Silver Treasure Free Stock Images

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Euro coins and banknotes isolated over white. Euro coins and banknotes isolated over white

Jewels of silver with precious stones. Jewels of silver with precious stones

Coins over black background. Reflection in the table.

Against the background the reflection of hours, lies the pile of the silver coins. Against the background the reflection of hours, lies the pile of the silver coins

Coins on a glass table. Financial concept. Over blue sky background.

Old german silver and gold coins

Singapore dollar coins isolated on white.

Jewels of silver with precious stones. Jewels of silver with precious stones

Silver jewelry

Bag with the beads.

Silver beads with the pearls lie on the small, black bag. It is isolated against the white background. Silver beads with the pearls lie on the small, black bag. It is isolated against the white background.

Silver pendant with quartz

Silver pendant with quartz

Euro sign made from coins isolated over white

Coins over black background. Reflection in the table.

Silver coins on a white background. Silver coins on a white background

Pirate Treasure and map

Pirate Treasure and map

Gospel Book, Harrowing of Hell, Walters Manuscript W.540, fol. 12r

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Table is full of tools for making, repairing adornmnet

Top view photo. table is full of tools for making, repairing adornmnet

Picture of a big Silver Key

Money and laptop 4. Money and laptop 4

Euro coins, shallow depth of field

Coins on a glass table. Financial concept.

Gospel Book, Crucifixion, Walters Manuscript W.540, fol. 11v

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

A safe locked metal box for storing your valuables. A safe locked metal box for storing your valuables

Silver bracelet (Croatia)

Silver bracelet (Croatia)

Golden egg among the rest

Gold egg in the middle of silver eggs. Gold egg in the middle of silver eggs

Copper and silver old coins background

Photo with old coins background. Photo with old coins background

Silver miner with nugget

Silver miner with nugget

Coins isolated on white background.

Gold chain in a macro

Gold chain in a macro close up

Traditional silver tea pot

Traditional silver tea pot

A smiley symbol made of euro coins isolated on a white background

Treasure

Columns of coins, front view 1

Columns of coins, old ones, silver and gold front view. Columns of coins, old ones, silver and gold front view

Background of old coins in low key. Old Russian coins, rubles and pennies

Background of old coins in low key. Old Russian coins, rubles and pennies.

Unique design of a pair of white-gold earrings

Gospel Book, Entombment, Walters Manuscript W.540, fol. 12v

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Imitation jewelry on black

Silver imitation jewelry on black

A mixture of exotic seashells together on a gray background.

A bunch of coins isolated on a white background. A bunch of coins isolated on a white background

Copper and silver coins background

Photo with old coins background. Photo with old coins background

Traditional silver tea pot

Traditional silver tea pot

Small scarlet rose and gift

Small scarlet rose and silver gift box over white. Small scarlet rose and silver gift box over white

Coins on a glass table. Financial concept.

Treasure

Iron money in pile closeup.

imitation jewelry on black

Silver imitation jewelry on black

Compass and coins on a map

Compass and coins on a map

Gospel Book, Presentation in the Temple, Walters Manuscript W.540, fol. 8v

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Gospel Book, Holy Women at the Tomb of Christ, Walters Manuscript W.540, fol. 13r

This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Jewels of silver with precious stones. Jewels of silver with precious stones

Heap of coins, isolated on white background

Jewelry pearls in a silver basket on a black background. Jewelry pearls in a silver basket on a black background

Ingots silver

Seamless pattern with watercolor hand painted jewelry elements decoration in the form of drops on white background

Seamless pattern with watercolor hand painted jewelry elements, earrings decoration in the form of drops on white background

Silver ingots with one golden

Silver ingots with one golden

Treasure coins on table

Treasure coins on table

Raw Gold and Silver Bullion

Raw Gold and Silver Bullion

Pile of euro coins on golden background. Pile of euro coins on golden background.

Underwater Treasure Chest

Underwater Treasure Chest

Searching Sands

The great find is somwhere there. I'll wand my way until I find the prise. Will it be gold, silver Jewels, bottle tops or foil?. The great find is somwhere there. I'll wand my way until I find the prise. Will it be gold, silver Jewels, bottle tops or foil?

Silver bracelet

Silver bracelet

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