Rosewater Free Stock Images

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Rosewater bottle monument

Rosewater bottle monument

Rosewater in blue jug

Rosewater in blue jug

Homemade vanilla and rosewater marshmallows

Homemade vanilla and rosewater marshmallows

Persian Rosewater Bottle Container With Enameling Minakari De

Persian Rosewater Bottle Container With Enameling Minakari De

Rosewater and Himalayan Exfoliation Salt Treatment

Rosewater and Himalayan Exfoliation Salt Treatment

Tea of rosewater on wooden table.

Tea of rosewater on wooden table.

Tea of rosewater on wooden table.

Tea of rosewater on wooden table.

Tea of rosewater on wooden table with copy space.

Tea of rosewater on wooden table with copy space.

Rosewater with rose petals

Rosewater with rose petals

Rosewater Bottle With Pink Roses

Rosewater Bottle With Pink Roses

Rosewater with rose petals

Rosewater with rose petals

Rosewater with rose petals

Rosewater with rose petals

Exquisite Hareesah Temptation

Exquisite Hareesah Temptation

Happy easter easter egg symbols Eggs Family Basket. White Church service Bunny poppies. sparkling background wallpaper

Happy easter easter egg symbols Eggs Family Basket. White Church service Bunny poppies. sparkling background wallpaper

Marzipan sweets

Marzipan sweets

Row of red candle with petals on mat. Row of red candle with petals on mat

Spa treatmentn on bamboo mat

Spa treatmentn on bamboo mat

Natural soap and red candle with petals on mat. Natural soap and red candle with petals on mat

Natural soap and red candle with petals on mat. Natural soap and red candle with petals on mat

Color purple vortex in water

Spa products bath soap and brush on mat. Spa products bath soap and brush on mat

Spa products bath soap and brush on mat. Spa products bath soap and brush on mat

Five poems (quintet), An imam who put ink, rather than rosewater, on his face, Walters Manuscript W.666, fol. 48a

This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript. This is an illuminated and illustrated copy of the Ḫamse (quintet) of the Ottoman Turkish poet and scholar ʿAṭāʾullāh bin Yaḥyá ʿAṭāʾī (d. 1044 AH / 1634 CE). Although different in content, this work takes its inspiration from the famous Persian Khamsah of Niẓāmī Ganjavī (d. 605 AH / 1209 CE) and the Khamsah of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). This Ottoman copy of ʿAṭāʾī's work ends with a portion of his Dīvān (fols. 142b-151b) instead of the fifth poem (mesnevi), Ḥilyet ül-efkār. The text, written in nastaʿlīq script, was copied by Ḫeyrullah Ḫeyrī Çāvuşzade in 1133 AH / 1721 CE. There are thirty-eight illustrations, and illuminated incipits introduce the different poems (fols. 1b, 22b, 63b, 107b, and 142b). The brown leather binding is original to the manuscript.

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