor. New year aims resolutions. New me you

2025 IS MY YEAR TO text on white paper note on vision board with Christmas decor. New year aims resolutions. New me you

hand of a doll with sign me too on a pink background

hand of a doll with sign me too on a pink background

Kraft paper envelope with white blank card and blue forget-me-nots flowers

Kraft paper envelope with white blank card and blue forget-me-nots flowers

And I Wish I Were Stoned

Once I had a dream, nothing else to do Sat and played my mind in time with all of you Got down in the road Crossed my heart and cried When you told me how you'd love To live and not to die Why why why? I wish I were stoned on my mind Why why why, oh why? Dreamed I saw a man walked upon the sea Dreamed it once again and saw that he was me Looking close at me I looked a lot like you Knowing where to go but not quite what to do Why why why? I wish I were stoned on my mind Why why why, oh why? Give me all your love in a smile And I'll tell you what I'm thinking Let me see the world through your eyes And I'll show you where I'm sitting Once I had a dream, nothing else to do Sat and played my mind in time with all of you Got down in the road Crossed my heart and cried When you told me how you'd love To kill and not to die Why why why? I wish I were stoned on my mind Why why why, oh why? Caravan www.elyrics.net. Once I had a dream, nothing else to do Sat and played my mind in time with all of you Got down in the road Crossed my heart and cried When you told me how you'd love To live and not to die Why why why? I wish I were stoned on my mind Why why why, oh why? Dreamed I saw a man walked upon the sea Dreamed it once again and saw that he was me Looking close at me I looked a lot like you Knowing where to go but not quite what to do Why why why? I wish I were stoned on my mind Why why why, oh why? Give me all your love in a smile And I'll tell you what I'm thinking Let me see the world through your eyes And I'll show you where I'm sitting Once I had a dream, nothing else to do Sat and played my mind in time with all of you Got down in the road Crossed my heart and cried When you told me how you'd love To kill and not to die Why why why? I wish I were stoned on my mind Why why why, oh why? Caravan www.elyrics.net

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Rent me rubber stamp

Rent me rubber stamp

I want to be a beautiful dream in your sleep I want to be something that you could possibly miss Because the steps to be brittle without you Because the heart has been exhausted I want to be something that you can always touch I want you to know that I always adore Without lonely time chained heart ...... .. Your shadow as if ............ You're like a song in my heart Who call me miss you ......... .. You're like the air that I take you're always there Only you can make me calm Without you I feel lost and lonely You're like a song in my heart Who calls you miss me .......... You're like the air that I take You're always there, always there, and always there Who was always there and always there ......... .. translation of the song lyrics " Dealova" by Once Mekel ................................................................................................................. It is the story of someone who is deeply in love to God as creator, and him as creatures created. Dealova meaningless praise. and he always gave glory to God throughout his life. Someone who always praise the name of God for his love. Will be protected angel wings, Violent with lightning but not painful. And the angels will decorate with feathers are beautiful in every prayer. In every prayer ..... And God will give you grace for thousands of light years because he was lover...... Rant73

A seamless forget-me-not background. blots of paint pattern. Vector illustration

A seamless forget-me-not background. blots of paint pattern. Vector illustration

Call me - yellow signs with blue sky

Call me - yellow signs with blue sky

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Hear me roar. Hand drawn typography poster design

