Tenth Free Stock Images

Include:

2012 Double Tenth National Day Fireworks show in taiwan,R.O.C

Wooden number 10 on grass and clover background

Wooden number 10 on grass and clover background

I`m not 40, I`m 39.95 plus tax - 40th birthday

I`m not 40, I`m 39.95 plus tax - 40th birthday

Tithe church of Kievan Rus

Medieval church in byzantine style. Medieval church in byzantine style

The litang county in Tibet

Litang county is located in the western sichuan province, garze Tibetan autonomous prefecture, southwest 285 kilometers distance state kangding, 654 km from provincial capital chengdu. Is located in east longitude 99 Â° 19 - 100 Â° 56, north latitude 28 Â° 57 - 30 Â° 43, covers an area of 14182. 27 square kilometers. County home town high, 4014. 187 meters above sea level. Litang county is a beautiful scenery, beautiful places, and there are seven dalai, ten dalai and 7, 8, 9, Mr Barak living Buddha and the tenth National Peoples Congress standing committee, vice chairman of Mr Barak, Glenn LangJies hometown, is also the Mongolian buddhist statue of danba iii zhe cloth such as monk masters birthplace. Thus, was praised as the pearl high city, snow area the holy land, grassland. Litang county is located in the western sichuan province, garze Tibetan autonomous prefecture, southwest 285 kilometers distance state kangding, 654 km from provincial capital chengdu. Is located in east longitude 99 Â° 19 - 100 Â° 56, north latitude 28 Â° 57 - 30 Â° 43, covers an area of 14182. 27 square kilometers. County home town high, 4014. 187 meters above sea level. Litang county is a beautiful scenery, beautiful places, and there are seven dalai, ten dalai and 7, 8, 9, Mr Barak living Buddha and the tenth National Peoples Congress standing committee, vice chairman of Mr Barak, Glenn LangJies hometown, is also the Mongolian buddhist statue of danba iii zhe cloth such as monk masters birthplace. Thus, was praised as the pearl high city, snow area the holy land, grassland.

Cheers to 60 years - 60th birthday

Cheers to 60 years - 60th birthday

Birthday Girl lettering with flowers

Birthday Girl lettering with flowers

Elevator lit button

Elevator lit button for tenth floor

Sporting Event Timer

Sporting Event Timer

Corvey Gospel fragment, Page from John's Gospel, Walters Art Museum Ms. W.751, fol.4v

This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1. This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1.

Calendar and pushpin

Calendar and pushpin

2012 Double Tenth National Day Fireworks show in taiwan,R.O.C

Pittsburgh Bridge Detail

Pittsburgh Bridge Detail

Red SALE sign and symbols of percent

Red SALE sign and symbols of percent -10

Indian children at the water pump

Indian children at the water pump

The thermometer

The thermometer indications, thirty six and six tenth.

Corvey Gospel fragment, Page from Luke's Gospel, Walters Art Museum Ms. W.751, fol. 2v

This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1. This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1.

Water supply in the indian rural area

Water supply in the indian rural area

10th anniversary, golden stamp over black background. Ten years celebration card

10th anniversary, golden stamp over black background. Ten years celebration card

Pittsburgh Bridge Detail

Young indian tribal woman

Young indian tribal woman

It took me 30 years to look this good - 30th birthday

It took me 30 years to look this good - 30th birthday

2012 Double Tenth National Day Fireworks show in taiwan,R.O.C

Corvey Gospel fragment, Incipit Luke's Gospel, Walters Art Museum Ms. W.751, fol. 1v

This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1. This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1.

Collection of Birthday Number Candles

Collection of Birthday Number Candles

9th Street Bridge with Stadium in background. 9th Street Bridge with Stadium in background

2012 Double Tenth National Day Fireworks show in taiwan,R.O.C

Brain with activated vagus nerve, medically Illustration

Brain with activated vagus nerve, medically Illustration

Victorian Hussar's officer's busby

Victorian X (Tenth) Hussars officer's Sable fur busby with gilt cords and chinstrap. A highly ornate antique helmet, now quite scarce, worn in combat until the end of the 19th century. Victorian X (Tenth) Hussars officer's Sable fur busby with gilt cords and chinstrap. A highly ornate antique helmet, now quite scarce, worn in combat until the end of the 19th century.

2012 Double Tenth National Day Fireworks show in taiwan,ROC

Closeup of the end of an engineering scale with a shallow depth of field. Closeup of the end of an engineering scale with a shallow depth of field.

Corvey Gospel fragment, Initial Page Luke's Gospel, Walters Art Museum Ms. W.751, fol. 2r

This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1. This manuscript consists of four folios from a Gospel Book that was likely made at the monastery of Corvey in Western Germany during the last quarter of the tenth century. Dating to the reign of Otto I, these pages offer a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke (fols. 93-94) and John (fols. 137-138) that were originally part of Ms. 10 from the Bibliotheque Municipale in Rheims, a Gospel Book originally owned by the Chapter Library of the Cathedral of Rheims until it was confiscated, along with the rest of the cathedral's manuscripts, during the French Revolution. Related manuscripts include Pierpont Morgan Library Ms. M. 755 and New York Public Library Ms. 1.

