Newyorkcity Free Stock Images

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Brooklyn Bridge at sunset NYC

Brooklyn Bridge at sunset NYC

NewYorkCity Subway

NewYorkCity Subway

Ground Zero, New York, USA

Ground Zero, New York, USA

NewYorkCity Subway

NewYorkCity Subway

Waterfall ÅŸelale antalya turkey london landscape

Waterfall ÅŸelale antalya turkey london landscape

Statue of Liberty

Statue of Liberty

Graffiti wall

Lady Liberty

New York City

NYC Skyline Suset

NYC Skyline Suset

Underground utility repairs

Underground utility repairs

Statue of liberty

Statue of liberty

George Washington Bridge

George Washington Bridge

Statue of Liberty

Statue of Liberty

Statue of Liberty

Statue of Liberty

Red Light and Building with reflection melting building

This image was taken while traveling through the streets of NYC in December of 2019. This image was taken while traveling through the streets of NYC in December of 2019.

Night city. Beautiful glowing bridge over the river

Night city. Beautiful glowing bridge over the river.

Christmas Tree, Building, Plant, Photograph

Rockefeller Center, Manhattan, New York City, November 1974, James Kaval. Rockefeller Center, Manhattan, New York City, November 1974, James Kaval

Rockefeller Center, Manhattan, New York City, November 1974, James Kaval. Rockefeller Center, Manhattan, New York City, November 1974, James Kaval

Cornice block A.D. 41-68 Sandstone From Philae Metropolitan Museum of Art in New York City From the curation card: This block originally formed part of a screen wall that connected the four front columns and sidewalls of the Temple of Harendotes ("Horus the Avenger") on the island of Philae. The relief represents the "baptism of Pharaoh," a purification ritual that was part of Egyptian coronation ceremonies. The gods Horus (not preserved) and the ibis-headed Thoth poured water -- here represented by streams of ankh (life) and was (dominion) hieroglyphs -- over the head of the king. The pharaoh whose head is partially preserved is a Claudian emperor most probably either Claudius or Nero. en.wikipedia.org/wiki/Thoth I admit I had some fun with this -- when I first saw it in the Metropolitan Museum, I thought Thoth was performing a craniotomy on some unsuspecting individual. The curation card cleared that one up. Guess you can't take the physician out of me...

Current -- In Explore 14 Nov 2015

Current (1964) by Bridget Riley is a work at the Museum of Modern Art in NYC. Done in synthetic polymer paint on composition board, the curation card notes: Current's undulating black-and-white lines appear to vibrate and form three-dimensional depressions that quiver on the painting's surface. The juxtaposition of black and white activates the painting with the semblance of movement and the appearance of other colors. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. View it large and move it around -- a truly extraordnary experience. en.wikipedia.org/wiki/Bridget_Riley Please use the following to link back to the photo if you choose to use it: goo.gl/6KFMXo . Thanks!. Current (1964) by Bridget Riley is a work at the Museum of Modern Art in NYC. Done in synthetic polymer paint on composition board, the curation card notes: Current's undulating black-and-white lines appear to vibrate and form three-dimensional depressions that quiver on the painting's surface. The juxtaposition of black and white activates the painting with the semblance of movement and the appearance of other colors. In this and other early works, Riley "wanted the space between the picture plane and the spectator to be active." She later explored color contrast. View it large and move it around -- a truly extraordnary experience. en.wikipedia.org/wiki/Bridget_Riley Please use the following to link back to the photo if you choose to use it: goo.gl/6KFMXo . Thanks!

New York/Jersey and the Hudson River

New York/Jersey and the Hudson River

José Clemente Orozco Mexican, 1883-1949 i>Zapatistas, 1931 Oil on canvas From the curation card: The slain revolutionary leader Emiliano Zapata (1879-1919) figures prominently in the work of Mexican artists of the 1920s and 1930s. In this painting Orozco depicts a somber moment in the Mexican Revolution,as Zapatistas -- Zapata's peasant followers -- march to their deaths. "I don't trust revolutions or glorify them, as I witnessed too much butchery," Orozco later remarked, referring to his experience in the Revolution. His trademark palatte, dominated by blacks and earthy reds, underscores the violent nature of the subject matter and echoes the colors in the political caricatures he made for revolutionary journals early in his career. Museum of Modern Art in New York City en.wikipedia.org/wiki/Jos%C3%A9_Clemente_Orozco

Black cat in the Central Park

For gi :). For gi :)

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