Old Prayer Book Free Stock Images

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Watercolor style and abstract image of Old Jewish man hands holding a Prayer book. Jewish traditional symbols.

Watercolor style and abstract image of Old Jewish man hands holding a Prayer book. Jewish traditional symbols.

Bible and cross

Ancient leatherbound Bible with wooden cross, isolated on white. Ancient leatherbound Bible with wooden cross, isolated on white.

Book of Catholic Church liturgy. Book of Catholic Church liturgy

Church prayer book

Church prayer book

Prayer book opened

My grandma's Bible. She inherited it from hers grandma. Hungary. My grandma's Bible. She inherited it from hers grandma. Hungary

Open Bible with rosary and glasses

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Well read Holy Bible isolated on white, clipping path included

Close up photo of New Testament and Chandelier

Calligraphic page from an album, Walters Art Museum W.672, fol. 2b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This page is attributed to Şeyh Hamdullah (d. circa 1520), the most celebrated calligrapher in 16th-century Ottoman Turkey. He was particularly known for his mastery of the “Six Pens,” which refer to a series of rounded scripts developed in 13th-century Iraq. The Six Pens were often employed for religious texts. These folios are inscribed with passages from Hadith literature (accounts of what the Prophet Muhammad did or said) and are written in naskh and thuluth, two of the Six Pens. Naskh, the smaller hand, is used for the text on the lower portion, and thuluth for the top lines.

Close up shot of Holy bible book isolated. Close up shot of Holy bible book isolated

Catholic religion theme Place for text.

Holy communion concept. The Cross, Holy Bible, rosary and golden chalice. Holy communion concept. The Cross, Holy Bible, rosary and golden chalice.

Fragment of an altar in ortodox church

Open Bible with rosary and glasses

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Inside the Islamic mosque building

Antique German Prayer Book

Antique German Prayer Book

Book of Catholic Church liturgy. Book of Catholic Church liturgy

Close up shot of the holy bible

Open Bible with rosary

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Close up shot of Holy bible book isolated

Old book of prayers

Old book of prayers

Watercolor style and abstract image of Old Jewish man hands holding a Prayer book. Jewish traditional symbols.

Watercolor style and abstract image of Old Jewish man hands holding a Prayer book. Jewish traditional symbols.

Watercolor style and abstract image of Old Jewish man hands holding a Prayer book. Jewish traditional symbols.

Watercolor style and abstract image of Old Jewish man hands holding a Prayer book. Jewish traditional symbols.

Open Bible with rosary and glasses

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Hands holding a prayer book

Close-up of senior male hands holding open prayerbook. Close-up of senior male hands holding open prayerbook

Open Bible with rosary and glasses

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Illuminated Manuscript of Collection of prayers for the Prophet Muhammad, The right side of a double page composition featuring t

This is a leaf from anelegantly penned and illuminated copy of the well-known collection of prayers for the prophet Muhammad entitled Dalāʾil al-khayrāt and composed by Muḥammad al-Jazūlī (d.877 AH / 1472 CE). Written on paper in Turkish naskh script, this prayer book was probably made in the 11th AH / 17th CE century. It contains an illustration featuring the mosque compound in Medina with the tombs of Muhammad, Abū Bakr and ʿUma See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30971. This is a leaf from anelegantly penned and illuminated copy of the well-known collection of prayers for the prophet Muhammad entitled Dalāʾil al-khayrāt and composed by Muḥammad al-Jazūlī (d.877 AH / 1472 CE). Written on paper in Turkish naskh script, this prayer book was probably made in the 11th AH / 17th CE century. It contains an illustration featuring the mosque compound in Medina with the tombs of Muhammad, Abū Bakr and ʿUma See this manuscript page by page at the Walters Art Museum website: art.thewalters.org/viewwoa.aspx?id=30971

Green bible put on pink table. Green bible put on pink table.