Hear me roar. Hand drawn typography poster design

French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matériaux, procédés : Lignes parallèles au pinceau (le même pinceau pour toute la série – je l'ai gardé), la souplesse étant dans la quantité d'eau associée à la gouache noire, la vitesse d’exécution pour une ligne (le pinceau ne décollait la feuille qu'après l'avoir traversé de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de séchage entre deux lignes parallèles juxtaposées. J'ai ensuite complété ce dispositif en ajoutant des empreintes façon monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales – comme le portrait est l'expression de la verticalité (le paysage et la ligne courbe seraient plutôt de l'ordre du féminin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thème des « barreaux », que j'exploiterai vraiment en 2007 parce qu'il était devenu vital que je digère ma mise en examen... Barreaux déjà présents précédemment dans mon travail sur la « feuille » puis dans mes « rollerballs », enfin dans mes vidéos. Ces traits parallèles m'intéressent d'abord pour leur coté archaïque, de la naissance de l'écriture (décompte de bœufs) jusqu'aux graffitis sur les murs des prisons pour marquer le décompte des jours (autant de barreaux barrés en fin de semaine – c'est un aspect sur lequel je me suis penché dans la série des « marques » que j'ai amorcé -comme les « barreaux »- lors de ma mise en examen en 2006). M'intéresse aussi la multiplicité des interprétations possibles et leur réversibilité suivant le sens exposé, la forêt de bouleaux quand le support est exposé à la verticale devient une « marine » à l'horizontale. Ce travail, tout comme les autres, fait la part belle à ma grande névrose qui consiste à vouloir trouver le maximum dans le minimum, mais que je définis aussi comme une recherche de profondeur plutôt que de superficie. Une dernière précision : le papier photo donne une brillance argentée du plus bel effet qui n'est pas visible sur l'image scannée. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a « Reverso » translation) L'album trace. French : Gouache noire sur papier photo, 2003. Contraintes de supports, formats, matériaux, procédés : Lignes parallèles au pinceau (le même pinceau pour toute la série – je l'ai gardé), la souplesse étant dans la quantité d'eau associée à la gouache noire, la vitesse d’exécution pour une ligne (le pinceau ne décollait la feuille qu'après l'avoir traversé de long en large ; le rythme, les saccades, les tremblements donnaient du jeu aux contraintes initiales) et le temps de séchage entre deux lignes parallèles juxtaposées. J'ai ensuite complété ce dispositif en ajoutant des empreintes façon monotype Le paysage, dans sa plus simple expression, est un jeu d'horizontales – comme le portrait est l'expression de la verticalité (le paysage et la ligne courbe seraient plutôt de l'ordre du féminin alors que le masculin serait dans le portrait et la ligne droite) Nous retrouvons le thème des « barreaux », que j'exploiterai vraiment en 2007 parce qu'il était devenu vital que je digère ma mise en examen... Barreaux déjà présents précédemment dans mon travail sur la « feuille » puis dans mes « rollerballs », enfin dans mes vidéos. Ces traits parallèles m'intéressent d'abord pour leur coté archaïque, de la naissance de l'écriture (décompte de bœufs) jusqu'aux graffitis sur les murs des prisons pour marquer le décompte des jours (autant de barreaux barrés en fin de semaine – c'est un aspect sur lequel je me suis penché dans la série des « marques » que j'ai amorcé -comme les « barreaux »- lors de ma mise en examen en 2006). M'intéresse aussi la multiplicité des interprétations possibles et leur réversibilité suivant le sens exposé, la forêt de bouleaux quand le support est exposé à la verticale devient une « marine » à l'horizontale. Ce travail, tout comme les autres, fait la part belle à ma grande névrose qui consiste à vouloir trouver le maximum dans le minimum, mais que je définis aussi comme une recherche de profondeur plutôt que de superficie. Une dernière précision : le papier photo donne une brillance argentée du plus bel effet qui n'est pas visible sur l'image scannée. English : Black gouache on photo paper, 2003. Constraints of supports, formats, materials, processes: lines parallel with the brush (the same brush for all the series - I kept it), the flexibility being in the quantity of water associated with the black gouache, the speed of execution for a line (the brush unstuck the sheet only having crossed it up and down; the rhythm, the jerks, the shivers was loosen something up to the initial constraints) and the time of drying between two lines parallel lines juxtaposed. Then I completed this device by adding imprints as "monotype" The landscape, in its simplest expression, is a game of horizontals - as the portrait is the expression of the verticality (the landscape and the curved line would be rather of the order of the feminine while the male would be in the portrait and the straight line) We find the theme of "bars", which I shall really run in 2007 because there had become vital that I digest my indictment... Already present Bars previously in my work on the "sheet" then in my "rollerballs", finally in my videos. These parallel lines interest me at first for their archaic quoted, of the birth of the writing up to graffiti on the walls of prisons to mark the discount of days (so many bars blocked at the end of week - it is an aspect over which I bent in the series of the "marks" that I began - as "bars" - during my indictment in 2006). Also interests me the multiplicity of the possible interpretations and their reversibility following the displayed sense, the forest of birches when the support is upright exposed becomes a "seascape" in the horizontal. This work, quite as the others, gives a good place to my big neurosis which consists in wanting to find the maximum in the minimum, but that I also define as a deep research rather that of surface. A last precision: the photo paper gives a silvery shine of the most beautiful effect which is not visible on the scanned image. (Sorry, it's a « Reverso » translation) L'album trace

Follow me neon sign in the speech bubble on brick wall background.

