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house with chimeras of aphids Hotel & x22;Bolshaya Moskovskaya& x22; in Odessa

house with chimeras of aphids Hotel & x22;Bolshaya Moskovskaya& x22; in Odessa

Umeda Sky Building, Osaka, Japan

Umeda Sky Building, Osaka, Japan

Sky on & x22;Rotonda Foschini& x22

Sky on & x22;Rotonda Foschini& x22

Orange line elevated &x22;el&x22; train entering station in foreground, while green line train approaches from opposite

Orange line elevated &x22;el&x22; train entering station in foreground, while green line train approaches from opposite

Casa BattlÃ³ in Barcelona

Casa BattlÃ³ in Barcelona

Entrance of the famous Le Corbusier house Unit.

Entrance of the famous Le Corbusier house Unit.

Windows Amarin Temple , Bangkok Thailand

Windows Amarin Temple , Bangkok Thailand

Grayscale of the facade of &x22;Cafe Drydock and Inn&x22; under the cloudy sky in Maine, USA

Grayscale of the facade of &x22;Cafe Drydock and Inn&x22; under the cloudy sky in Maine, USA

Cloud Gate and Skyscrapers in Downtown Chicago Illinois on Cloudy Summer Night, Cityscape, Urban Scene, Light Pollution, Famous

Cloud Gate and Skyscrapers in Downtown Chicago Illinois on Cloudy Summer Night, Cityscape, Urban Scene, Light Pollution, Famous

Aerial view at a cloister on classic building Cathedral of the SÃ© Velha ; in Coimbra, Portugal

Aerial view at a cloister on classic building Cathedral of the SÃ© Velha ; in Coimbra, Portugal

Hand drawn illustration of Tokyo

Hand drawn illustration of Tokyo

John O&x27; Groats Hotel and new Signpost, John O&x27; Groats Hotel, Caithness, Scotland, UK.

John O&x27; Groats Hotel and new Signpost, John O&x27; Groats Hotel, Caithness, Scotland, UK.

Neil Gunn Church and Graveyard,Caithness, Scotland, UK.

Neil Gunn Church and Graveyard,Caithness, Scotland, UK.

Barcode Oslo

Aerial view of east side of Manhattan and Brooklyn bridges showing lights in the variety of shapes and patterns of buildings on sh

Aerial view of east side of Manhattan and Brooklyn bridges showing lights in the variety of shapes and patterns of buildings on sh

Let the Sun Shine In #2

Bricks and mortar are far more opaque than glass. And yet, so often with old buildings, wall space where once, panes of glass let wonderful, uplifting natural light inside of otherwise dark spaces, now bricks and concrete blocks greet passer-bys. I say, let the sun shine in! For me there is no more pleasant light than daylight. It is a beautiful crisp and cheerful white. Artificial light, especially incandescent has a depressing yellow tinge that makes everything look dingy. Oddly, for me, flourescent, halogen and LED lighting is coloured to make it mimic that depressing (for me) incandescent yellow colour. And although most blocked up former windows have a lifeless and sad appearance. This building on Bond Street in downtown St. Catharines, Ontario seems to have bucked that trend. The bricked in windows blend in nicely with the rest of the wall. The window keystones and arches, showing where the windows once were add a nice architectural decoration to an otherwise drab brick wall. Even the two tone red of the wall (a result of painting over graffiti) prevents this wall from having an abandoned appearance. Still, give me windows! Give me sunlight! "Let the sun shine in. Open up your heart and let it shine on in...". Bricks and mortar are far more opaque than glass. And yet, so often with old buildings, wall space where once, panes of glass let wonderful, uplifting natural light inside of otherwise dark spaces, now bricks and concrete blocks greet passer-bys. I say, let the sun shine in! For me there is no more pleasant light than daylight. It is a beautiful crisp and cheerful white. Artificial light, especially incandescent has a depressing yellow tinge that makes everything look dingy. Oddly, for me, flourescent, halogen and LED lighting is coloured to make it mimic that depressing (for me) incandescent yellow colour. And although most blocked up former windows have a lifeless and sad appearance. This building on Bond Street in downtown St. Catharines, Ontario seems to have bucked that trend. The bricked in windows blend in nicely with the rest of the wall. The window keystones and arches, showing where the windows once were add a nice architectural decoration to an otherwise drab brick wall. Even the two tone red of the wall (a result of painting over graffiti) prevents this wall from having an abandoned appearance. Still, give me windows! Give me sunlight! "Let the sun shine in. Open up your heart and let it shine on in..."

