Oil X22 Free Stock Images

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Sleeve, Art, Painting, Vintage Clothing

ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. Ð’Ð¾Ð»Ð¸Ð½ÑŒ. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 101 Ñ… 62 Ñ… 3. Saints Volodymyr, Borys and Glib. Late 17th c. Volyn. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. Ð’Ð¾Ð»Ð¸Ð½ÑŒ. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 101 Ñ… 62 Ñ… 3. Saints Volodymyr, Borys and Glib. Late 17th c. Volyn. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Picture Frame, Textile, Painting, Art

ÐŸÐµÑ€ÑˆÐ° Ð¿Ð¾Ð». XVIII ÑÑ‚. ÐšÐ¸Ñ—Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 109 Ñ… 76 Ñ… 4 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). The Intercession with the portrait of Hetman Bohdan Khmelnytsky. The first half of the 18th c. Kyivshchyna. Tempera, oil, silvering, gilding on three-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐŸÐµÑ€ÑˆÐ° Ð¿Ð¾Ð». XVIII ÑÑ‚. ÐšÐ¸Ñ—Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 109 Ñ… 76 Ñ… 4 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). The Intercession with the portrait of Hetman Bohdan Khmelnytsky. The first half of the 18th c. Kyivshchyna. Tempera, oil, silvering, gilding on three-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Sea of sunflowers

Mass of sunflowers in field in southern France. Mass of sunflowers in field in southern France

Ð Ð¾Ð·Ð¿'ÑÑ‚Ñ‚Ñ Ð· Ð¿Ð¾Ñ€Ñ‚Ñ€ÐµÑ‚Ð¾Ð¼ Ð›ÐµÐ¾Ð½Ñ‚Ñ–Ñ Ð¡Ð²Ñ–Ñ‡ÐºÐ¸

ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 84 Ñ… 58 Ñ… 2. The Crucifixion with the portrait of Leonty Svichka. Late 17th c. Poltavshchyna. Tempera, oil, gilding on two-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 84 Ñ… 58 Ñ… 2. The Crucifixion with the portrait of Leonty Svichka. Late 17th c. Poltavshchyna. Tempera, oil, gilding on two-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Face, Painting, Art, Victorian Fashion