Follow me neon sign in the speech bubble on brick wall background.

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Lancasters Rotting - Tom Skarbek-Wazynski - 0002

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Woman holding and pointing at red card with follow me inscription, asking to subscribe on her vlog.

Woman holding and pointing at red card with follow me inscription, asking to subscribe on her vlog.

Let the Sun Shine in

Although my doctor tells me to get less sun exposure, I feel as if I can never get enough sun light. In most of the buildings I have work in, it seems that most people keep their windows covered. Blinds are closed entirely. Often, no sun light makes it inside. The interior lights are turned on all day. I say, let the sun shine in! For me there is no more pleasant light than daylight. It is a beautiful crisp and cheerful white. Artificial light, especially incandescent has a depressing yellow tinge that makes everything look dingy. Oddly, for me, flourescent, halogen and LED lighting is coloured to make it mimic that depressing (for me) incandescent yellow colour. My preference is like the window on the right. Bring in the sun! Brighten everything up. Banish that yellow artificial light to the basement! 12 Yates St. in downtown St. Catharines, Ontario. Oak Hill is the former residence of William Hamilton Merritt. It is now know as the "White House of Rock" as it is home to three radio stations.

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

I had never been so near the horses. For me,a person who has passed over 20 year in the city,everything in the country was new and intressting to me.I would like to get nearer the horses but I was a bit afraid, at this moment, the three gentle creatures came to me , they were curious about the new comers too. They simply curious and wanted to be closer ,having no bad intention.We couldn't communicate by words but I felt their gentleness from their eyes. I had never been so near the horses. For me,a person who has passed over 20 year in the city,everything in the country was new and intressting to me.I would like to get nearer the horses but I was a bit afraid, at this moment, the three gentle creatures came to me , they were curious about the new comers too. They simply curious and wanted to be closer ,having no bad intention.We couldn't communicate by words but I felt their gentleness from their eyes.

Conceptual hand writing text caption inspiration showing About Me Business concept for Self Awareness Personal Identity written on

Conceptual hand writing text caption inspiration showing About Me Business concept for Self Awareness Personal Identity written on

What&x27;s in it for me is shown using the text

What&x27;s in it for me is shown using the text

Conceptual hand writing text caption inspiration showing About Me concept for Self Awareness Personal Identity and Love written on

Conceptual hand writing text caption inspiration showing About Me concept for Self Awareness Personal Identity and Love written on

Written with a marker remember me . Closeup

Written with a marker remember me . Closeup

An Approximation of Non Truth

This is my first one from concept to completion. OK, so a really famous surrealist painter from the last century got the idea ahead of me, but hey, I don't have an elephant. Thanks for suggesting him to me Steve. Next it will be time to learn how to bend pocket watches. Wish me luck. I don't hold out much hope though. Original File: My Megratte.psd. This is my first one from concept to completion. OK, so a really famous surrealist painter from the last century got the idea ahead of me, but hey, I don't have an elephant. Thanks for suggesting him to me Steve. Next it will be time to learn how to bend pocket watches. Wish me luck. I don't hold out much hope though. Original File: My Megratte.psd

1990 - 'Dune Landscape in Red', acrylic painting on canvas for sale - A high resolution art image free download to print

