Wood Elements Free Stock Images

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Green Leaves Isolated On White with insect on it

Five elements

Trees - This image is a vector illustration and can be scaled to any size. Trees - This image is a vector illustration and can be scaled to any size

Detail of a vintage sailing boat. Detail of a vintage sailing boat

Aerial Overhead View of Forest Tree tops in super rich Dark Green color

Aerial Overhead View of Tree tops in super rich dark green color shot in Germany. Aerial Overhead View of Tree tops in super rich dark green color shot in Germany

Details of orange house

Baseball elements

Baseball elements

Gospel Book, Original treasure binding, Walters Manuscript W.540, Lower board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

Christmas background

Christmas background

Trees - This image is a vector illustration and can be scaled to any size. Trees - This image is a vector illustration and can be scaled to any size

Two bench of park.Xian,China.

Vector ripped paper on texture of wood background

Vector ripped paper on texture of wood background

Trees - This image is a vector illustration and can be scaled to any size. Trees - This image is a vector illustration and can be scaled to any size

Empty interior design concept, wooden table or shelf with modern minimalist vases, white architecture background

Empty interior design concept, wooden table or shelf with modern minimalist vases, white architecture background

Vector wood signs

Vector wood signs

Five elements

The Basic Elements

The Basic Elements

Notebook Doodle Design Elements Vector Illustration

Notebook Doodle Design Elements Vector Illustration

Set of hand drawn tribal elements and dividers.

Set of hand drawn tribal elements and dividers.

Traditional turkish architecture and home

Walnuts with almond on woof table

Illustration of post card, red

A beautiful white mirror on the table. Elegant bright interior

A beautiful white mirror on the table. Elegant bright interior. Close-up.

Decorative floral tree with butterflies

The Five Elements

The Five Elements

Photo of lonely tree in wintertime

Grunge wood background with hand drawn swirls

Grunge wood background with hand drawn swirls

Color tree on the white background ,cartoon

Spa. natural soaps and olive leaves

Spa. natural soaps and olive leaves isolated on the white background

A selection of paint brushes

Trees - This image is a vector illustration and can be scaled to any size. Trees - This image is a vector illustration and can be scaled to any size

ABC of Nature

Green Leaves Isolated On White

Wood jigsaw element

Wood jigsaw element

Summer Background with starfish and green leave on yellow background

Top view of Summer Background with starfish and green leave on yellow background

Basic word on wooden blocks. School educaion concept

Basic word on wooden blocks. Elementary School educaion concept. Basic word on wooden blocks. Elementary School educaion concept.

Trees - This image is a vector illustration and can be scaled to any size. Trees - This image is a vector illustration and can be scaled to any size

The Basic Elements

The Basic Elements

Recycle wood hand

Recycle wood hand

Child in forest adventure park. Kid in orange helmet and blue t shirt climbs on high rope trail. Agility skills

Child in forest adventure park. Kid in orange helmet and blue t shirt climbs on high rope trail. Agility skills and climbing outdoor amusement center for children. young boy plays outdoors.

Rural Bus Shelter

Wooden bus shelter in the countryside. Wooden bus shelter in the countryside

Trees - This image is a vector illustration and can be scaled to any size. Trees - This image is a vector illustration and can be scaled to any size

Small water with bridge in the South of Holland.

Small water with bridge in the South of The Netherlands nearby the Collse Watermill. Small water with bridge in the South of The Netherlands nearby the Collse Watermill.

A texture mat green and pink

Gospel Book, Original treasure binding, Walters Manuscript W.540, Upper board outside

Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back. Upper and lower boards made of wood and covered with goatskin, with a rectangular goatskin flap attached to the lower board to protect the fore-edge; two silver plaques have been attached to the upper and lower boards and are joined across the spine through use of 3 sets of 5 silver chains; upper-board silver plaque depicts the Adoration of the Magi in a central, rectangular field, with the figures and decorative elements in repoussé and gilded, with carefully incised details and blue, green, and yellow enamel employed for spatial and decorative effects; outer border is filled with grape-cluster motifs within a green-enamel background and semi-precious gems in the shape of rosettes and crosses; lower-board silver plaque incorporates the same decorative elements and design as the upper-board, but the central scene depicts the Ascension of Christ, with the heavenly background filled in with a marbled white enamel and the earthly background below in blue; inner boards lined with blue linen. This manuscript was executed in 1475 by a scribe identified as Aristakes, for a priest named Hakob. It contains a series of 16 images on the life of Christ preceding the text of the gospels, as well as the traditional evangelist portraits, and there are marginal illustrations throughout. The style of the miniatures, which employ brilliant colors and emphasize decorative patterns, is characteristic of manuscript production in the region around Lake Van during the 15th century. The style of Lake Van has often been described in relation to schools of Islamic arts of the book. Numerous inscriptions (on fols. 258-60) spanning a few centuries attest to the manuscript's long history of use and revered preservation. The codex's later history included a re-binding with silver covers from Kayseri that date to approximately 1700. This jeweled and enameled silver binding bears a composition of the Adoration of the Magi on the front and the Ascension on the back.

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