Let the Sun Shine in

Although my doctor tells me to get less sun exposure, I feel as if I can never get enough sun light. In most of the buildings I have work in, it seems that most people keep their windows covered. Blinds are closed entirely. Often, no sun light makes it inside. The interior lights are turned on all day. I say, let the sun shine in! For me there is no more pleasant light than daylight. It is a beautiful crisp and cheerful white. Artificial light, especially incandescent has a depressing yellow tinge that makes everything look dingy. Oddly, for me, flourescent, halogen and LED lighting is coloured to make it mimic that depressing (for me) incandescent yellow colour. My preference is like the window on the right. Bring in the sun! Brighten everything up. Banish that yellow artificial light to the basement! 12 Yates St. in downtown St. Catharines, Ontario. Oak Hill is the former residence of William Hamilton Merritt. It is now know as the "White House of Rock" as it is home to three radio stations.

Clock mechanism in the Gothic-style Roman Catholic Church of Saint Michael in Cluj-Napoca.

Front view of the clock mechanism taken at the Saint Michael Church, Cluj-Napoca, Transylvania, Romania, Europe. Front view of the clock mechanism taken at the Saint Michael Church, Cluj-Napoca, Transylvania, Romania, Europe.

Old tower clock mechanism.

Front view of the clock mechanism taken at the Saint Michael Church, Cluj-Napoca, Transylvania, Romania, Europe. Front view of the clock mechanism taken at the Saint Michael Church, Cluj-Napoca, Transylvania, Romania, Europe.

Baroque building on the River Douro Portugal

Baroque architecture in Portugal lasted about two centuries from the late seventeenth century and eighteenth century. The reigns of D. João V and D. Joseph I of Portugal had increased imports of gold and diamonds, in a period called Royal Absolutism, which allowed the Portuguese Baroque to flourish. Baroque architecture in Portugal enjoys a very special situation and a different timeline from the rest of Europe. It is conditioned by several political, artistic and economic factors, that originate several phases, and different kinds of outside influences, resulting in a unique blend, often misunderstood by those looking for Italian art, but with specific forms and character. It starts in a complicated moment, with the financial effort of the kingdom channelled to the Portuguese Restoration War, after 60 years of Iberian Union. Another key factor is the existence of the Jesuitical architecture, also called "plane style". The buildings are single-room basilicas, deep main chapel, lateral chapels (with small doors for communication), without interior and exterior decoration, very simple portal and windows. It is a very practical building, allowing it to be built throughout the empire with minor adjustments, and prepared to be decorated later or when economic resources are available. Actually the first Portuguese Baroque does not lack in building because “plain style” is easy to be transformed, by means of decoration turning empty areas in pompous baroque scenarios. The same could be applied to the exterior. Subsequently, it’s easy to adapt the building to the taste of the time and place. Portugal Spring 2015. Baroque architecture in Portugal lasted about two centuries from the late seventeenth century and eighteenth century. The reigns of D. João V and D. Joseph I of Portugal had increased imports of gold and diamonds, in a period called Royal Absolutism, which allowed the Portuguese Baroque to flourish. Baroque architecture in Portugal enjoys a very special situation and a different timeline from the rest of Europe. It is conditioned by several political, artistic and economic factors, that originate several phases, and different kinds of outside influences, resulting in a unique blend, often misunderstood by those looking for Italian art, but with specific forms and character. It starts in a complicated moment, with the financial effort of the kingdom channelled to the Portuguese Restoration War, after 60 years of Iberian Union. Another key factor is the existence of the Jesuitical architecture, also called "plane style". The buildings are single-room basilicas, deep main chapel, lateral chapels (with small doors for communication), without interior and exterior decoration, very simple portal and windows. It is a very practical building, allowing it to be built throughout the empire with minor adjustments, and prepared to be decorated later or when economic resources are available. Actually the first Portuguese Baroque does not lack in building because “plain style” is easy to be transformed, by means of decoration turning empty areas in pompous baroque scenarios. The same could be applied to the exterior. Subsequently, it’s easy to adapt the building to the taste of the time and place. Portugal Spring 2015

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