1740-Ñ– Ñ€Ñ€. ÐŸÑ–Ð²Ð½Ñ–Ñ‡Ð½Ðµ Ð›Ñ–Ð²Ð¾Ð±ÐµÑ€ÐµÐ¶Ð¶Ñ. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð³Ñ€Ð°Ð²Ñ–ÑŽÐ²Ð°Ð½Ð½Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 114 Ñ… 70 Ñ… 2. The Great Martyrs Anastasia and Juliana. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. ...ÐŸÐ¸ÑˆÐ½Ð¸Ð¹ Ñ€Ð¾Ð·ÐºÐ²Ñ–Ñ‚ Ð±Ð°Ñ€Ð¾ÐºÐ¾ Ñƒ Ð¿ÐµÑ€ÑˆÑ–Ð¹ Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ñ– XVIII ÑÑ‚. Ñ…Ð°Ñ€Ð°ÐºÑ‚ÐµÑ€Ð¸Ð·ÑƒÑ”Ñ‚ÑŒÑÑ Ð¿Ñ€Ð°Ð³Ð½ÐµÐ½Ð½ÑÐ¼ Ð´Ð¾ Ð²Ð¸Ñ‚Ð¾Ð½Ñ‡ÐµÐ½Ð¾Ð³Ð¾ Ñ€Ð°Ñ„Ñ–Ð½Ð¾Ð²Ð°Ð½Ð¾Ð³Ð¾ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑƒ. Ð—Ð° Ð½Ð¾Ð²Ð¸Ð¼Ð¸ ÐµÑÑ‚ÐµÑ‚Ð¸Ñ‡Ð½Ð¸Ð¼Ð¸ Ñ– Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¼Ð¸ ÐºÐ°Ð½Ð¾Ð½Ð°Ð¼Ð¸ Ð½Ð°Ð¿Ð¸ÑÐ°Ð½Ð¾ Ð¿Ð°Ñ€Ð½Ñ– Ñ–ÐºÐ¾Ð½Ð¸ Ð²ÐµÐ»Ð¸ÐºÐ¾Ð¼ÑƒÑ‡ÐµÐ½Ð¸Ñ†ÑŒ - "ÐÐ½Ð°ÑÑ‚Ð°ÑÑ–Ñ— Ñ– Ð†ÑƒÐ»ÑÐ½Ñ–Ñ—" Ñ‚Ð° "Ð’Ð°Ñ€Ð²Ð°Ñ€Ð¸ Ñ– ÐšÐ°Ñ‚ÐµÑ€Ð¸Ð½Ð¸" (1740-Ñ– Ñ€Ñ€.). Ð“Ð°Ð»Ð°Ð½Ñ‚Ð½Ð° ÑÐ²Ñ–Ñ‚ÑÑŒÐºÑ–ÑÑ‚ÑŒ ÑÐ²ÑÑ‚Ð¸Ñ…, Ð²Ð¸ÑˆÑƒÐºÐ°Ð½Ð¸Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸Ñ Ñ–Ð· Ð³Ñ€Ð°Ð¹Ð»Ð¸Ð²Ð¾ÑŽ Ð¼ÐµÐ»Ð¾Ð´Ñ–Ñ”ÑŽ Ð´Ð¾Ñ€Ð¾Ð³Ð¾Ñ†Ñ–Ð½Ð½Ð¸Ñ… Ñ„Ð°Ñ€Ð±, Ð¿Ñ€Ð¸Ð¼Ñ…Ð»Ð¸Ð²Ð¸Ð¼Ð¸ Ñ€Ð¸Ñ‚Ð¼Ð°Ð¼Ð¸ Ð»Ñ–Ð½Ñ–Ð¹, Ð±Ð°Ð³Ð°Ñ‚ÑÑ‚Ð²Ð¾Ð¼ Ð¾Ñ€Ð½Ð°Ð¼ÐµÐ½Ñ‚Ð°Ð»ÑŒÐ½Ð¸Ñ… Ð²Ñ–Ð·ÐµÑ€ÑƒÐ½ÐºÑ–Ð² Ñ” ÐºÐ»Ð°ÑÐ¸Ñ‡Ð½Ð¸Ð¼ Ð·Ñ€Ð°Ð·ÐºÐ¾Ð¼ Ð±Ð°Ñ€Ð¾ÐºÐ¾Ð²Ð¾Ð³Ð¾ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑƒ Ñ‚Ñ–Ñ”Ñ— Ð´Ð¾Ð±Ð¸. Ð›Ð°Ñ€Ð¸ÑÐ° Ð§Ð»ÐµÐ½Ð¾Ð²Ð° ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1740-Ñ– Ñ€Ñ€. ÐŸÑ–Ð²Ð½Ñ–Ñ‡Ð½Ðµ Ð›Ñ–Ð²Ð¾Ð±ÐµÑ€ÐµÐ¶Ð¶Ñ. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð³Ñ€Ð°Ð²Ñ–ÑŽÐ²Ð°Ð½Ð½Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 114 Ñ… 70 Ñ… 2. The Great Martyrs Anastasia and Juliana. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. ...ÐŸÐ¸ÑˆÐ½Ð¸Ð¹ Ñ€Ð¾Ð·ÐºÐ²Ñ–Ñ‚ Ð±Ð°Ñ€Ð¾ÐºÐ¾ Ñƒ Ð¿ÐµÑ€ÑˆÑ–Ð¹ Ð¿Ð¾Ð»Ð¾Ð²Ð¸Ð½Ñ– XVIII ÑÑ‚. Ñ…Ð°Ñ€Ð°ÐºÑ‚ÐµÑ€Ð¸Ð·ÑƒÑ”Ñ‚ÑŒÑÑ Ð¿Ñ€Ð°Ð³Ð½ÐµÐ½Ð½ÑÐ¼ Ð´Ð¾ Ð²Ð¸Ñ‚Ð¾Ð½Ñ‡ÐµÐ½Ð¾Ð³Ð¾ Ñ€Ð°Ñ„Ñ–Ð½Ð¾Ð²Ð°Ð½Ð¾Ð³Ð¾ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑƒ. Ð—Ð° Ð½Ð¾Ð²Ð¸Ð¼Ð¸ ÐµÑÑ‚ÐµÑ‚Ð¸Ñ‡Ð½Ð¸Ð¼Ð¸ Ñ– Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¼Ð¸ ÐºÐ°Ð½Ð¾Ð½Ð°Ð¼Ð¸ Ð½Ð°Ð¿Ð¸ÑÐ°Ð½Ð¾ Ð¿Ð°Ñ€Ð½Ñ– Ñ–ÐºÐ¾Ð½Ð¸ Ð²ÐµÐ»Ð¸ÐºÐ¾Ð¼ÑƒÑ‡ÐµÐ½Ð¸Ñ†ÑŒ - "ÐÐ½Ð°ÑÑ‚Ð°ÑÑ–Ñ— Ñ– Ð†ÑƒÐ»ÑÐ½Ñ–Ñ—" Ñ‚Ð° "Ð’Ð°Ñ€Ð²Ð°Ñ€Ð¸ Ñ– ÐšÐ°Ñ‚ÐµÑ€Ð¸Ð½Ð¸" (1740-Ñ– Ñ€Ñ€.). Ð“Ð°Ð»Ð°Ð½Ñ‚Ð½Ð° ÑÐ²Ñ–Ñ‚ÑÑŒÐºÑ–ÑÑ‚ÑŒ ÑÐ²ÑÑ‚Ð¸Ñ…, Ð²Ð¸ÑˆÑƒÐºÐ°Ð½Ð¸Ð¹ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸Ñ Ñ–Ð· Ð³Ñ€Ð°Ð¹Ð»Ð¸Ð²Ð¾ÑŽ Ð¼ÐµÐ»Ð¾Ð´Ñ–Ñ”ÑŽ Ð´Ð¾Ñ€Ð¾Ð³Ð¾Ñ†Ñ–Ð½Ð½Ð¸Ñ… Ñ„Ð°Ñ€Ð±, Ð¿Ñ€Ð¸Ð¼Ñ…Ð»Ð¸Ð²Ð¸Ð¼Ð¸ Ñ€Ð¸Ñ‚Ð¼Ð°Ð¼Ð¸ Ð»Ñ–Ð½Ñ–Ð¹, Ð±Ð°Ð³Ð°Ñ‚ÑÑ‚Ð²Ð¾Ð¼ Ð¾Ñ€Ð½Ð°Ð¼ÐµÐ½Ñ‚Ð°Ð»ÑŒÐ½Ð¸Ñ… Ð²Ñ–Ð·ÐµÑ€ÑƒÐ½ÐºÑ–Ð² Ñ” ÐºÐ»Ð°ÑÐ¸Ñ‡Ð½Ð¸Ð¼ Ð·Ñ€Ð°Ð·ÐºÐ¾Ð¼ Ð±Ð°Ñ€Ð¾ÐºÐ¾Ð²Ð¾Ð³Ð¾ Ð¶Ð¸Ð²Ð¾Ð¿Ð¸ÑÑƒ Ñ‚Ñ–Ñ”Ñ— Ð´Ð¾Ð±Ð¸. Ð›Ð°Ñ€Ð¸ÑÐ° Ð§Ð»ÐµÐ½Ð¾Ð²Ð° ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Textile, Art, Painting, Wall

ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. ÐšÐ¸Ñ—Ð². Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 124 Ñ… 147 Ñ… 2,5. The Last Judgement. Late 17th c. Kyiv. Oil, tempera on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐšÑ–Ð½ÐµÑ†ÑŒ XVII ÑÑ‚. ÐšÐ¸Ñ—Ð². Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 124 Ñ… 147 Ñ… 2,5. The Last Judgement. Late 17th c. Kyiv. Oil, tempera on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Art, Event, Victorian Fashion, Plucked String Instruments

1740-Ñ– Ñ€Ñ€. ÐŸÑ–Ð²Ð½Ñ–Ñ‡Ð½Ðµ Ð›Ñ–Ð²Ð¾Ð±ÐµÑ€ÐµÐ¶Ð¶Ñ. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð³Ñ€Ð°Ð²Ñ–ÑŽÐ²Ð°Ð½Ð½Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 114 Ñ… 70 Ñ… 2. The Great Martyrs Barbara and Catherine. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1740-Ñ– Ñ€Ñ€. ÐŸÑ–Ð²Ð½Ñ–Ñ‡Ð½Ðµ Ð›Ñ–Ð²Ð¾Ð±ÐµÑ€ÐµÐ¶Ð¶Ñ. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð³Ñ€Ð°Ð²Ñ–ÑŽÐ²Ð°Ð½Ð½Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 114 Ñ… 70 Ñ… 2. The Great Martyrs Barbara and Catherine. 1740s. Northern Left-bank Ukraine. Tempera, oil, silvering, gilding, engraving on gesso-grounded two-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Textile, Painting, Art, Religious Item

Ð¡ÐµÑ€ÐµÐ´Ð¸Ð½Ð° XVIII ÑÑ‚. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 101 Ñ… 67 Ñ… 4,5 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). The Nativity. Mid-18th c. Poltavshchyna. Oil, tempera, gilding on gesso-grounded two-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. Ð¡ÐµÑ€ÐµÐ´Ð¸Ð½Ð° XVIII ÑÑ‚. ÐŸÐ¾Ð»Ñ‚Ð°Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 101 Ñ… 67 Ñ… 4,5 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). The Nativity. Mid-18th c. Poltavshchyna. Oil, tempera, gilding on gesso-grounded two-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Disneyification of a Hero

Oil on canvas work of the artist Patrick McGrath MuÃ±Ãz, b. 1975. The curation card explained that he creates "historic puzzles linking disparate images from history and art history, popular culture, Christianity, European and Native American mythology, the tarot, and astrology." Albuquerque Museum in Albuquerque, New Mexico. Oil on canvas work of the artist Patrick McGrath MuÃ±Ãz, b. 1975. The curation card explained that he creates "historic puzzles linking disparate images from history and art history, popular culture, Christianity, European and Native American mythology, the tarot, and astrology." Albuquerque Museum in Albuquerque, New Mexico

Sunflowers and sky (room for text&#x29

Strong colours on this rural scene in the south of France. Strong colours on this rural scene in the south of France

Blue Yellow Green

Beautiful crisp colours on a sunny day in souhthern France - sky, sunflowers and crops. Beautiful crisp colours on a sunny day in souhthern France - sky, sunflowers and crops

Sunflowers on sunny day

Strong colours on this rural scene in the south of France. Strong colours on this rural scene in the south of France

Textile, Painting, Art, Religious Item

ÐŸÐµÑ€ÑˆÐ° Ð¿Ð¾Ð». XVIII ÑÑ‚. Ð¡Ð»Ð¾Ð±Ð¾Ð¶Ð°Ð½Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 97 Ñ… 62 Ñ… 3. The Dormition. First half of the 18th c. Sloboda Ukraine. Tempera, oil, gilding on gesso-grounded lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. ÐŸÐµÑ€ÑˆÐ° Ð¿Ð¾Ð». XVIII ÑÑ‚. Ð¡Ð»Ð¾Ð±Ð¾Ð¶Ð°Ð½Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 97 Ñ… 62 Ñ… 3. The Dormition. First half of the 18th c. Sloboda Ukraine. Tempera, oil, gilding on gesso-grounded lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Textile, Art, Painting, Paint

1729. ÐšÐ¸Ñ—Ð². Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 118 Ñ… 32 Ñ… 3,5. The Nativity. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1729. ÐšÐ¸Ñ—Ð². Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 118 Ñ… 32 Ñ… 3,5. The Nativity. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Painting, Art, Illustration, Mythology

1730. ÐšÐ¸Ñ—Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ. 96 Ñ… 72 Ñ… 6 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). Saint Paraskevi of Iconium (Paraskeva Pyatnitsa). 1730. Kyivshchyna. Tempera, oil on gesso-grounded two-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1730. ÐšÐ¸Ñ—Ð²Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ð¾Ð»Ñ–Ñ, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ. 96 Ñ… 72 Ñ… 6 (Ð² Ð¾Ð±Ñ€Ð°Ð¼Ð»ÐµÐ½Ð½Ñ–). Saint Paraskevi of Iconium (Paraskeva Pyatnitsa). 1730. Kyivshchyna. Tempera, oil on gesso-grounded two-piece lime-wood panel, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Temple, Religious Item, Art, Painting

