Silver Treasure Free Stock Images

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Metal casket of treasure isolated

Metal casket of treasure with gold jewelry isolated on white. Metal casket of treasure with gold jewelry isolated on white

Coin and treasure chests

Coin and treasure chests isolated on white background

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Silver earrings on white

Silver earrings on white background

Shining silver case for accessories over white background.

Jewerly Treasure

Huge pile of Silver, White Gold and/or Platinum Rings. Huge pile of Silver, White Gold and/or Platinum Rings

Treasure box isolated on white background

Silver rounds or bullion or treasure.

Silver rounds or bullion or treasure.

An old treasure on a background

Treasure box

Black woman`s hand with Silver jewelry. Oriental Bracelets on a black painted hand. Silver Jewelry

Black woman`s hand with Silver jewelry. Oriental Bracelets on a black painted hand. Silver Jewelry and luxury accessories on black background closeup. High Fashion art concept

Ancient silver coins with portraits of kings on the old cloth

A lot of old silver coins with portraits of kings on the old cloth. A lot of old silver coins with portraits of kings on the old cloth

Treasure box

With animals carved silver ring

Ancient wooden chest filled with silver shiny coins. Ancient wooden chest filled with silver shiny coins

Gold and silver coins

Stacks of gold and silver money coins on white, vector illustration. Stacks of gold and silver money coins on white, vector illustration

Bow in Treasure chest

Bow in Treasure chest with gold gift diamond bracelet pearl

Harry Potter Warner Brothers studio tour Gringotts bank vault

Harry Potter Warner Brothers studio tour Gringotts bank vault

Pirate s silver treasure

Pirate s silver treasure

Treasure chest

Silver coins treasure in a barrel from wood

Treasure wooden case. elegant romantic and vintage. Treasure wooden case. elegant romantic and vintage.

Open silver box isolated on red background. Open silver box isolated on red background

Silver treasure

Silver treasure

Silver Treasure

Silver Treasure

Treasure Chest with Pearls

Treasure Chest with Pearls isolated over white background

Treasure chest isolated on a white

Treasure chest isolated on a white background

Silver box isolated on a white background

Silver bracelet

Silver bracelet

Reflective silver Cubes

Shiny silver cubes in gradient background. Shiny silver cubes in gradient background

Vintage treasure chest

Vintage golden treasure chest close up. Vintage golden treasure chest close up

silver bracelet

Beatuiful silver bracelet--Chinese style

Treasure Chest on a white background

Coins of the various countries in a glass jar. metal coins of different denominations. finance background

Coins of the various countries in a glass jar. metal coins of different denominations. finance background

Coins of the various countries in a glass jar. metal coins of different denominations. finance background

Coins of the various countries in a glass jar. metal coins of different denominations. finance background

At the clay pot many silver coins lie, somewhat lies near the pot.

Silver bracelet

Silver bracelet on black background

Treasure chest, isolated on white

Trunk with treasure

Trunk with treasure isolated on white

Vintage silver box

Vintage silver box isolated on a white background

Treasure Chest with Coins

Miniature treasure chest full of coins on white background. Miniature treasure chest full of coins on white background

Treasure chest with jewelry coins and gems

Silver Liberty Eagle

2005 Silver Eagle Coin Money. 2005 Silver Eagle Coin Money

Silver success plate with dollar sign instead letter s

Jewellery and silver box, treasure, in souk market in Muscat

Jewellery and silver box, treasure, in souk market in Muscat

Silver ring on black background

Treasure Chest on a white background

Old gold silver copper coin treasure background

Old gold silver copper coin treasure background

A treasure box with gold isolated on white

Gold and silver coins

Stacks of gold and silver money coins on white, vector illustration. Stacks of gold and silver money coins on white, vector illustration

Treasure chest 2

Treasure chest, isolated on white. Treasure chest, isolated on white

Opened treasure chest

Opened treasure chest isolated on white background

A jewelry box from silver

Piles of Silver Coins

Three columns of Silver Coins isolated on white background. Three columns of Silver Coins isolated on white background

Jewelry box, on the right

Jewelry box, on the right

Treasure Chest on a white background

Treasure Chest on a white background

Treasure chest 2

Open silver box isolated on red background. Open silver box isolated on red background

Harry Potter Warner Brothers studio tour Gringotts bank vault

Harry Potter Warner Brothers studio tour Gringotts bank vault

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Silver bracelet

Luxury silver bracelet with pearls and crystals

Treasure chest

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