Plaque Background Free Stock Images

Include:

Horse Shoe Plaque isolated on white

Horse Shoe Plaque isolated on white

Red billboard hanging on a gray lace. Illustration

A blank photo frame hanging on wall

Ornate Cherubs

Hand holding a blank placard. Hand holding a blank placard

Wooden Frames

3D Illustration Frog with Wooden Plaque

3D Illustration Frog with Wooden Plaque

Sky in window. Sky in window

Colorful Dots With Copyspace

Unique bright abstract design of halftone design of pattern of lots of colorful dots and circles with matching framed yellow copyspace ready for your text. Unique bright abstract design of halftone design of pattern of lots of colorful dots and circles with matching framed yellow copyspace ready for your text.

Metal square way in grass

Marble Trophy Base & Plaque

Marble Trophy Base & Plaque

A computer created blank signpost.

Cracked wood on white.

Cracked wood on white. High resolution photo.

Brown wooden sign SPA on the stone wall.

Dark wooden texture

Parquet (contrasted) wooden texture_pine. Parquet (contrasted) wooden texture_pine

Illustration of retro style kitchen with woven basket of eggs and utensils. Illustration of retro style kitchen with woven basket of eggs and utensils

Ornate frame with brown insert in the Renaissance

Parquet (contrasted) wooden texture_pinewood

Graphics Wood Texture 1 style

Happy Valentines

Beautiful red valentines card-Happy Valentines

Granite stone on red wall

Design floral vector elements

Vectored illustrations of floral elements and ornaments for fancy and nice artworks, web sites and templates. Vectored illustrations of floral elements and ornaments for fancy and nice artworks, web sites and templates

Colgate Total Protect Toothpaste

Colgate Total Protect Toothpaste

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Punched aluminium metal plate with reflections. Punched aluminium metal plate with reflections

On a photo two tooth-brushes with a tooth-paste. A photo close up

Element for design, vector illustration. Element for design, vector illustration.

Wooden desk part from house

Wooden board - This is a 3d render illustration

Father s day Plaque for dad 2

Father s day Plaque for dad 2

Copper pipes texture new copper pipes

Dental health concept with toothbrush tube and toothpaste heart detail

Dental health concept with toothbrush tube and toothpaste heart on white table detail. Horizontal composition. Top view. Dental health concept with toothbrush tube and toothpaste heart on white table detail. Horizontal composition. Top view

Old Metal Plaque

Old Metal Plaque

Old elegant stone banner

Close up with an old stone banner. Close up with an old stone banner

Rusty sign against blue sky

Metal plate series: blank. with room for text

Small part of wooden fence. Old planking. Small part of wooden fence. Old planking

Abstract style coffee vector design. Abstract style coffee vector design

Decorative photo frame with abstract composition

Decorative photo frame with abstract composition of shells, stones and wire isolated on white background

Happy Valentines

Beautiful blue valentines card-Happy Valentines

Marble sign enlighted by lamp in cave

Molar With Brush

Molar With Brush, dental concept

Plaque with Flarol Background

Plaque with Flarol Background

Brass seashell set in pebbled concrete

Sending messages of love and kindness bokeh banner

Sending messages of love and kindness bokeh banner

An old wood board texture

Gray vintage texture and blank silver shield with shadow

Golden trophy winner cup on stack of books against a cork board. Golden trophy winner cup on stack of books against a cork board.

The Smoked Bacon on Hongjiang Ancient Commercial City

Ancient architectural complex of Hongjiang Ancient Commercial City , located in Hongjiang District, Huaihua City, Hunan Province , China. Ancient architectural complex of Hongjiang Ancient Commercial City , located in Hongjiang District, Huaihua City, Hunan Province , China

Yellow textured

Yellow and red street textured. Yellow and red street textured

Happy Valentines

Beautiful valentines card-Happy Valentines

Car service vintage tin sign

Car service vintage tin sign

Toothpaste very necessary thing for every day

Concept image of dental and teeth. Concept image of dental and teeth

Computer generated wooden texture with knots

Collection of labels featuring a bi-wing airplane in cool colors. Collection of labels featuring a bi-wing airplane in cool colors.

Bamboo toothpicks stand in wave

Dowsing Pendulum collection

Dowsing Pendulum collection

Apple pie on plate isolated on white

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Trophy

Marble Trophy Base & Plaque

Marble Trophy Base & Plaque

Stent Medical Implant Concept

Stent Medical Implant Concept

- Home
- Search for Plaque background free images