Silver Border Free Stock Images

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silver borders

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Christmas baubles

Christmas baubles on silver background

Watercolor magnolia, silver leaves and monstera leaves seamless border

Watercolor magnolia, silver leaves and monstera leaves seamless border

Happy Easter background, lettering, eggs. Greeting Easter 3D card. Gold decoration frame, handwritten inscription

Happy Easter background, lettering, eggs. Greeting Easter 3D card. Gold decoration frame, handwritten inscription. Holiday design poster, flyer, banner. Calligraphy retro letter Vector illustration

Christmas decorations

Silver crosses Christmas decorations isolated on blue/black background

Vintage ornate background.

Vintage decorative background with silver shield and other decorations. Vintage decorative background with silver shield and other decorations.

Gold and silver gradient set. Golden foil brass material. Copper paper sheet plate. Shine yellow border. Luxury design

Gold and silver gradient set. Golden foil brass material. Copper paper sheet plate. Shine yellow border. Luxury design

Silver textured stars and confetti for top border

Silver textured stars and confetti for top border

Silver glitter on white background. Falling confetti border. Festive shiny frame. Sparkling rain effect. Invitation or

Silver glitter on white background. Falling confetti border. Festive shiny frame. Sparkling rain effect. Invitation or

Gold silver bronze gradient background. Golden metal rose foil copper brass gradation collection for shiny chrome border, frame, r

Gold silver bronze gradient background. Golden metal rose foil copper brass gradation collection for shiny chrome border, frame, r

Blue and silver present close-up isolated on violet background

box with two graph

Silver abstract text box with two graph

Silver glitter textured border

Silver glitter textured border

Christmas decorations

Red and silver Christmas decoration isolated on blue/black background. Red and silver Christmas decoration isolated on blue/black background

Metal seamless chain collections. Iron steel or silver chains set. Vector illustration metallic border on white

Metal seamless chain collections. Iron steel or silver chains set. Vector illustration metallic border on white

box with two arrows

Silver abstract text box with two arrows

Snowflakes background

Red silver yellow blue snowflakes background

Make up cosmetics, presents and Christmas decorations on artistic pink background, copy space

Make up cosmetics and Christmas decorations on artistic pink background, copy space, top view. Make up cosmetics and Christmas decorations on artistic pink background, copy space, top view

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Happy birthday or party background

Happy birthday or party background. Flat Lay wtih gifts, confetti and candy on yellow background. Top View. Copy space

Silver ribbon bow border

Silver ribbon bow border

Christmas decorations

Silver crosses Christmas decorations isolated on blue/black background

Happy birthday or party background

Happy birthday or party background. Flat Lay wtih birthday hats, confetti and ribbons on white background. Top View. Copy space

3D golden frame

3D golden frame will go silver if desaturated

Silver glitter textured border

Silver glitter textured border

Text box for any text with transparent arrows

Silver text box for any text with transparent arrows

Winter silver christmas background with snowflake border

Winter silver christmas background with snowflake border

Game metal frame. Golden silver bronze UI RPG buttons, fancy empty border user interface sprite graphic, web mobile game

Silver glitter long background. Diamond confetti banner. Christmas sparkle border. Grey dust falling. Holiday party

Silver glitter long background. Diamond confetti banner. Christmas sparkle border. Grey dust falling. Holiday party

Blank paper green leafs

White and silver blank paper with green leafs over white background. White and silver blank paper with green leafs over white background

New year`s circular composition of a clock in the center, snow-white stars and Golden toys on a red background.

New year`s circular composition of a clock in the center, snow-white stars and Golden toys on a red background. the view from the top.

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Merry Christmas and Happy New Year greeting card with fir branches, presents, decorations on black

Festive Christmas background with fir branches, giftboxes, decorations, copy space, top view. Festive Christmas background with fir branches, giftboxes, decorations, copy space, top view

Christmas decoration

Christmas-themed vertical border/background. Christmas-themed vertical border/background

Paper textures.

Christmas vintage border. old paper. Christmas vintage border. old paper

Christmas holiday presents over white background with pine branches, red and silver decorations. Xmas frame top border made of

Christmas holiday presents over white background with pine branches, red and silver decorations. Xmas frame top border made of

Silver textured snowflakes border

Silver textured snowflakes border

Vector abstract monogram geometric frame, vintage linear silver background. Art deco border. Trendy cover, graphic

Vector abstract monogram geometric frame, vintage linear silver background. Art deco border. Trendy cover, graphic

Steel nail background.

Four steel nails arranged around the border of the image with small pile of nails in the centre. White background. Four steel nails arranged around the border of the image with small pile of nails in the centre. White background

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