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Animals of Hindustan monkeys, rodents and the peacock, from Illuminated manuscript Baburnama (Memoirs of Babur), Walters

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Babur and his party hunting for rhinoceros in Swati, from Illuminated manuscript Baburnama (Memoirs of Babur), Walters A

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Stilt house on the rice terraces field

Stilt house o rice terrace field in Mu Cang Chay, Yen Bai, Vietnam. Stilt house o rice terrace field in Mu Cang Chay, Yen Bai, Vietnam

Babur entering Kabul, from Illuminated manuscript Baburnama (Memoirs of Babur), Walters Art Museum Ms. W.596, fol.16a

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Mu Residence in Lijiang old town, Yunnan, China

Mu Residence in Lijiang old town, Yunnan, China

Illuminated Manuscript Baburnamah, Walters Art Museum Ms. W.596, fol. 7a

In this leaf Babur and his men stop for the night before crossing the Indus river on their way to Hindustan See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759 Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. In this leaf Babur and his men stop for the night before crossing the Indus river on their way to Hindustan See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759 Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow.

Young Girl with a Rock GuitarPlaying Headbanger Mu

Young girl in a pink dress head-banging with an electric rock guitar. Young girl in a pink dress head-banging with an electric rock guitar

Rape in full bloom in luoping county in yunnan province

Luo Ping is production base counties in China, as well as the bees in the spring of numerous and bee products processing base. 2, in March each year, 200000 mu of in Luo Ping bazi compete to contend for, look, is a endless golden, no matter what people, who stand natural garden, the largest is exclamation Luo Ping is the home of prosperity. Luo Ping is production base counties in China, as well as the bees in the spring of numerous and bee products processing base. 2, in March each year, 200000 mu of in Luo Ping bazi compete to contend for, look, is a endless golden, no matter what people, who stand natural garden, the largest is exclamation Luo Ping is the home of prosperity.

Ḥamzah Sulṭān, Mahdī Sulṭan and Mamāq Sulṭān pay homage to Babur, from Illuminated manuscript Baburnama (Memoirs

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

The Tower of Thien Mu Pagoda in Hue, Vietnam

The Tower of Thien Mu Pagoda in Hue, Vietnam

Illuminated Manuscript Koran, Illuminated incipit page with headpiece inscribed with the chapter heading for Sūrat Maryam, Walte

A fragment of the Koran (Qur'an) covering the chapters 19 (Mariam) through 23 ( al-Muʾminūn) written on Italian paper in a large Maghribi script, with vocalization in red ink, in the 12th AH / 18th CE century. Shown here is the illuminated incipit page with a headpiece carrying the chapter heading (Maryam) in a decorative New Abbasid Style ('broken cursive') in the central medallion in gold. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=38427. A fragment of the Koran (Qur'an) covering the chapters 19 (Mariam) through 23 ( al-Muʾminūn) written on Italian paper in a large Maghribi script, with vocalization in red ink, in the 12th AH / 18th CE century. Shown here is the illuminated incipit page with a headpiece carrying the chapter heading (Maryam) in a decorative New Abbasid Style ('broken cursive') in the central medallion in gold. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=38427

Terraced fields in Mu Cang Chai, Yen Bai

Terraced fields in Mu Cang Chai, Yen Bai

The Names Of Allah Al-Mu`izz Amplifying Exalting .

The Names Of Allah Al-Mu`izz Amplifying Exalting .

Beautiful Rice terraces at sunset in Mu cang chai, Vietnam

Beautiful Rice terraces at sunset in Mu cang chai, Vietnam

The siege and battle of Isfarah. Babur and his army assaults the fortress of Ibrāhīm Sārū, from Illuminated manuscript Baburna

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Sunrise,Mu Ko Angthong Island3

Sunrise,Mu Ko Angthong Island3

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 1b

Tuḥfet ül-aḫyār. Page from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. Tuḥfet ül-aḫyār. Page from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

Stilt houses on the hills of rice terraced fields

Stilt houses on the hills of rice terraced fields in Mu Cang Chai, Vietnam

Babur and his army in the Sinjid valley on the way to Kabul (Memoirs of Babur), Walters Art Museum Ms. W.596, fol.30b

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Hill of rice terrace fields and stilt house

Hill of rice terrace fields and stilt house in Mu Cang Chai, Vietnam

Cross beautiful yangjia Stream

Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”. Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”.