1680-1685. Ð¡Ð»Ð¾Ð±Ð¾Ð¶Ð°Ð½Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ€ÐµÐ»ÑŒÑ”Ñ„, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. Ð’ ÐºÑ–Ð¾Ñ‚Ñ–: 144 Ñ… 119 Ñ… 19. Saint Nicolas with Scenes from his life. 1680-1685. Sloboda Ukraine. Oil, tempera, gilding, silvering on gesso-grounded two-piece lime-wood panel, relief, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1680-1685. Ð¡Ð»Ð¾Ð±Ð¾Ð¶Ð°Ð½Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ€ÐµÐ»ÑŒÑ”Ñ„, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°, ÑÑ€Ñ–Ð±Ð»ÐµÐ½Ð½Ñ. Ð’ ÐºÑ–Ð¾Ñ‚Ñ–: 144 Ñ… 119 Ñ… 19. Saint Nicolas with Scenes from his life. 1680-1685. Sloboda Ukraine. Oil, tempera, gilding, silvering on gesso-grounded two-piece lime-wood panel, relief, carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Textile, Tree, Art, Painting

1729. ÐšÐ¸Ñ—Ð². Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 118 Ñ… 32 Ñ… 3,5. The Entry in Jerusalem. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1729. ÐšÐ¸Ñ—Ð². Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 118 Ñ… 32 Ñ… 3,5. The Entry in Jerusalem. 1729. Kyiv. Oil, gilding on gesso-grounded three-piece lime-wood panel. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003.

Human Body, Paint, Textile, Art

1680-1685. Ð¡Ð»Ð¾Ð±Ð¾Ð¶Ð°Ð½Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 102 Ñ… 41. Saint Anne. 1680-1685. Sloboda Ukraine. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel. carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003. 1680-1685. Ð¡Ð»Ð¾Ð±Ð¾Ð¶Ð°Ð½Ñ‰Ð¸Ð½Ð°. Ð”Ð¾ÑˆÐºÐ° Ð»Ð¸Ð¿Ð¾Ð²Ð°, Ð»ÐµÐ²ÐºÐ°Ñ, Ð¾Ð»Ñ–Ñ, Ñ‚ÐµÐ¼Ð¿ÐµÑ€Ð°, Ñ€Ñ–Ð·ÑŒÐ±Ð»ÐµÐ½Ð½Ñ, Ð¿Ð¾Ð·Ð¾Ð»Ð¾Ñ‚Ð°. 102 Ñ… 41. Saint Anne. 1680-1685. Sloboda Ukraine. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel. carving. ÐÐ°Ñ†Ñ–Ð¾Ð½Ð°Ð»ÑŒÐ½Ð¸Ð¹ Ñ…ÑƒÐ´Ð¾Ð¶Ð½Ñ–Ð¹ Ð¼ÑƒÐ·ÐµÐ¹ Ð£ÐºÑ€Ð°Ñ—Ð½Ð¸. ÐÐ»ÑŒÐ±Ð¾Ð¼. ÐšÐ¸Ñ—Ð², "ÐÑ€Ñ‚Ð°Ð½Ñ–Ñ ÐÐ¾Ð²Ð°", 2003

