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Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Iraq Turkey Border

Iraq Turkey Border

Turkey, Istanbul, Bosphorus Bridge

Turkey, Istanbul, Bosphorus Channel, Bosphorus Bridge, an oil cargo ship under the Bridge. Turkey, Istanbul, Bosphorus Channel, Bosphorus Bridge, an oil cargo ship under the Bridge

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Khor Virap Armenia Ararat mountain Europe

Khor Virap Armenia Ararat mountain Europe

Sacred Khor Virap Monastery

The Khor Virap is an Armenian Apostolic Church monastery located in the Ararat plain in Armenia, near the border with Turkey. The Khor Virap is an Armenian Apostolic Church monastery located in the Ararat plain in Armenia, near the border with Turkey

Ararat mountain.

Ararat mountain.

Elegant border set 01

Composition of oriental color frame and corner pattern. Composition of oriental color frame and corner pattern

Jam at the international border

Jam at the international border

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Metallic double door

Old stone wall with metallic double door.

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Autumn Turkey Border

Autumn Turkey Border

Dark clouds over Bosphorus

Dark clouds over Bosphorus, border between Europe and Asia

Calligraphic page from an album, Walters Art Museum W.672, fol. 1b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Thanksgiving turkey border

Thanksgiving turkey border

Traditional Thanksgiving turkey dinner. Above view top border on a dark wood banner background.

Traditional Thanksgiving turkey dinner. Above view top border on a dark wood banner background.

Patara Beach Sea

Patara Beach and Sea in Antalya, Turkey. Patara Beach and Sea in Antalya, Turkey

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Thanksgiving turkey border

Thanksgiving turkey border

Bulgarian-Turkey Border, Bulgaria - May 1, 2017. Trucks waiting on border line to Turkey

Bulgarian-Turkey Border, Bulgaria - May 1, 2017. Trucks waiting on border line to Turkey

Elegant border set 04

Oriental ornament in black and white circular. Oriental ornament in black and white circular

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Turkish big flag

Great turkish flag on blue sky. Great turkish flag on blue sky

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman illustration design raster. Antique ottoman illustration design raster

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Abstract grunge mosaic tiles and mosque silhouette

Abstract grunge mosaic tiles vector illustration. Abstract grunge mosaic tiles vector illustration

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Bospohorus bridge

Atmosphere of capital city Istanbul in Turkey is unique. Atmosphere of capital city Istanbul in Turkey is unique.

Binding, Walters Art Museum W.672, Upper board outside

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. Probably dates to the twelfth century AH / eighteenth CE; sheepskin-covered boards; central oval medallion; pendants and cornerpieces; gold-painted border; central panel filled with chamois leather

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Turkey, Istanbul, Bosphorus Channel

Turkey, Istanbul, an empty oil cargo ship in the Bosphorus Channel. Turkey, Istanbul, an empty oil cargo ship in the Bosphorus Channel

Khor Virap monastery and Mount Ararat, Armenia

Khor Virap monastery and Mount Ararat, Armenia

Antique ottoman gold design

Antique ottoman illustration design raster. Antique ottoman illustration design raster

Turkey, Istanbul, Bosphorus Channel

Turkey, Istanbul, Bosphorus Channel, Bosphorus Bridge, a cargo ship in the Channel

The Khor Virap is an Armenian monastery , located in the Ararat

The Khor Virap is an Armenian monastery , located in the Ararat

Geographical buttons

Geographical buttons with contours of the countries in a vector

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Thanksgiving animals kids vector border. Seamless pattern autumn leaves turkey corn pumpkin hedgehog, squirrel. Harvest

Thanksgiving animals kids vector border. Seamless pattern autumn leaves turkey corn pumpkin hedgehog, squirrel. Harvest

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Antique ottoman design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Trucks and cars waiting in long lines to cross the international border

Trucks and cars waiting in long lines to cross the international border

Antique ottoman gold design

Antique ottoman turkish illustration design. Antique ottoman turkish illustration design

Barbed wire, remains of the minaret, ruins of Date Harran University East of Turkey, border with Syria

Barbed wire, remains of the minaret, ruins of Date Harran University East of Turkey, border with Syria

Elegant border set 03

Composition of oriental pattern in black and white frame and corner. Composition of oriental pattern in black and white frame and corner

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Composition of oriental color frame and corner pattern. Composition of oriental color frame and corner pattern

Georgia - Turkey Border, Sarpi

Georgia - Turkey Border, Sarpi

Arabic Ornaments

Simple Illustration for Arabic Ornamint Symbols and Backgrounds. Simple Illustration for Arabic Ornamint Symbols and Backgrounds

Antique ottoman gold design

Antique ottoman illustration design raster. Antique ottoman illustration design raster

Calligraphic page from an album, Walters Art Museum W.672, fol. 4b

An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE. An album (muraqqaʿ) of calligraphy in the form of an accordion book put together by an anonymous collector, probably in the 12th century AH/ 18th CE. It consists of leaves bearing fragmentary passages from the Qur’an (Sūrat al-baqarah, 2:65-68 and Sūrat al-nisāʾ, 4:103-106), some sayings of the Prophet Muhammad, and two sheets of pen exercises (ḳaralama). Folio 5a bears the name of the celebrated Ottoman calligrapher Şeyh Hamdullah (Ḥamd Allāh al-Amāsī, d. 926 AH /1520 CE). This calligraphic page with verses from Sūrat al-baqarah, 2:65-68, is framed by an outer border of beautiful marbled paper. It belongs to an album of Ottoman calligraphy associated with Şeyh Hamdullah (d. 926 AH / 1520 CE) that was probably compiled in the 12th century AH/ 18th CE.

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