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 320a

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. The folio represents Iskandar hunting deer (smudged). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. The folio represents Iskandar hunting deer (smudged). See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Rice Terraces in Mu Cang Chai, Vietnam

Rice Terraces in Mu Cang Chai, Vietnam

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 28b

Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. Tuḥfet ül-aḫyār. Folio from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

Buddha Tooth Relic Temple & Mu

Interior shot of the Buddha Tooth Relic Temple & Museum in Singapore

Burning and melting, Bridegroom is buried under a collapsed building, Walters Manuscript W.649, fol. 13a

On the morning the young man and woman were to be wed, the bridegroom travels to the home of his beloved. On his way, he stops to rest in a mud building. As a result of heavy rains, the structure falls and buries the bridegroom and his companions alive. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. On the morning the young man and woman were to be wed, the bridegroom travels to the home of his beloved. On his way, he stops to rest in a mud building. As a result of heavy rains, the structure falls and buries the bridegroom and his companions alive. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Mu Ko Ang Thong National Park

Mu Ko Ang Thong National Park

Burning and melting, Youth confesses his falling in love to his father, Walters Manuscript W.649, fol. 9a

Set in India, the story begins with a young Hindu man confessing his strong love for his childhood friend to his father. His father consents to the young man’s request to marry and sends a message to the girl’s parents. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. Set in India, the story begins with a young Hindu man confessing his strong love for his childhood friend to his father. His father consents to the young man’s request to marry and sends a message to the girl’s parents. An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 78b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Shīrin coming on horseback to watch Farhād digging a canal for a stream of milk. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Shīrin coming on horseback to watch Farhād digging a canal for a stream of milk. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Cross beautiful yangjia Stream

Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”. Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”.

Thien Mu Pagoda, Hue, Vietnam.

Thien Mu Pagoda, Hue, Vietnam.

Pretty chinese opera actress

Chinese opera Mu Guiying performed by JinQiao Opera Troupe at the stage in Yue Lai teahouse. Chinese opera Mu Guiying performed by JinQiao Opera Troupe at the stage in Yue Lai teahouse.

White Tea Pai Mu Tan

White Tea Pai Mu Tan

Illuminated Manuscript depicting the Fall of Samarkand from Baburnama, Walters Art Museum, Ms. W.596, fol.24a

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Illuminated Manuscript of Collection of prayers for the Prophet Muhammad, The right side of a double page composition featuring t

This is a leaf from anelegantly penned and illuminated copy of the well-known collection of prayers for the prophet Muhammad entitled Dalāʾil al-khayrāt and composed by Muḥammad al-Jazūlī (d.877 AH / 1472 CE). Written on paper in Turkish naskh script, this prayer book was probably made in the 11th AH / 17th CE century. It contains an illustration featuring the mosque compound in Medina with the tombs of Muhammad, Abū Bakr and ʿUma See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30971. This is a leaf from anelegantly penned and illuminated copy of the well-known collection of prayers for the prophet Muhammad entitled Dalāʾil al-khayrāt and composed by Muḥammad al-Jazūlī (d.877 AH / 1472 CE). Written on paper in Turkish naskh script, this prayer book was probably made in the 11th AH / 17th CE century. It contains an illustration featuring the mosque compound in Medina with the tombs of Muhammad, Abū Bakr and ʿUma See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30971

Hils of rice terraced field with mountains and clouds at background

Hils of rice terraced field with mountains and clouds at background in Mu Cang Chai, Vietnam

Asian miniature landscape of bizzare rock formation and waterfall in Thien Mu Pagoda garden, City of Hue, Vietnam

Asian miniature landscape of bizzare rock formation and waterfall in Thien Mu Pagoda garden, City of Hue, Vietnam

Rape flower field of Luoping

Luoping is a county in YunNan province of China. It is dominated by karst features with small basins among independent green hills. It is a national base for raising bees and for processing honey oroducts. The rape flowers covering an area of 250,000 mu (around 65 square miles) and on February of March every years, thousands of Yellow Rapeseed Flowers are in full bloom, looking like and expanse of a golden sea. It became popular among photographers recently. Luoping is a county in YunNan province of China. It is dominated by karst features with small basins among independent green hills. It is a national base for raising bees and for processing honey oroducts. The rape flowers covering an area of 250,000 mu (around 65 square miles) and on February of March every years, thousands of Yellow Rapeseed Flowers are in full bloom, looking like and expanse of a golden sea. It became popular among photographers recently.