Open Bible with rosary and glasses isolated

Open Holy Bible lying on stack of old books with glasses, cross and beads isolated. Open Holy Bible lying on stack of old books with glasses, cross and beads isolated

Close up shot of open bible book isolated

Catholic rosary beads with old book on cement table prayer, rosa

Catholic rosary beads with old book on cement table prayer, rosa

Open Bible and rosary

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Ancient chain on the thick old book, a religion theme.

Single bible sitting on pew at church. Single bible sitting on pew at church

Old Hebrew Bible in light of burning candle on dark background. Shadow from menorah on open Jewish prayer book. Closeup

Old Hebrew Bible in light of burning candle on dark background. Shadow from menorah on open Jewish prayer book. Closeup

Jerusalem.The Western Wall.Prayer.

Praying israelite in the western wall. Praying israelite in the western wall

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Rosary beads and breviary

The book of Catholic Church liturgy and rosary beads. The book of Catholic Church liturgy and rosary beads

Bible prayer book candle

Bible prayer book candle

Bible study for religious young woman in headscarf

Peaceful prayer time for beautiful young woman wearing black headscarf studying the bible. Peaceful prayer time for beautiful young woman wearing black headscarf studying the bible.

Calligraphic page from an album, Walters Art Museum W.672, fol.3a

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE).

Catholic Holy Prayer Book

Catholic Holy Prayer Book

Illuminated Manuscript Koran, Walters Art Museum Ms. W.569, fol. 331b

An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muḥaqqaq script. An illuminated large size copy of the Koran (Qur'an) produced in the 11th century AH / 17th CE in Iran. Apart from using a number of scripts, such as naskh, muḥaqqaq and tawqīʿ, this codex features six pairs of decorated pages, two illuminated headpieces, as well as illuminated chapter headings, cloud-bands, and marginal decoration. The black morocco binding has a central piece in the form of a diamond with pendants on four sides. The inner covers, having a traditional dentelle decoration, features text from the "the verse of the throne" (āyat al-kursī), which is inscribed in the outer frame. Richly decorated page with a prayer to be recited at the end of the Qur'anic text. The prayer is inscribed in the center medallion in white muḥaqqaq script.

Religion reading prayer book. Torah on the table in front of the wailing wall in the old city of Jerusalem Israel

Religion reading prayer book. Torah on the table in front of the wailing wall in the old city of Jerusalem Israel

Close up shot of Holy bible book isolated. Close up shot of Holy bible book isolated

Old Jewish Prayer Book, Or Siddur

Old Jewish Prayer Book, Or Siddur

Open Bible and rosary

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Jesus Christ statue in a church

Old statue of Jesus Christ. Old statue of Jesus Christ

Fragment of old Kabbalistic Prayer book

Fragment of old Kabbalistic Prayer book

The text of the Lord`s prayer in ancient Greek and in Old Slavonic in an ancient book

The text of the Lord`s prayer in ancient Greek and in Old Slavonic in an ancient book

Open Bible and rosary

Open Holy Bible lying on stack of old books with glasses, cross and beads. Open Holy Bible lying on stack of old books with glasses, cross and beads

Rosary beads and breviary

The book of Catholic Church liturgy and rosary beads. The book of Catholic Church liturgy and rosary beads

Vintage Holy Bible

Vintage Holy Bible Circa 1966 with vintage Rosary Beads.

Religious old book on a wooden table. A religious cross tied with a rope and burlap next to the bible. Worship, sins and prayer

Religious old book on a wooden table. A religious cross tied with a rope and burlap next to the bible. Worship, sins and prayer

The Holy Bible under candle light.

The man has control over and reads the bible.

Cross on the altar in ortodox church -Holy Forty Martyrs Church, Veliko Tarnovo

Bibles on top of each other

New bible and old bible on to of each other. New bible and old bible on to of each other

Fragment of an altar

Fragment of an altar in ortodox church

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Senior woman with the bible

The old woman with the bible. The old woman with the bible

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