Dress, Art, Religious Item, Cope

1730-Ã‘â€šÃ‘â€“ Ã‘â‚¬Ã‘â‚¬. ÃÅ¸ÃÂ¾ÃÂ»Ã‘â€šÃÂ°ÃÂ²Ã‘â€°ÃÂ¸ÃÂ½ÃÂ°. Ãâ€ÃÂ¾Ã‘Ë†ÃÂºÃÂ° ÃÂ»ÃÂ¸ÃÂ¿ÃÂ¾ÃÂ²ÃÂ°, Ã‘â€šÃÂµÃÂ¼ÃÂ¿ÃÂµÃ‘â‚¬ÃÂ°, ÃÂ¾ÃÂ»Ã‘â€“Ã‘Â, ÃÂ¿ÃÂ¾ÃÂ·ÃÂ¾ÃÂ»ÃÂ¾Ã‘â€šÃÂ°, ÃÂ½ÃÂ° ÃÂ¾ÃÂ±Ã‘â‚¬ÃÂ°ÃÂ¼ÃÂ»ÃÂµÃÂ½ÃÂ½Ã‘â€“ Ã‘ÂÃ‘â‚¬Ã‘â€“ÃÂ±ÃÂ»ÃÂµÃÂ½ÃÂ½Ã‘Â. 118 Ã‘â€¦ 85 Ã‘â€¦ 11,5. The Intercession. 1730s. Poltavshchyna. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, silvering on the framing. ÃÂÃÂ°Ã‘â€ Ã‘â€“ÃÂ¾ÃÂ½ÃÂ°ÃÂ»Ã‘Å’ÃÂ½ÃÂ¸ÃÂ¹ Ã‘â€¦Ã‘Æ’ÃÂ´ÃÂ¾ÃÂ¶ÃÂ½Ã‘â€“ÃÂ¹ ÃÂ¼Ã‘Æ’ÃÂ·ÃÂµÃÂ¹ ÃÂ£ÃÂºÃ‘â‚¬ÃÂ°Ã‘â€”ÃÂ½ÃÂ¸. ÃÂÃÂ»Ã‘Å’ÃÂ±ÃÂ¾ÃÂ¼. ÃÅ¡ÃÂ¸Ã‘â€”ÃÂ², "ÃÂÃ‘â‚¬Ã‘â€šÃÂ°ÃÂ½Ã‘â€“Ã‘Â ÃÂÃÂ¾ÃÂ²ÃÂ°", 2003. 1730-Ã‘â€šÃ‘â€“ Ã‘â‚¬Ã‘â‚¬. ÃÅ¸ÃÂ¾ÃÂ»Ã‘â€šÃÂ°ÃÂ²Ã‘â€°ÃÂ¸ÃÂ½ÃÂ°. Ãâ€ÃÂ¾Ã‘Ë†ÃÂºÃÂ° ÃÂ»ÃÂ¸ÃÂ¿ÃÂ¾ÃÂ²ÃÂ°, Ã‘â€šÃÂµÃÂ¼ÃÂ¿ÃÂµÃ‘â‚¬ÃÂ°, ÃÂ¾ÃÂ»Ã‘â€“Ã‘Â, ÃÂ¿ÃÂ¾ÃÂ·ÃÂ¾ÃÂ»ÃÂ¾Ã‘â€šÃÂ°, ÃÂ½ÃÂ° ÃÂ¾ÃÂ±Ã‘â‚¬ÃÂ°ÃÂ¼ÃÂ»ÃÂµÃÂ½ÃÂ½Ã‘â€“ Ã‘ÂÃ‘â‚¬Ã‘â€“ÃÂ±ÃÂ»ÃÂµÃÂ½ÃÂ½Ã‘Â. 118 Ã‘â€¦ 85 Ã‘â€¦ 11,5. The Intercession. 1730s. Poltavshchyna. Tempera, oil, gilding on gesso-grounded two-piece lime-wood panel, silvering on the framing. ÃÂÃÂ°Ã‘â€ Ã‘â€“ÃÂ¾ÃÂ½ÃÂ°ÃÂ»Ã‘Å’ÃÂ½ÃÂ¸ÃÂ¹ Ã‘â€¦Ã‘Æ’ÃÂ´ÃÂ¾ÃÂ¶ÃÂ½Ã‘â€“ÃÂ¹ ÃÂ¼Ã‘Æ’ÃÂ·ÃÂµÃÂ¹ ÃÂ£ÃÂºÃ‘â‚¬ÃÂ°Ã‘â€”ÃÂ½ÃÂ¸. ÃÂÃÂ»Ã‘Å’ÃÂ±ÃÂ¾ÃÂ¼. ÃÅ¡ÃÂ¸Ã‘â€”ÃÂ², "ÃÂÃ‘â‚¬Ã‘â€šÃÂ°ÃÂ½Ã‘â€“Ã‘Â ÃÂÃÂ¾ÃÂ²ÃÂ°", 2003.

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