Illuminated Manuscript of the Baburnamah, Walters Art Museum Ms. W.596, fol. 28b

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. Shown here are the date trees of Hindustan See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. Shown here are the date trees of Hindustan See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Illuminated Manuscript Koran, The left side of a double-page illuminated frontispiece, Walters Art Museum Ms. W.569, fol. 2a

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqīʿ. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. The left side of a double-page illuminated frontispiece with inscriptions in gold tawqīʿ

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 238b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Bahrām Gūr in the sandal wood-colored pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Bahrām Gūr in the sandal wood-colored pavilion. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Thien Mu Pagoda in Hue, Vietnam

Thien Mu Pagoda in Hue, Vietnam

Cross beautiful yangjia Stream

Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”. Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”.

Babur and his warriors visiting the Hindu temple Gurh Kattri (Kūr Katrī) in Bigram, from Illuminated manuscript Baburn

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Illuminated Manuscript Turkish version of Sindbadnama, Walters Art Museum Ms. W.662, fol. 52b

The prince hunting. Leaf from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391. The prince hunting. Leaf from an Ottoman Turkish version of the well-known story of Sindbad (Sindbādnāmah) made from the Persian by ʿAbdülkerīm bin Muḥammed during the reign of Sultan Sulayman (Soliman) (reg.926 AH / 1520 CE - 974 AH / 1566 CE) and entitled Tuḥfet ül-aḫyār. This anonymous copy contains six illustrations made in the 10th century AH /16th CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=35391

Illuminated Manuscript of Five Poems (Quintet), Walters Art Museum Ms. W.605, fol. 21b

An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts King Nūshirvān hunting with Dastūr his vizier. An elegant copy of the "Quintet" (Khamsah) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) penned by Abū Bakr Shāh ibn Ḥasan ibn ʿAlī al-Shahrastānī and illuminated by Jamāl al-Dīn ibn Muḥammad al-Ṣiddīqī al-Iṣfahānī between 892 AH / 1486 CE and 900 AH / 1494-05 CE. The present codex, opening with a double-page decoration and the inscription giving the name of the author and the title of the work,contains four additional illuminated headpieces with the names of the individual books and 26 repainted miniatures. The page depicts King Nūshirvān hunting with Dastūr his vizier.

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 167a

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Laylá and Majnūn fainting at the sight of each other. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Laylá and Majnūn fainting at the sight of each other. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 17a

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. An old woman complaining to Sultan Sanjar about a questionable behavior of his policeman. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. An old woman complaining to Sultan Sanjar about a questionable behavior of his policeman. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Illuminated Manuscript Khamsa, Walters Art Museum Ms. 609, fol. 33b

An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Khusraw va Shīrīn. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272. An elegantly illuminated and illustrated copy of the Khamsah (quintet) of Niẓāmī Ganjavī (d.605 AH / 1209 CE) executed by Yār Muḥammad al-Haravī in 922 AH / 1516 CE. Written in four columns in black nastaʿlīq script, this manuscripts opens with a double-page decorative composition signed by ʿAbd al-Wahhāb ibn ʿAbd al-Fattāḥ ibn ʿAlī, of which this is one side. It contains 35 miniatures. Illuminated headpiece with the inscription in white ink on blue background giving the title of the book Kitāb-i Khusraw va Shīrīn. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=21272

Stilt house on the rice terraced field with river and wooden bridge

Stilt house on the rice terraced field with river and wooden bridge in Mu Cang Chai, Vietnam

Cross beautiful yangjia Stream

Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”. Yangjia Stream scenic spot located at Xiapu town , Ya country within the boundaries of north fujian ,china. The stream was named by Yang wenguang ,son of Yang zhongbao and Mu guiying ,who was Northern Song Dynasty well known hero Yang Warrior.Yangjia Stream scenic spot have 11 KM from longting waterfall to dutou country ，is known as “the maritime country haven”.

