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Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers. Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers

City of Nis aerial landmark view in Serbia

City of Nis aerial landmark view in Serbia

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE).

Binding system5

System of binding for racing skis. Type ИИN NIS. System of binding for racing skis. Type ИИN NIS.

Centesimal banknotes

Centesimal banknotes of America and Israel

Isolated 100 NIS Bills Stacks Staircase

Isolated 100 NIS Bills Stacks Staircase

Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers. Fenis Castle is one of the most famous castles in Aosta Valley - Italy for its spectacular architecture and its many towers

Illuminated Manuscript Koran, Walters Art Museum Ms. W.553, fol.5a

This horizontal-format manuscript on parchment is an illuminated fragment of the Qur'an, containing portions of chapters 4 (Sūrat al-nisāʾ), 6 (Sūrat al-anʿām), 7 (Sūrat al-aʿrāf), and 10 (Sūrat Yūnus). The fragment probably dates to the third century AH / ninth CE. The text is written in an Early Abbasid (Kufic) script in dark brown ink and vocalized with red and green dots. Verse markers in the shape of a stylized letter hā' and rosettes indicate groups of five and ten verses. The text is framed by later red, blue, and gold framing lines and a polychrome and gold floral border. The black blind-tooled leather binding with central lobed, pointed oval and pendants is attributable to the thirteenth century AH / nineteenth CE. See this manuscript page by page at the Walters Museum Website: art.thewalters.org/viewwoa.aspx?id=3124. This horizontal-format manuscript on parchment is an illuminated fragment of the Qur'an, containing portions of chapters 4 (Sūrat al-nisāʾ), 6 (Sūrat al-anʿām), 7 (Sūrat al-aʿrāf), and 10 (Sūrat Yūnus). The fragment probably dates to the third century AH / ninth CE. The text is written in an Early Abbasid (Kufic) script in dark brown ink and vocalized with red and green dots. Verse markers in the shape of a stylized letter hā' and rosettes indicate groups of five and ten verses. The text is framed by later red, blue, and gold framing lines and a polychrome and gold floral border. The black blind-tooled leather binding with central lobed, pointed oval and pendants is attributable to the thirteenth century AH / nineteenth CE. See this manuscript page by page at the Walters Museum Website: art.thewalters.org/viewwoa.aspx?id=3124

Isolated 100 NIS Bills Stacks Staircase

Isolated 100 NIS Bills Stacks Staircase

Beautiful frescos in the Orthodox church of St Nicholas in Nis, Serbia.

Beautiful frescos in the Orthodox church of St Nicholas in Nis, Serbia.

Cityscape Building Line art Vector Illustration design - Nis city

Cityscape Building Line art Vector Illustration design - Nis city

Paris, France: Porte St. DÃ©nis

Paris, France: Porte St. DÃ©nis

A bunch of Israeli New Shekels NIS money notes rolled up and held together with a simple rubber band on a white backgro

A bunch of Israeli New Shekels NIS money notes rolled up and held together with a simple rubber band on a white backgro

Vector Israeli silver money one shekel coin

Vector Israeli silver money one shekel coin

Glass jar of pile of New Israeli Shekels banknotes with the new 200 NIS

Glass jar of pile of New Israeli Shekels banknotes with the new 200 NIS

Binding system4

System of binding for racing skis. Type gray NIS NNN. System of binding for racing skis. Type gray NIS NNN.

MM00A-1608 CAR NIS PAN D3200

This is a picture I took during the making of STREET MAME STREET MAME is a series of short films I'm doing with my friend Amerigo Mancini. "MAME" is the combination of MArsel and AMErigo. In this playlist I'll upload the people, places and moments I'll see during the making of these videos. You can watch the series on Youtube: STREET MAME Can I use this photo? Read here for more informations. This is a picture I took during the making of STREET MAME STREET MAME is a series of short films I'm doing with my friend Amerigo Mancini. "MAME" is the combination of MArsel and AMErigo. In this playlist I'll upload the people, places and moments I'll see during the making of these videos. You can watch the series on Youtube: STREET MAME Can I use this photo? Read here for more informations.

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

NIS-2

A stack of folded new Israeli banknotes of different value in shekels NIS tied with green ribbon on a white backgroun

A stack of folded new Israeli banknotes of different value in shekels NIS tied with green ribbon on a white backgroun

Isolated 100 NIS Bills Stack

Isolated 100 NIS Bills Stack

Small israeli new shekel cents. Small israeli new shekel cents

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Happy beautiful girl reading a book on sunny spring day on a bench in nature

Young teen Girl reading a book on a sunny spring day in park sitting on bench. Selective focus. Close up. Relaxing and Education concept. Young teen Girl reading a book on a sunny spring day in park sitting on bench. Selective focus. Close up. Relaxing and Education concept.

Isolated 100 NIS Bills Stack

Isolated 100 NIS Bills Stack

City of Nis

NIS Directive - Inscription on Blue Keyboard Key

NIS Directive - Inscription on Blue Keyboard Key

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