'Dune Landscape in Red', a large abstract landscape painting on canvas for sale. I painted this canvas in acrylic in 1990. It was an attempt to create sensations of 'landscape' in organic forms combined with the option to make a see-through painting wall. My inspiration were some sketches (also published here in Flickr), I made in the dunes of Harlem, The Netherlands, a historical location for painters where also the 17th century painter Ruysdael was drawing his sketches for his famous landscape-paintings.... An inspiring painter for me in my starting artistic years, because of his very dynamic compositions of the Dutch landscape . Size of the original painting on canvas is 110 x 125 cm; it is for sale. This digital image of my art I placed here in high resolution on Flickr, in the public domain. I edited it digitally with great care for the hues, colors and texture of the original work. So it is available to use it for making your own fine quality art-print for at home on the wall if you like. A high resolution art image free download to print it well, in the public domain / Commons, CC-BY. Please let me know in return when you do. Tell me if you like this specific work of mine. It gives me just a nice feeling to hear when one piece of my art is being enjoyed by other people. My mail is . kind regards, Contemporary Dutch painter-artist Fons Heijnsbroek, Amsterdam, The Netherlands. 'Dune Landscape in Red', a large abstract landscape painting on canvas for sale. I painted this canvas in acrylic in 1990. It was an attempt to create sensations of 'landscape' in organic forms combined with the option to make a see-through painting wall. My inspiration were some sketches (also published here in Flickr), I made in the dunes of Harlem, The Netherlands, a historical location for painters where also the 17th century painter Ruysdael was drawing his sketches for his famous landscape-paintings.... An inspiring painter for me in my starting artistic years, because of his very dynamic compositions of the Dutch landscape . Size of the original painting on canvas is 110 x 125 cm; it is for sale. This digital image of my art I placed here in high resolution on Flickr, in the public domain. I edited it digitally with great care for the hues, colors and texture of the original work. So it is available to use it for making your own fine quality art-print for at home on the wall if you like. A high resolution art image free download to print it well, in the public domain / Commons, CC-BY. Please let me know in return when you do. Tell me if you like this specific work of mine. It gives me just a nice feeling to hear when one piece of my art is being enjoyed by other people. My mail is . kind regards, Contemporary Dutch painter-artist Fons Heijnsbroek, Amsterdam, The Netherlands.

Let the Sun Shine In #2

Bricks and mortar are far more opaque than glass. And yet, so often with old buildings, wall space where once, panes of glass let wonderful, uplifting natural light inside of otherwise dark spaces, now bricks and concrete blocks greet passer-bys. I say, let the sun shine in! For me there is no more pleasant light than daylight. It is a beautiful crisp and cheerful white. Artificial light, especially incandescent has a depressing yellow tinge that makes everything look dingy. Oddly, for me, flourescent, halogen and LED lighting is coloured to make it mimic that depressing (for me) incandescent yellow colour. And although most blocked up former windows have a lifeless and sad appearance. This building on Bond Street in downtown St. Catharines, Ontario seems to have bucked that trend. The bricked in windows blend in nicely with the rest of the wall. The window keystones and arches, showing where the windows once were add a nice architectural decoration to an otherwise drab brick wall. Even the two tone red of the wall (a result of painting over graffiti) prevents this wall from having an abandoned appearance. Still, give me windows! Give me sunlight! "Let the sun shine in. Open up your heart and let it shine on in...". Bricks and mortar are far more opaque than glass. And yet, so often with old buildings, wall space where once, panes of glass let wonderful, uplifting natural light inside of otherwise dark spaces, now bricks and concrete blocks greet passer-bys. I say, let the sun shine in! For me there is no more pleasant light than daylight. It is a beautiful crisp and cheerful white. Artificial light, especially incandescent has a depressing yellow tinge that makes everything look dingy. Oddly, for me, flourescent, halogen and LED lighting is coloured to make it mimic that depressing (for me) incandescent yellow colour. And although most blocked up former windows have a lifeless and sad appearance. This building on Bond Street in downtown St. Catharines, Ontario seems to have bucked that trend. The bricked in windows blend in nicely with the rest of the wall. The window keystones and arches, showing where the windows once were add a nice architectural decoration to an otherwise drab brick wall. Even the two tone red of the wall (a result of painting over graffiti) prevents this wall from having an abandoned appearance. Still, give me windows! Give me sunlight! "Let the sun shine in. Open up your heart and let it shine on in..."

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

Forget me not is a genus of herbaceous plants of the Borage family (Boraginaceae

Forget me not is a genus of herbaceous plants of the Borage family (Boraginaceae

A word writing text showing concept of Call me made of different magazine newspaper letter for Business case on the white backgrou

A word writing text showing concept of Call me made of different magazine newspaper letter for Business case on the white backgrou

Lancasters Rotting

All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project. All my photos published on flickr are licensed under Creative Commons Zero which means you can copy, modify, distribute and use the photos for free, including commercial purposes, without asking permission from or providing attribution to me. However it is always nice to be attributed or just me see how you use it, so please send me a link if that works for your project.

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