Five poems (quintet), Illuminated frontispiece with shamsah, Walters Manuscript W.624, fol. 1a

This is a deluxe copy of the Khamsah (quintet) of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). The manuscript was written in nastaʿlīq script by one of the greatest calligraphers of the Mughal atelier, Muḥammad Ḥusayn al-Kashmīrī, honored with the epithet Zarrīn Qalam (golden pen). This copy of Dihlavī's Khamsah, likely produced in Lahore (present-day Pakistan) in the late tenth century AH / sixteenth CE, is associated with the patronage of Akbar (r. 963-1014 AH / 1556-1605 CE). The manuscript bears the names of a number of painters and illuminators. The illustrations bear ascriptions to the following artists: Laʿl (Lāl), Manūhar, Sānwalah, Farrukh, Alīqulī, Dharamdās, Narsing, Jagannāth, Miskīnā, Mukund, and Sūrdās Gujarātī. The illuminators are Ḥusayn Naqqāsh, Manṣūr Naqqāsh, Khvājah Jān Shīrāzī, and Luṭf Allāh Muẕahhib. The borders are all elaborately illuminated with animal, bird, and geometric motifs, as well as human figures engaged in such activities as hunting, praying, and reading. The lacquer binding, decorated with pictorial scenes, is contemporary with the manuscript. Eight leaves from this copy of the Khamsah of Dihlavī are housed in the Metropolitan Museum of Art (13.228.26-33). This illuminated frontispiece has a central twelve-pointed star (shamsah). The page is further decorated with floral motifs executed in gold. There are five seals. This is a deluxe copy of the Khamsah (quintet) of Amīr Khusraw Dihlavī (d. 725 AH / 1325 CE). The manuscript was written in nastaʿlīq script by one of the greatest calligraphers of the Mughal atelier, Muḥammad Ḥusayn al-Kashmīrī, honored with the epithet Zarrīn Qalam (golden pen). This copy of Dihlavī's Khamsah, likely produced in Lahore (present-day Pakistan) in the late tenth century AH / sixteenth CE, is associated with the patronage of Akbar (r. 963-1014 AH / 1556-1605 CE). The manuscript bears the names of a number of painters and illuminators. The illustrations bear ascriptions to the following artists: Laʿl (Lāl), Manūhar, Sānwalah, Farrukh, Alīqulī, Dharamdās, Narsing, Jagannāth, Miskīnā, Mukund, and Sūrdās Gujarātī. The illuminators are Ḥusayn Naqqāsh, Manṣūr Naqqāsh, Khvājah Jān Shīrāzī, and Luṭf Allāh Muẕahhib. The borders are all elaborately illuminated with animal, bird, and geometric motifs, as well as human figures engaged in such activities as hunting, praying, and reading. The lacquer binding, decorated with pictorial scenes, is contemporary with the manuscript. Eight leaves from this copy of the Khamsah of Dihlavī are housed in the Metropolitan Museum of Art (13.228.26-33). This illuminated frontispiece has a central twelve-pointed star (shamsah). The page is further decorated with floral motifs executed in gold. There are five seals.

Saint Basil's Cathedral

The Cathedral of the Protection of Most Holy Theotokos on the Moat or Pokrovsky Cathedral. The church is also called the Cathedral of Vasily the Blessed anglicized as Saint Basil's Cathedral. It was built from 1555–61 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. The original building, known as Trinity Church and later Trinity Cathedral, contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local saint Vasily (Basil). In the 16th and 17th centuries the church, perceived as the earthly symbol of the Heavenly City, as happens to all churches in Byzantine Christianity, was popularly known as the Jerusalem and served as an allegory of the Jerusalem Temple in the annual Palm Sunday parade attended by the Patriarch of Moscow and the tsar. The Cathedral of the Protection of Most Holy Theotokos on the Moat or Pokrovsky Cathedral. The church is also called the Cathedral of Vasily the Blessed anglicized as Saint Basil's Cathedral. It was built from 1555–61 on orders from Ivan the Terrible and commemorates the capture of Kazan and Astrakhan. The original building, known as Trinity Church and later Trinity Cathedral, contained eight side churches arranged around the ninth, central church of Intercession; the tenth church was erected in 1588 over the grave of venerated local saint Vasily (Basil). In the 16th and 17th centuries the church, perceived as the earthly symbol of the Heavenly City, as happens to all churches in Byzantine Christianity, was popularly known as the Jerusalem and served as an allegory of the Jerusalem Temple in the annual Palm Sunday parade attended by the Patriarch of Moscow and the tsar.

Vagus nerve and human organs, medically Illustration

Vagus nerve and human organs, medically Illustration

Tenth Appointment

Tenth Appointment

The tenth sign of the horoscope in a ball of glass. Digital drawing. Coloured picture. The tenth sign of the horoscope in a ball of glass. Digital drawing. Coloured picture.

Red SALE sign and symbols of percent. Red SALE sign and symbols of percent

- Home
- Search for Tenth free images