Hills of rice terraced fields

Hills of rice terraced fields in Mu cang Chai, Vietnam

Rice fields on terraced in sunset at Mu Cang Chai, Yen Bai, Vietnam.

Rice fields on terraced in sunset at Mu Cang Chai, Yen Bai, Vietnam.

Burning and melting, Young Hindu girl before the Mughal Emperor Akbar, Walters Manuscript W.649, fol. 16a

The Mughal Emperor Akbar attempts to dissuade the young Hindu girl from committing sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. The Mughal Emperor Akbar attempts to dissuade the young Hindu girl from committing sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Stilt house between the rice field with men inside

Stilt house between the rice field with men inside in Mu Cang Chai, Vietnam

Rice field and rice terrace in Mu cang chai

Rice field and rice terrace in Mu cang chai

Beach and coconut trees on an island of Mu Ko Ang Thong National Marine Park near Ko Samui in Gulf of Thailand

Beach and coconut trees on an island of Mu Ko Ang Thong National Marine Park near Ko Samui in Gulf of Thailand

King Solomon (Sulaymān) enthroned; part of a double-page composition featuring also Queen Sheba (Bilqīs) fro

An anonymous decorated and illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaʿlīq hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560. An anonymous decorated and illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaʿlīq hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560

Burning and melting, Bride with mourners carrying the bridegroom's coffin, Walters Manuscript W.649, fol. 14a

Overcome with grief, the young Hindu woman accompanies her bridegroom’s coffin to the funeral pyre and decides to commit sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. Here the young man's coffin is being carried in the presence of his bride-to-be. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391. Overcome with grief, the young Hindu woman accompanies her bridegroom’s coffin to the funeral pyre and decides to commit sati (self-immolation). An elegantly calligraphed, illuminated and illustrated copy of the poem Sūz va gudāz ('Burning and melting') by Nawʿī Khabūshānī (d.1019 AH /1610 CE) which recounts the love story of a Hindu girl who decides to burn herself on the pyre of her betrothed killed accidentally just before their marriage. Here the young man's coffin is being carried in the presence of his bride-to-be. The present codex was penned by Ibn Sayyid Murād al-Ḥusaynī and illustrated by Muḥammad ʿAlī Mashhadī in 1068 AH / 1657 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30391

Babur being entertained in Ghaznī by Jahāngīr Mīrzā, from Illuminated manuscript Baburnama (Memoirs of Babur), Walt

Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759. Written originally in Chaghatay Turkish and later translated into Persian, Bāburnāmah is the story of a Timurid ruler of Fergana (Central Asia), Ẓahīr al-Dīn Muḥammad Bābur (866 AH /1483 CE - 937 AH / 1530 CE), who conquered northern India and established the Mughal Empire. The present codex, being a fragment of a dispersed copy, was executed most probably in the late 10th AH /16th CE century. It contains 30 mostly full-page miniatures in fine Mughal style by at least two different artists. Another major fragment of this work (57 folios) is in the State Museum of Eastern Cultures, Moscow. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=1759

Illuminated incipit page with a headpiece containing a cartouche with the inscription in white ink Dīvān-i Ḥāfiẓ from Colle

An anonymous decorated and illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaʿlīq hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560. An anonymous decorated and illustrated copy of the collection of poems (Dīvān) by Shams al-Dīn Muḥammad Ḥāfiz al-Shīrāzī who flourished in the 7th AH / 14th CE century. The present copy, containing four miniatures, was penned in an elegant nastaʿlīq hand in 946 AH / 1539 CE. See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=19560

Stilt house on the rice terraces field

Stilt house on rice Terraces at Mu Cang Chay, Yen Bai, Vietnam. Stilt house on rice Terraces at Mu Cang Chay, Yen Bai, Vietnam

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